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Antigone religious conflict
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The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters. In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right. After burying her brother, Antigone is caught, and is seems that the state is more powerful than the gods for a time. “And yet you dared defy the law.” (208) Creon thinks that his law is all-powerful and ... ... middle of paper ... ... last, in death. Having hearing this news Eurydice, Creon’s wife kills herself; her last words were a curse on Creon for causing so much wrong in his life. Creon goes to pray for his mistakes to the gods, but they do not listen anymore. Choragos tells him “Then do not pray anymore: the sky is deaf” (244) Religion vs. the state is a main theme in “Antigone” by Sophocles. The theme is swiped throughout the play and causes much conflict between most of the characters. This conflict help’s the play move through the tragic form and touch all parts of it. Creon goes through the tragedy, by losing all of his family and not being able to die with them. Also the gods are done listening to him. The state, Creon, has failed ad the gods have come out o top once again “There is no happiness where there is no wisdom; no wisdom but in submission to the gods.” (245)
In this essay I intend to show how Creon systematically chose to exalt state law over divine law and how the end of the play - as Creon loses his son, wife, niece and status - tragically demonstrates the severity of his mistake. I will discuss how far Creon and his dogmatic beliefs heap tragedy on his head, whether he was correct in tenaciously pursuing those beliefs, and whether he can be blamed for demanding unquestioned obedience to the state laws. I also intend discuss the role which other characters - specifically Antigone - played in contributing to the tragedy at the end of Antigone.
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone’s views of divine justice conflict with Creon’s will as head of the state. Two brothers fighting against one another in Thebes’ civil war died while fighting one another for the throne. Creon, who had become the new ruler of Thebes, decided that one brother Eteocles would be honored, while Polyneices would be put through public shame. The body of Polyneices was to not be sanctified by holy rites, but was planned to be left unburied on the battlefield for animals to prey on it. Antigone, the sister of the two brothers wants to properly bury Polyneices’ body, but in doing so she would by defying king Creon’s edict. When Creon’s orders the Sentry to find out who had buried the body of Polyneices, Antigone is found to have buried the body of her dead brother. Since she disobeyed authority, her and her sister are temporarily imprisoned. He then wishes to spare Antigone’s sister Ismene and bury Antigone alive in a cave. To some up the foregoing, in honoring her brother she is performing the role of woman and warrior...
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus would be stoned in the town square.
This is the Crux of the theme, the conflict between the law of King Creon, and the law of the gods. In fact, according to Greek belief, Creon would have been ordained by the gods to be king, and thus, should not his law be their law as well? This is the hurdle that Antigone has to face; should she abide by the law of Creon and leave her brother to rot, under penalty of death? Or should she disregard Creon's edict, follow the law of the gods and bury her brother? Creon is a brother to Jocasta, and thus next in line to become king after Etocles is killed in battle. The king is believed to be the chosen of the gods and to rule in their stead. Why then would the king attempt to punish Polyneices after death and so blatantly violate the rules of the gods? However, Creon is the king, and the penalty for disobeying this law of his is very real and very brutal, death.
Next, Polyneices shouldn’t be treated like this because he's royalty. Meaning not that because he was rich, but that he influenced people throughout the kingdom, and the people throughout the city are truly upset and grieving for him. I think it is a horrible thing to punish people for how strongly they feel for someone. Examples from the text that really bring the attention to this is when Antigone say”All of these men here would praise me Were their lips not frozen shut with fear of you.” and “No, they are with me. But they keep their tongues in leash.” From both of these statements, you can tell that Antigone was also trying to get vengeance not just for herself , but all the people that believe against this law. She sought vengeance because she knew the people that would fight against this law, did not because of their families. But this was her family and for her family so she didn't see that there was anything to lose. She also knew that their had to be some force against this, because if Creon would create this law going against the gods, he would create any
Antigone’s selfish determination and rigid adherence to her guiding ideology place her in opposition to the governing male authority within a patriarchal society. She is not afraid to defy the law or the lawmaker if she believes the decree is wrong; this is shown when Antigone defies the decree made by Creon in the topic of burying her own brother, “You overrule
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In Antigone, the main struggle is between Antigone and Creon, which can also be seen as a struggle between the supremacy of legal and political institutions and the will of the Gods. The discourse of the play embodies the debate between the will of Creon and his faith in the laws and and the will of Antigone and her belief in the Gods. In this paper, I will defend Antigone’s burial of her brother and explain why she was correct in the context of Ancient Greece using other sources from the time.
After deciding to free Antigone, Creon realizes that “its best to keep the established laws to the very day we die” (Sophocles 1238-9). This is an example of Creon’s anagnorisis; he finally realizes that man must first obey the god’s laws. With this recognition, Sophocles is implying that man should always follow the god’s decree, even when metaphorically blinded by stubbornness of following the state’s laws. Furthermore, after being faced with divine retribution, Creon laments that he “learned through blood and tears” after “the gods] came down and struck [him]” (Sophocles 1402-5). Creon is being punished through the means of Nemesis after not obeying the gods. Sophocles is asserting that if the gods are not obeyed, their will be consequences. Finally, Creon wails that he “poured [his] heart into prayer” without avail, after being rejected by the gods (Sophocles 1456). The gods have abandoned Creon because he disobeyed them, and is now doomed to live a life of suffering. Sophocles is explaining that if the gods laws are not followed, their will be retribution. Having thoroughly developed the tragic hero elements of Creon, Sophocles is able to develop the theme of deciding between the god’s laws, or the state’s
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
“People, who start forbidding what God allows, will soon allow what God forbids”(Sophocles, 1355). This quote by Machin is a prime example of the quarrel between the understanding of God’s law versus human law, and how man can be corrupted by attempting altering God’s law. In Antigone by Sophocles, Antigone defies her uncle’s austere orders and buries Polyneices based on her perception that God’s law overpowers man’s law in all circumstances. The overall moral conflicts in the play are between Antigone and her religious beliefs about God’s law, and between Creon and Thebes’ justice system about human law.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.