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Crime is a social construction
Crime is a social construction
What Is The History Of Punishment
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Crime and Punishment novel is one of the greatest creations of Fyodor Dostoyevsky that had a huge influence on the future world literature. It is social, psychological, philosophical and ideological novel. The work was written by Dostoyevsky in a hard time for Russia when there were conflicts between political views, when new ideas were still weak and old ideas started to collapse. According to Boris Lichman, PD, a Russian historian, Russian society movement towards a capitalist system in the second half of XIX century led to the destruction of villages, peoples’ impoverishment, aggravation of social conflicts, and, consequently, to the increase of crimes (Lichman). Therefore, this topic of criminality became very popular in Russian literature writings of that period. Main heroes’ norms were Christian commandments like “do not kill”, “do not steal”, “do not fornicate”. When a main hero broke a rule, he/she inevitably collided with society. Thus, Fyodor Dostoyevsky wanted to show that a human, who committed a crime disregarding the reason, would not change the world, and pure Christian love and self-sacrifice were the only way towards societal transformation.
The idea to write the novel came to Dostoyevsky during his exile in 1859. He was going to share all his inward experience of the exile. During that period he met many strong personalities who helped to change his previous beliefs. He has been hatching his idea for six years. On June 8th, 1965, Dostoyevsky proposed to Andrey Krayevsky, a Russian publisher and journalist, his new novel named “Pyanenky”, but Krayevsky refused because the editorial office did not have the money. On July 2nd, because of lack of money, Dostoyevsky had to have an agreement with another publisher, Fyo...
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...le, and no evil is to be justified with the happiness of millions; it could not be built on blood, violence and tyranny. Only a humane and fine society could rise and reach the happiness for most people. However, despite the heavy darkness of Crime and Punishment written by Fyodor Dostoyevsky, there was a light in the main hero’s life, his moral strength and courage to find a way of true serving to people.
Works Cited
Albetin E.A. and Litvinova V.I. Crime and Punishment by F.M.Dostoyevsky in the light of Christian ethics.” Crime and Punishment by F.M.Dostoyevsky in the context of modern learning of classics. Abakan: 1999.
Dostoyevsky, Fyodor. Crime and Punishment. Prague: Animedia Company, 2013. Print.
Lichman, Boris. The Russian History. The Theories of Study. The First Book. From the Ancient Period to the End of XIX century. Yekaterinburg: SV-96, 2001. Print.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
First, Dostoevsky gives the reader the character, Raskolnokov. He is the main character, whom Fyodor uses to show two sides of people their admirable side and their disgusting side. He loves Raskolnokov, which is why Fyodor uses Raskolnokov’s point of view throughout the whole novel. Personally, Fyodor dislikes some of his qualities but understands that all people are plagued with some bad traits, and that Raskolnokv is trying to make emends for some of his wrong doings, i.e. the murder of the pawnbroker and her sister. He knows that what he did was wrong and is willing to suffer for his crime, and he does throughout the whole book with his constant depression. Dostoesky believes in punishment for your crimes, this is why he shows Raskolnokov suffering through most of the novel, to show his great love for penance. Dostoevsky likes the kind giving nature of people; this is why he portrays the main character as a kind, gentle, and giving, person. Often, Raskolnokov thinks only of others benefits such as when he helped Katerina by giving her all his money for Marmelodov, as well as his caring about what happens to his sister with her marriage to Luzhin. Raskolnokov hates Luzhin’s arrogant and pompous attitude, which reflects Dostoevsky’s animosity of the same qualities in people in the real world.
In such poor living conditions, those that the slums of Russia has to offer, the characters in Fyodor Dostoevsky’s Crime and Punishment1 struggle, living day to day. Raskolnikov, the protagonist, experiences multiple layers of suffering (the thought of his murder causes him greater suffering than does his poverty) as does Sonia and Katerina Ivanovna (1). Through these characters as well as Porfiry Petrovitch, Dostoevsky wants the reader to understand that suffering is the cost of happiness and he uses it to ultimately obliterate Raskolnikov’s theory of an ubermensch which allows him to experience infinite love.
As a result of Dostoevsky’s diligence and commitment to making this effort effective the special things about Russia that are good and dear to the heart were saved. The faith in the common man is surprising and a typical of Dostoevsky.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Friedrich Nietzsche once said, “Dostoevsky, the only one who has taught me anything about psychology.” The two writers share many similarities and differences. Dostoevsky clearly had an effect on the thinking of Nietzsche. The two would be considered both philosophers and psychologists. Both writers became prominent in the late 19th century in Germany and Russia respectively. Dostoevsky was noted for his Russian literary classics and would be responsible for a flowering of late 19th century Russian literary culture. His Russian contemporaries include Leo Tostoy and Anton Chekov. Dostoevsky’s most famous works include The Brothers Karamozov, The Idiot, and Crime and Punishment. Nietzsche is most famous for his philosophical works such as thus spoke Zarathustra. The two writers have many similarities in their philosophy. They both see a changing role in religion. Nietzsche and Dostoevsky also differ sharply on some other aspects of life. One of these being the differing views on the role of the fatherland. Nietzsche’s beyond good and evil and Dostoevsky’s crime and punishment are two works that can be compared and contrasted to show the similarities and dissimilarities of the two geniuses. The two men offer great insights in these books on morality and the affect it can have on the actions of the individual and the society as a whole.
George Gibian. New York: Norton, 1989. Frank, Joseph. The. Dostoevsky: The Miraculous Years, 1865-1871.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.
Hansen, Bruce. “Dostoevsky’s Theodicy.” Provo, Utah: Brigham Young University, 1996. At . accessed 18 November 2001.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man. The man is peculiar because of his lack of self-respect, his sadistic and masochistic tendencies, and his horrible delight in inflicting emotional pain on himself and others. Almost instantly the reader is forced to hate this man. He has no redeeming values, all of his insights into human nature are ghastly, and once he begins the narrative of his life, the reader begins to actively hate and pity him.
Dostoevsky, Fyodor M. Crime and Punishment. Trans. Jessie Coulson. Ed. George Gibian. New York: W.W. Norton & Company, Inc., 1989.
Dostoyevsky, Fyodor, Jessie Senior Coulson, and Richard Arthur. Peace. Crime and Punishment. Oxford: Oxford UP, 1998. Print.