The Dramatic Monologues of Robert Browning
Consider the range of characterisation in Browning’s dramatic monologues and the poetic methods he employs to portray his speakers. Some are written in rhyming verse, use metaphors, et cetera, but for what reason? What is the writer trying to achieve and how successful is he?
Robert Browning (1812-1889) was an English poet noted for his mastery of dramatic monologue. He was born in London, the son of a wealthy clerk at the bank of England, he received scant formal education but had access to his father’s large library of about 6,000 volumes. Though initially unsuccessful as a poet and financially dependent on his family until well into adulthood Browning was to become a celebrated Victorian poet. In some of his finest works people from the past speak their thoughts and reveal their lives to the reader through the ……?
The poems I will be taking into account will be:
‘Porphyria’s Lover’ from Dramatic Lyrics, 1842
‘The Laboratory’, 1844
‘My last Duchess’, from Dramatic Lyrics, 1842
‘Andrea del Sarto’ from Men and Women, 1855
‘Fra Lippo Lippi’ from Men and Women, 1855
All these poems are presented from the viewpoint of an individual explaining their actions. The speakers all consider their actions justified, though only Fra Lippo Lippi has reason to explain himself to anyone.
These poems use different poetic methods to form the character of the speaker. The rhyme schemes vary from obvious, as in the rhyming couplets of ‘The Laboratory’, to subtle, as in ‘Porphyria’s Lover’ to an absence of a rhyme scheme as in the blank verse of ‘Andrea del Sarto’. Also there are many uses of alliteration, assonance, enjambment and onomatopoeic words to draw our att...
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though Andrea is presumably referring to her curves and suppleness of youth the serpent is also widely recognised as a manipulative and deceitful. A true master of the arts would be expected to have a better imagination and grasp of imagery. This poem also particularly demonstrates Browning’s mastery of dramatic monologues as he has written in blank verse and written in the tone of a dull and lifeless man but still creates a deep dramatic monologue that reveals a lot more through it’s poetic methods employed in it than the speaker actually tells us. The way such different portrayals are formed of each character show us how successful Browning has been in using different poetic methods to convey each characterisation as a lot can be established simply from the rhythm and rhyme scheme of the poem and other poetic methods used before even analysing the speaker.
Have you ever fallen in love? Have you ever developed strong feelings for another? If problems arose between the two of you, were you able to overcome them? Well certain men in Robert Browning’s works couldn’t seem to. . . “overcome” these differences with their women. Browning grew up learning from his father’s huge library. His wife was much more successful at writing than him. Eight years after her death, his career turned around for the last 20 years of his life. During this time, he wrote many short dramatic monologues such as My Last Duchess and Prophyria’s Lover. These two very intriguing and disturbing Monologues, My Last Duchess and Prophyria’s Lover, by Robert Browning, involve two very messed up men whose actions are both alike in their idea of immortalizing their woman, but different in why they chose to commit the act between the two stories, and a conclusion may be drawn from this observation.
Langbaum, Robert. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York: W.W. Norton & Company, Inc., 1957.
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Furthermore, the opening “I stand” sets e assertive tone in the [poem. The speaker never falters in presenting the complexity of her situation, as a woman, a black [person], and a slave. The tone set at the beginning also aid the audience to recognize that the speaker in the “white man’s violent system” is divided by women, and black by whites. The slave employs metaphors, which Barrett use to dramatized imprisonment behind a dark skin in a world where God’s work of creating black people has been cast away. To further illustrate this she described the bird as “ little dark bird”, she also describes the frogs and streams as “ dark frogs” and “ dark stream ripple” Through the use of her diction she convey to readers that in the natural world unlike the human one, there is no dark with bad and light with good, and no discrimination between black and white people.
The speakers and audience in poem are crucial elements of the poem and is also the case in these poems. In the poem Untitled, it can be argued that the poem is being written by Peter based on what his father might say to him...
A dramatic monologue is defined as a poem in which a single character is speaking to a person or persons- usually about an important topic. The purpose of most dramatic monologues is to provide the reader with an overall or intimate view of the character’s personality. A great poet can use punctuation and rhythm to make the poem appear as if it were an actual conversation. Robert Browning, known as the father of the dramatic monologue, does this in his poem, “My Last Duchess.'; The Duke of Ferrara, the speaker in “My Last Duchess,'; is portrayed as a jealous, arrogant man who is very controlling over his wife.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
Robert Browning frequently wrote dramatic monologues to enhance the dark and avaricious qualities in his works. Browning's use of this particular style is to "evoke the unconstrained reaction of a person in aparticular situation or crisis" (Napierkowski 170). A poem may say one thing, but when mixed with dramatic monologue, it may "present a meaning at odds with the speaker's intention"(Napierkowski 170). This change may show the reader more insight into the poem without directly stating the underlying facts. The reader is allowed to "isolate a single moment in which the character reveals himself more starkly" (Napierkowski 171). Browning's use of dramatic monologue "disposes the reader to suspend moral judgement" (Napierkowski 171) causing a haughtiness to hover over many of his works.
In his introduction to the Norton Anthology of English Literature M. H. Abrams attempts to overcome these difficulties by identifying the 'five cardinal elements' of Romantic poetry. According to Abrams, Romantic poetry is distinguished by the belief that poetry is not an "imitation of nature" but a "representation of the poet's internal emotions". Secondly, that the writing of poetry should be "an effortless expression" and not an "arduous exercise". The prevalence of nature in Romantic poetry and what Abrams calls "the glorification of the ordinary and the outcast" are identified as two further common elements, as is the sense of a "supernatural" or "satanic presence" (Abrams, 2000, pp. 7-11). It is with regard to this elemental understanding of Romantic poetry that I will conduct my close critical analysis of 'Frost at Midnight' to examine the extent to which the poem embodie...
Robert Frost is one of America’s most loved and respected poets. He did a great job capturing the hearts of his readers with his natural imagery and ability to use metaphors to reveal the truths that he was trying to convey. Frost’s life was filled with many struggles including several losses in his family. His early struggles would continue through his educational period, as he wouldn’t graduate from college. Frost traveled to Great Britain to gain some ideas on poetry, and then returned the America to begin writing again (Famous Poets and Poems 1). He would have great successes, and would win numerous awards and honors for his work. The purpose of this research project is to educate the reader of Robert Frost’s biographical information, his career as a writer, the awards and honors that he was able to obtain, and Frost’s writing style.
Elizabeth Barrett Browning 's "Sonnet XLIII" speaks of her love for her husband, Richard Browning, with rich and deeply insightful comparisons to many different intangible forms. These forms—from the soul to the afterlife—intensify the extent of her love, and because of this, upon first reading the sonnet, it is easy to be impressed and utterly overwhelmed by the descriptors of her love. However, when looking past this first reading, the sonnet is in fact quite ungraspable for readers, such as myself, who have not experienced what Browning has for her husband. As a result, the visual imagery, although descriptive, is difficult to visualize, because
Robert Browning's poem "Meeting at Night" is essentially a narrative of a man who is journeying to meet his lover. The man recounts his journey as he undertakes it, mentioning or observing different portions of the trip, each in turn. One by one, he briefly describes his surroundings as he passes by them, merely noting them as if they bear only fleeting significance to him. However, although his descriptions are unpretentious and abruptly forgotten as he continues onward toward his goal, each line of the poem contains striking imagery. In fact, it should be noted that this poem consists entirely of imagery. Every line depicts a scene of the landscape that Browning's narrator encounters; that is, at least, until he finally reaches his destination, when his focus is diverted to his lover. Throughout the entire poem he offers no personal insight or reflection on his situation, and he instead is content to merely report his perceptions and observations as they come and go. Although each of these little vignettes is of seemingly small consequence in itself, these individual images are each portrayed with remarkable style and feeling, and Browning skillfully strings these images together to elicit specific feelings and reactions from his readers. His masterful application of imagery, mood, and dynamic movement serve to shape the poem's emotion in such a way that the reader can tap into a plentiful well of information pertaining to the state of the speaker and his emotions -- information that initially goes unnoticed from a strictly literal observation.
Robert Browning, the poet, uses iambic pentameter throughout the poem. He breaks up the pattern so that every two lines rhyme. Aside from being a dramatic monologue, the poem is also considered lyric poetry because it is a poem that evokes emotion but does not tell a story. The poem is being told in the speaker's point-of-view about his first duchess, also as revealed in the title, The Last Duchess. The setting is important because the duke's attitude correlates to how men treated women at that time. The theme of the poem appears to be the duke's possessive love and his reflections on his life with the duchess, which ultimately brings about murder and his lack of conscience or remorse.
One poetic device is descriptive language; it creates a fascinating story, and it is also uncircumscribed as the limit is how descriptive the author wants it to be. Since both Shakespeare and Poe use descriptive language, they both convey specific moods with their works. However, they both translate contrasting moods and messages, and they make the readers feel the essence of the story in different ways. “Ah,
The Victorian period was in 1830-1901, this period was named after Queen Victoria; England’s longest reigning monarch. Britain was the most powerful nation in the world. This period was known for a rather stern morality. A huge changed happened in England; factories were polluting the air, cities were bursting at the seams, feminism was shaking up society, and Darwin’s theory of evolution was assaulting long established religious beliefs. The Victorians were proud of their accomplishments and optimistic about the future, but psychologically there was tension, doubt, and anxiety as people struggled to understand and deal with the great changes they were experiencing. One of the authors known for writing during the Victorian Period was Robert Browning. Robert Browning was a poet and playwright whose mastery of dramatic monologues, which made him one of the Victorian poets. Robert died in December 1889. His Poem “Porphyria’s Lover” was published in 1836. This essay will explore three elements of Victorianism in Porphyria’s Lover by Robert Brown...