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analysis of browning my last duchess
my last duchess theme of jealousy
my last duchess dramatic monologue robert browning
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Robert Browning and the Dramatic Monologue
Controlling Purpose: to analyze selected works of Robert Browning.
I. Brief overview of Browning
A. Greatest Poet
B. Family Life
II. Brief overview of "My Last Duchess"
A. Descriptive adjectives
B. Cause for death
C. Description of his wife
III. Definition of Dramatic Monologue
IV. Comments by Glenn Everett
A. Point of View
B. Tone
C. Audience Imagination
V. Comments by Terry Bohannon
A. No Christianity
B. Evil Characters
Robert Browning and the Dramatic Monologue
Robert Browning, one of the greatest poets of his literary period, was born on May 7, 1812, in Camberwell, London. He was the first child of Robert and Sarah Anna Browning ("Robert Browning's Bibliography" 1). His father was a clerk at the Bank of England and his mother was a zealous Evangelist. By 1846, Browning got married to Elizabeth Barrett. From this marriage his wife conceived a son, Robert Barrett-Browning. At about the same time, he began to discover that his real talents lay in taking a single character and allowing him to discover himself to us by revealing more of himself in his speeches than he suspects In doing so, he wrote a great dramatic monologue called "My Last Duchess" (Everett 1).
Murder, mystery, and intrigue all describe Robert Browning's poem "My Last Duchess" (Oliver 1). From the speaker's meandering insinuation, the death of his wife in the reader's point of view may seem like a crime committed because of jealousy. In this monologue, the duke has attempted to justify himself, and to portray his wife as silly and ungrateful. But in fact he does the opposite, and the duchess is revealed as the innocent victim of the duke's outraged pride. There is also the suggestion that other suitors have mad a fool of the duke. But he cannot fully recognize that his wife might love another, and simply calls her "too easily impressed." By the end of his monologue, the duke is already hinting at his next conquestthe count's daughter ("My Last Duchess" 1).
The style and structure of this poem play a significant role in the effect of the poem. The dramatic monologue fits this favorably because the speaker, who is the Duke of Ferrara, comes across as being very controlling, especially in conversation. Browning also exercises many techniques, including a simple rhyme scheme, enjambment, and caesura to convey various characteristics and qualities about the speaker and the situation. He uses an AA BB rhyme scheme, which is very common to ballads and songs. The enjambed lines indicate the control that the speaker is exerting on the conversation and give the feeling that the speaker is rushing through parts of the poem.
The speaker in any poem is significant because he enables the reader to aquire information necessary in order to enter the imaginary world of the work. In Browning's Soliloquy of the Spanish Cloister, the solitary speaker, who is a monk overwhelmed with hatred toward a fellow monk, plays an important role as the guide in the world of the poem. The diction, structure, and tone of the entire poem communicate the speaker's motives, perceptions, emotions, and behavior.
Have you ever fallen in love? Have you ever developed strong feelings for another? If problems arose between the two of you, were you able to overcome them? Well certain men in Robert Browning’s works couldn’t seem to. . . “overcome” these differences with their women. Browning grew up learning from his father’s huge library. His wife was much more successful at writing than him. Eight years after her death, his career turned around for the last 20 years of his life. During this time, he wrote many short dramatic monologues such as My Last Duchess and Prophyria’s Lover. These two very intriguing and disturbing Monologues, My Last Duchess and Prophyria’s Lover, by Robert Browning, involve two very messed up men whose actions are both alike in their idea of immortalizing their woman, but different in why they chose to commit the act between the two stories, and a conclusion may be drawn from this observation.
My Last Duchess by Robert Browning is story of a duke recanting his story about his late wife. In this poem the author uses diction similar to conversational words as if he was speaking to someone or something, varied syntax, where he questions to engage the reader, and a vain and superficial tone where he places the value of his late wife to some simple bronze.
Robert Browning's Studies of Male Jealousy in the Dramatic Monologues Porphyria's Lover and My Last Duchess
Robert Browning’s poems ‘Porphyria’s Lover’ and ‘My Last Duchess’ were both written in the form of a dramatic monologue. Both poems show a similarity because they are both narrated from the male lover’s point of view. As a result, the reader becomes more closely involved in the poems and can feel very strong emotions for the individuals portrayed than if the poem was written from the eyes of an ‘outsider’. This form of writing enables Browning to use irony, in which the real meaning is concealed or contradicted by the literal meanings of the words. For example, in ‘My Last Duchess’ the Duke orders the death of his wife, though hides the true meaning in his words:
Browning took an interest with the Este family and the duke in his poem is based on “the figure of Alfonso II, Duke of Ferrara, the real life model for the Duke in My Last Duchess” (Negrut 149). In other words, this poem was actually inspired by real people and their actual circumstances. Fascinatingly enough, the Duke’s “first wife, the teenaged Lucrezia de Medici” (Gardner 169), faced a mysterious and untimely death. Consequently, the mystery behind Lucrezia de Medici’s death influenced the course of “My Last Duchess”. Rumours about Lucrezia’s death being caused by the Duke himself intrigued Browning and resulted in the basis for this poem (Negrut 149). Therefore, the Este family was the backbone of this poem.
The overarching irony in Browning's "My Last Duchess" is that it really is not about the duchess, but instead about the controlling, jealous, and arrogant nature of the duke. In his monologue describing a painting of his former wife, the duke introduces us to his dark and sinister qualities. By giving us the Duke of Ferrara as an example, Robert Browning subtly condemns the nobility for their poor character.
... of the love shared between a man and a woman. The aspects of jealousy, vanity, pride, obsessive desire, beauty, and flirtatious behavior are contained in both poems. The desire to completely possess another person's love and affection are related through a dramatic monologue. Robert Browning compares the love Duke Ferrara has for his Duchess with the obsession of Porphyria's lover. The Duke's has a jealous, stubborn, and irrational love for his Duchess. Likewise, Porphyria's is the recipient of a sinister, uncontrolled, and destructive love. Her mysterious admirer is overwhelmed by Porphyria's supreme beauty and her sensual mannerisms. His jealousy and obsession for Porphyria, compels him to act upon his depraved thoughts that will secure her total love and devotion. Porphyria and the Duchess experience similar outcomes that result in the death of both women.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of
In conclusion, Mr. Robert Browning depicts in ‘My Last Duchess” that the Duke is not an ideal husband by referencing how controlling he is over women and other people in his vicinity. Mr. Browning also references the Duke’s jealous and petty actions that make him seem desperate for a way to seek attention. That is why the Duke disposes of her since she was not giving him the proper care he wanted he decided that she was not worthy. The Duke is also not an ideal husband based on his views of how disposal women are to him. His jealousy and insecurity lead him to be an unhappy self-centered
Robert Browning's poem "Meeting at Night" is essentially a narrative of a man who is journeying to meet his lover. The man recounts his journey as he undertakes it, mentioning or observing different portions of the trip, each in turn. One by one, he briefly describes his surroundings as he passes by them, merely noting them as if they bear only fleeting significance to him. However, although his descriptions are unpretentious and abruptly forgotten as he continues onward toward his goal, each line of the poem contains striking imagery. In fact, it should be noted that this poem consists entirely of imagery. Every line depicts a scene of the landscape that Browning's narrator encounters; that is, at least, until he finally reaches his destination, when his focus is diverted to his lover. Throughout the entire poem he offers no personal insight or reflection on his situation, and he instead is content to merely report his perceptions and observations as they come and go. Although each of these little vignettes is of seemingly small consequence in itself, these individual images are each portrayed with remarkable style and feeling, and Browning skillfully strings these images together to elicit specific feelings and reactions from his readers. His masterful application of imagery, mood, and dynamic movement serve to shape the poem's emotion in such a way that the reader can tap into a plentiful well of information pertaining to the state of the speaker and his emotions -- information that initially goes unnoticed from a strictly literal observation.
My Last Duchess by Robert Browning is a dramatic monologue about a duke who is showing the portrait of his first wife, the duchess, to a servant of his future father-in-law, the Count. In a dramatic monologue, the speaker addresses a distinct but silent audience. Through his speech, the speaker unintentionally reveals his own personality. As such, in reading this poem, the reader finds the duke to be self-centered, arrogant, controlling, chauvinistic and a very jealous man. The more he attempted to conceal these traits, however, the more they became evident. There is situational irony (a discrepancy between what the character believes and what the reader knows to be true) in this because the duke does not realize this is what is happening. Instead, he thinks he appears as a powerful and noble aristocrat.
Elizabeth Barrett Browning was one of the braver literary pioneers. Choosing to utilize the vocabulary she favored rather than submit to the harsh criticisms of those who held the power to make or break her is an applaudable novelty about her. Many writers, having been successful in their literary exploits, are susceptible to accusations that their work was catered to critics. Surely, this cannot and should not be said of Elizabeth Barrett Browning.