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Introduction:
Film induced tourism has grown in every aspect around the globe whether its because of the curiosity of the people to indulge in this kind of tourism or just being a part of the artificial world. Then it comes to define film tourism many authors have different views, according to Hudson and Ritch (2006a), it is describe as people visiting places which are directly influenced by films to see the landscapes, building, places as it was shown on TV, advertisement or in cinema screen. In addition to the meaning above for film induced tourism, Riley & Van Doren, (1992) further added that people visiting these places may be overwhelm with the romantic gaze of the place, and feel emotionally attached to it and also with the focal points of the film such as actors and their attributes, where they used to live, themes, social patterns and so on. However this essay will also discuss the originality of film tourism and its implications towards the destination and how it effects the local culture and community.
Background of Film and Cinema:
The introduction of films began in the early era of 1920s and since then technology in many forms as such Televisions which featured documentary and made films more popular with in audiences, according to commentators it is said that film has become the most global and popular seen and followed form of culture. (Shiel, 2001; Urry & Larsen, 2011). Furthermore in late 1960s cinemas and theaters were popular among people also due to entertainment and transformation of different cultures, it has since then captured a large number of tourists. Today that trend has changed into television viewing, which is hence said it is the major leisure activity among people. In addition to that seeing films...
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...ourism: “The experiences of film location tourists.” Channel View Publications, UK .
Sue. Beeton. (2005). Film-induced Tourism. Channel View Publications, UK
Riley & Van Doren, (1992). Movies as Tourism Promotion: “A pull factor in a push location, Tourism management”, vol 13, pp 267-77
Noelle O'Connor. (2010). A Film Marketing Action Plan (FMAP) for Film Induced Tourism Destinations. Dublin
Joanne Connell & Denny Meyer. (2001). Balamory revisited: An evaluation of the screen tourism destination-tourist nexus. Melbourne, Australia.
Young, A. F; Young, R. (2008). Measuring the Effects of Film and Television on Tourism to Screen Locations: A Theoretical and Empirical Perspective. Journal of Travel & Tourism Marketing, 24, (2-3), 195-212.
Kapell, A.M.and Lawrence, J.S (2006). Finding the force of the Star wars franchise: fans, merchandise, & critics. New York: Lang.
Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.
Following the demise of the studio system, the film industry became threatened by the increasing popularity of television after some film theaters became bankrupt and closed. The new medium of television meant people could enjoy entertainment in the comfort and safety of their living rooms, thereby decreasing the revenue needed to sustain the movie theater b...
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
...in film-making and thus, they play around with the technology. This results in the visual impact created which give the spectators a new sensation towards this new art. Cinema pre-1906 is somewhere for the people to take a rest and to have fun with friends and families. They visit there merely for entertainment and cheerfulness. They are not required to think and analyze the films; instead they need only to sit back and relax, and to perceive the series of views with amusement. These features build up the cinema pre-1906, which is also the “cinema of attractions”.
“It is more or less accepted that film’s function in our culture goes beyond that of being, simply, an exhibited object...film is a social practice for its makers and its audience; in its narratives and meaning, we can locate evidence of the way on which our culture makes sense of itself”(Turner, 1999:3)
In the beginning of The Roaring Twenties, about fifty million people went to the movies per week, amplifying to ninety million in 1929. These huge numbers are a result of the public’s obsession with the movies’ glamour, sophistication, and sex appeal. Watching movies motivated the viewers to ea...
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
World War II Cinema. This book looks at how film became a popular form of entertainment mainly in Britain and Germany. She investigates each countries national cinema for political purposes. Within this book feature films as well as short films are investigated. She identifies that the main theme is escapism cinema that was crucial in maintaining morale.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Film gives everyone the ability to become imaginative which is a valuable skill in life, it can also be very influential to a lot of people and can change people’s
This gave more incentive for people to attend films, not only to enjoy the movie but to also become updated with news of major events from a motion picture standpoint versus words written in a newspaper or spoken over the radio. In the past two decades, technology has dramatically shifted in the motion picture industry. Even going back as far as the 1970’s, these films relied on a story being told mostly from words being spoken and the situations within the film. It was very script driven in a wording sense. In our modern age, it has shifted
The cinema of attractions came to existence during the early 20th century from 1900 to 1906 through films such as The Great Train Robbery (1903), A Trip to the Moon (1902), and many others. According to Tom Gunning, the Cinema of Attractions can can be defined as cinema that seeks to grab spectators attention, incite visual curiosity, and give pleasure through an exciting spectacle; all while being aware of it's attempts to do so. Cinema of Attractions grades itself on its ability to show something, values itself on showing the world something never before seen, or unique, and has a willingness to take the audience out of a strictly voyeristic atmosphere. (Gunning)
For the introduction, brief information regarding my purchase and the travel and tourism industry is presented. It was then followed by the explanation of the 2 chosen theories from two different chapters.
Film was meant to show the traditions and customs of specific cultures to the rest of the world. However, because of Hollywood's need for a large market to sell a movie ...
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.