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the influence of romeo and juliet
the influence of romeo and juliet
the influence of romeo and juliet
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Play writing has evolved over time. As each new century has dawned, new genres of plays have been introduced to the world. American plays have changed a great deal from Prince of Parthia to Margaret Fleming. Characters have become more dimensional, plots have become more complicated, and even the style of the dialogue has changed. With all the changes that have occurred, plays have gotten more intriguing to the audiences. The first play to ever be published by an American, Prince of Parthia by Thomas Godfrey, closely resembled Shakespearean literature, and another early play that resembled another culture is Fashion by Anna Cora Mowatt; by the time Margaret Fleming by James A. Herne came out, the standard of American Drama had completely changed for the better.
Prince of Parthia was written by Thomas Godfrey and first published in 1765, which made it the first play to ever be written by an American. Since an American had never published a play before, there was no ideal image of what an American play should consist of. When the play was released, America was dealing with the Revolutionary war. His audience was the frightened yet determined American people. All Godfrey had to base his work off of was playwrights such as William Shakespeare. The play mimicked at a great deal of Shakespeare’s plays, by using virtually the same plots. The ghost scenes in Hamlet and Parthia are almost the same. In both plays the ghost are seen by the same person, the Queen. The only changes between the plays are some of the word choices that Godfrey used. In each of the plays the ghost can only be seen by one character, which makes the plots change indefinitely. The fact that both of the characters whom saw the ghost, were demented in their own way...
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... same; the men felt the mistreatment that they were incurring was fuel to their fire. Godfrey created a symbol of a sensationalized image of his audience’s qualms of domination and treachery.
As the next century dawned upon America, a new form of plays were introduced, satire or farce. Many playwrights such as Anna Cora Mowatt and Royall Tyler wrote the new forms of plays. The identity of an American play changed greatly with the release of Fashion by Mowatt. The play was first published in 1850. It takes place in New York City, New York the dynamic of the American people had changed greatly. People began to focus on the idea of “class” standards. In Fashion Elizabeth Tiffany is attempting to live above her means, because she wants to be like high class; she insists on using the French language, even though she cannot pronounce it properly.
Not all plays are character-driven, in fact a great many are not. So if the characters are not what keep the audience intrigued, well then what does? There are many possible answers to this question. Paper Wheat uses the history of a group of people, a specific message commenting on a time period, spectacle elements such as song and dance, and the genre of comedy to keep its audience both engaged and entertained.
I am going to start my essay by looking at the way in which plays were
I enjoyed reading Freeman's book and I think that I would use a similar method if I were to write a book about Alexander. He wrote the book as a story describing what the figures may have been thinking and feeling giving the reader a look into the mind of a Macedonian far from home on campaign in asia. Describing battle scenes he make the reader feel the battle describing pain, fear, anger, and more. Rather than a dry and clinical text book approach to the history of Alexander he gives a more visceral approach similar to a fantasy novel. He also avoids using esoteric and foreign language making the book easy, as well as enjoyable, to read while still accurately conveying the facts and possibilities of Alexander's campaign across Asia.
the play is set in 1912. The main themes of the play are lies, love,
created the play as a comedy, showing how the world might be in the times of the
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
The Empress Dowager Tzi-his (1835-1908) was a unique ruler unlike any other China had ever seen. She is considered to be one of the most influential people in Chinese history, a rarity in the male dominated Chinese world. The empress dowager exerted great power over the Chinese empire and influenced the political structure in ways it had never been influenced before, making many great reforms that she believed would help the Chinese people.
The first difference is in the way the play and the movie begins. The play starts out with guards standing guard at the castle with Horatio, Hamlet?s friend. The guards and Horatio are waiting for the ghost of Old Hamlet to arrive so they can find out why he is there. The ghost does arrive twice but does not speak. The scene ends with the guards and Horatio discussing that they should get Hamlet to try to speak to the ghost. Hamlet the movie starts out differently. It starts out with the funeral for King Hamlet with Gertrude standing beside the coffin. Hamlet sprinkles dust over his father?s dead body. The coffin is then covered and Claudius, Old Hamlet?s brother, places his sword over the coffin and Gertrude cries.
Hamlet starts with the King dead and Hamlet is already in a miserable mood. The first step that pushes him over the border into madness is his meeting with the ghost and even Horatio can see it as
... to make choices as to how they wanted to act out those scenes. Nevertheless, the ghost is an important part of the play that will always lead to questions in the readers mind. Does the ghost cause Hamlet to go mad or is that madness within that causes the ghost to be revealed? Is it the ghost who causes Hamlet to seek revenge or the unraveling truth of Claudius’s murder? These questions may change with every generation but as some questions get answered others come forth which leads audiences to always be captivated by Hamlet.
In the first act the ghost appears to two soldiers Marcellus, and Barnardo, as well as to Hamlet’s friend Horatio, who is a very credible and intelligent person. The same ghost appeared to Hamlet several times through out the play also. These facts eliminate the chance of this ghost being a figment of people’s imagination because too many people saw the same thing. In act 1 scene 1 it is revealed that the ghost appeared twice wearing the same armor King Hamlet wore when he fought the ambitious old Fortinbras, King of Norway, and also when he defeated the Poles. Young Fortinbras is determined to get back the land his father lost. This fact brings more in depth evidence to the ghost being real. The reason the guards are there on watch is a direct relationship to an attack from Fortinbras and the ghost is wearing the armor of the event that started this whole thing.When the ghost asks Hamlet to avenge his death, he reveals a true fact involving the death of King Hamlet:Ghost. I find thee apt; and duller shouldst thou the fat weed that roots itself in ease on lethe wharf wouldst thou not stir in this. Now, Hamlet, hear. ‘tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark in by a forged process of my death rankly abused. But know, thou noble youth, the serpent that did sting thy father’s life now wears his crown.Hamlet. O, my prophetic soul! My uncle! (1.3. 38-48) Later in the play is revealed that Claudius murdered King Hamlet in order to achieve the crown himself. This fact proves the reality of the ghost. Claudius admits to killing King Hamlet in a prayer: "…since I am still possessed of those effects for which I did the murder: My crown, mine own ambition, and my queen…"(3.3 57-59) The ghost told Hamlet about that fact before Claudias ever admits it.
There are many meanings inside stories; “Gregory” by Panos Ioannides is a heart-wrenching short story that follows the protagonist through the execution of his friend. E.M. Forster explains a want to keep friendships strong even at the expense of one’s relation to one’s country. The main character in “Gregory”' has multiple thoughts showing a tie to what Foster explained, as well as the internal fight that happens when one has two forces pulling at one. The Narrator wants to follow his gut and skirt tragedy, but in the end he wants to save himself from his superiors.
The nineteenth century was a time of economic, technologic, and population growth. These changes created problems in everyone’s daily lives. Two examples of things that affected the lives of many were disease and sanitation. Disease and sanitation led to high mortality rates in Nineteenth- Century England. This relates to North and South by Elizabeth Gaskell as it takes place during nineteenth century England and multiple characters died presumably due to disease.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
This is how Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed.