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gladiator film analysis
analysis of the gladiator the movie
gladiator film analysis
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“There was a dream that was Rome. You could only whisper it. Anything more than a whisper and it would vanish, it was so fragile.”
The film ‘Gladiator’ was released in 2000. A thrilling action film, it was a huge success, scooping five Oscars and earning over $427 million dollars. Sir Ridley Scott- who directed the film-already had many great films to his name, such as ‘Alien’, ‘Blade Runner’ and ‘American Gangster’, so it was no surprise when this film became one of the highest earners of the year 2000.
The mise-en-scene used throughout was, perhaps, behind the genius that made this film as much of a success today as it was nine years ago.
An example of this in the opening sequence is the music. Beginning calm and gently, the music then progresses to give the impression that the seemingly peaceful atmosphere is about to change. The scene is simplistic but this only adds effect as it offers contrast to what is about to come. The main character in the film, Maximus, is walking through a field running his hand among the long grasses. This could be perceived as a portrayal of the Roman Afterlife, or Elysium, an implication that the character is now dead. There are many small, detailed examples of mise-en-scene that aren’t perhaps noticeable at first. One is the laughter of small children in the background and the other is the wedding ring on Maximus’ finger. These are possibly representatives of the family of Maximus that during the film are murdered. This again adds to the idea that the setting is Elysium. Another theme that runs throughout is the use of the colour gold. This signifier is only seen briefly in the opening sequence in the form of Maximus’ gold wedding ring, but becomes more conspicuous throughout the rest of...
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...son of the two armies. Whereas the Roman army are ordered and dressed respectively, the Barbarians appear, almost feral and do not even speak the same language. The use of a language barrier to keep the two armies even further apart, is another example of how Ridley Scott’s direction creates intense atmospheres. This sequence is substantial in helping the viewer to understand what is going on and what is about to happen.
Overall, the use of mise-en-scene helped Ridley Scott to create beginning sequences that have you hooked on the film from the moment you start watching. He combines settings and sounds, both diegetic and non-diegetic to produce and convey an atmosphere that was both suited to the film and also extremely effective. The colour gold acted as a signifier throughout and this has also contributed to making ‘Gladiator’ a film that will be remembered.
Mise en scene is a French term, which refers to the visual and design elements of a film. Literally, it is what we actually see on the screen – locations, sets, background details, costumes, even the use of colour and lighting. Mise en scene is used to describe every scene, including framing, composition, costuming, setting, objects, lighting, sound and camera angles. Everything is done purposely and intentionally.
Livy begins early in establishing the basic characteristics of Romulus, arguably the most notable Roman in history. Romulus and his brother Remus were “energetic young men, who [were]… strengthened… in body and spirit.” (Livy 9). Livy then describes the clash of these attributes between the two brothers, as Romulus and Remus battle for supremacy. “From a war of words, anger turned them to bloodshed. In the heat of the melee, Remus met his death.” (Livy 11). Livy wastes no time in establishing the brutal tradition of war that helped to extend the Roman Empire. Romulus came to power because of force, and furthered his rule by the same means: “By brute force and without strategy the Roman king prevailed, using the might of his veteran army alone.” (Livy 20). This overwhelm...
Ridley Scott’s film, “Gladiator,” portrays the sudden fall and heroic rise again, of a great Roman General named Maximus Decimus Meridius. Maximus’ monumental rise, and eventual vengeance, show the viewer, the greatness of this heroic character. A liberal humanistic critique, reveals that the film, has an inherent purpose or meaning, promotes the enhancement of life, and shows that human nature is basically unchanging.
Films have always been used to bring out various cultural artifacts and traditions. Through film, it would be easier for one to point out the culture in which one or the main character belongs to. The Iliad and Troy remains to be amongst the most renowned literal and film pieces that have been read, viewed and appreciated throughout history. Just as is the film Troy, which is based on the epic, The Iliad, Gladiator is a 2000 British–American epic historical drama film directed by Ridley Scott. The Gladiator features the character of Crowe, a fictional character, who is very loyal to Roman general Maximus Decimus Meridius. Crowe is betrayed when Commodus, a very ambitious son to the then the emperor Marcus Aurelius takes over power after killing his father.
...” (Livy, Rome 5.23). However, he never gave up on his home and his people, even when they gave up on him. Camillus’s “fervent wish” was that “love for this place will so fill your hearts that you will remain where you are…wracked by longing, homesick for your native soil” (Livy, Rome 5.54). Camillus understood that Rome was more than a conglomeration of buildings and stone. Rome was an idea, to be fostered, protected and shared. He was their savior, their misunderstood leader—a hero before his due time. Henceforth, this is Livy’s intention in engraving the life and story of Marcus Furius Camillus for the world, so that one day we may look back and seek the compassionate hero of Rome: the sun in the land of darkness. Her protector and Second Founder.
use of the camera the sound and the mise en scene. I will analyze the
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
... the mise-en-scene are the from the beginning of the film. Throughout the film I was aware of the locations. The San Francisco setting was presented to the viewer in the beginning and that made the audience more aware of the film's environment. The monastery and other locations of Corlata's past gave me a better understanding of Madeleine’s problem. The make-up and costume play an important part in the recreation scenes, while the props assisted the audience and John Ferguson in piecing the puzzle together and figuring out Gain’s plan. The lighting enhanced many scenes in the film. The parts that impressed me were the following: the recreation of Madeleine scene, John's dream sequence, the monastery scenes, Judy's guilt trip and the scenes involving John's fear of heights.
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
The film Psycho (Alfred Hitchcock, 1960) is an interesting film with many small details that help shape the film in to award winning masterpiece it is. The mise-en-scène is something that can go overlooked, but is very vital in understanding the meaning of the film. According to the book Film Art, mise-en-scène is all of the elements in front of the camera to be photographed, and because of that, this film technique is one that viewers notice most (p. 112). So this includes things like characters, props, nature and even behavior. Motifs and symbolism are prominent throughout the entire movie. They both help develop the plot either by continuously appearing throughout the film or by having a specific meaning that is a lot deeper than what it looks like on the surface. The mise-en-scène, especially motifs and symbolism, of Psycho plays a huge role in helping convey the meaning of the film.
This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky. The mise en scene highlights the military background that the characters are in. All in all, this scene is a highly emotional scene highlighting the mortal danger that confronts Dave and The
The mise en scenes in this film are unique because it gave viewers the ability to have a sense of how the characters are feeling. For example, low lighting was used throughout the film to express a sense of the unknown and/or fear. Another great example of how mise en scene was used is how human shadows for night shooting were used to increase the feeling of mystery and a threating atmosphere (Awjingyi). And one of the most important examples of mise en scene used in this film is in the last scene where mirrors were used (aka the “funhouse”) to
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
The film combines many different types of cinematography to make these scenes come to life and add suspense. The mise-en-scene being used in the film creates a totally different aspect in the film. The Matrix also used many different special effects on the characters and the scene to make the film so spectacular in every way. The special effects used made the viewers truly believe that the film is a realistic action movie. Many people do not realize the role these types of cinematography play in a film until they actually pay close attention to every scene. Different lighting and color techniques help to set the mood for the film and cause suspense for the
Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.