Geoffery Chaucer wrote his legendary Canterbury Tales in Medieval times when women were considered as servants to their husbands and powerless. This was a time where church and state were one entity and in the church’s eyes women were supposed to be gentile and and virtuous. Sexuality and education of women was condemned by the church and state. The clothing during that time also represented the ideals of that time. Their skirts were long and ankles were never to be shown naked in public. Young girls were taught that a fulfilled life included marrying a rich and noble man, staying at home taking care of the kids and being in tune with a lifestyle that the church praised. Chaucer wrote his female characters to represent the women he had come into contact with. The virtuous and beautiful women came into play in the Franklin’s and the Physician’s tales. In these tales, the women that are the main characters are kind, beautiful and everything the church thought a woman should be. These women showed their virtuousness by choosing death over being morally stained or losing their family honor. Though Chaucer had these kind of women represented in his stories, he was a radical writer. He criticized the church, Medieval society and other common figures he encountered in his travels. The most radical story that Chaucer has written, as far as women are concerned, is The Wife of Bath’s Tale . The main character in this tale, which is a woman, actually holds the power over her husband. Though Chaucer wrote of the people of his time, his story of a woman holding power is extremely radical during the time that he had written it.
In the Physician’s tale, a knight named Virginius has a beautiful and kind daughter named Virginia. There was a judge named Appius who at all cost wanted to attain the fourteen year old Virginia. He get Claudius, a criminal, to help in his conspiriacy. Claudius goes to court to accuse the knight of stealing a servant girl form him and pretending that she is the knights daughter. The judge rules that the knigth’s daughter is not really his and orders the knight to hand his daughter over to Claudius. When the knight goes home, Virginia is so distrought that she decides to “ die as a madian.” Virginia convinces her father to kill her with his sword. Virginius cuts off his daughters head and and bring it to the court. Appius orders that the knig...
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...usbands who sexually satisfy their wives. This tale gives one the feminist-like expression that if men give up the social power over their wives, both will have a happy marriage. It seems that the speech about nobility coming from God is really coming from the opinion of the Wife of Bath. Both women are very alike. Both have radical opinions such as the defense of female sexuality and that she exemplifies all that God wants a woman to be. But one difference between the two is that when the old lady speaks to men about her opinions, she is heard and respected. This part seems to be what the Wife of Bath wishes what happens when she speaks. The kiss turning the old lady into a beautiful maiden at the end of the story is what The Wife of Bath believes what happened to her when her current husband gave the power in their marriage up to her.
In conclusion, the Wife of Bath’s tale is the most modern of all of Chaucer’s tales because it clearly state the opinions of women during that time. The fact that Chaucer would let the voices of women be heard during a time when they were thought of as nothing more than servants, is what makes Chaucer one of the greatest writers of his time.
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
Leicester, Jr., H. Marshall. "Of a fire in the dark: Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
example of the complicated nature of Chaucer’s belief system. On the one hand, we have many strong female characters that despite still being extremely dependant on the men in their lives, know what they want out of life. From a contrasting point of view, readers see a group of men, including Chaucer as the writer himself, making fun of the very nature of women as a whole. Is this really how Chaucer felt towards women, or is the prologue of The Wife of Bath’s Tale simply a parody of the opinions of his time?
“The Wife of Bath’s Tale” in The Canterbury Tales by Geoffrey Chaucer is a story about a widow who took a pilgrimage to the town of Canterbury with an array of dynamic characters whose diverse backgrounds allowed them to share their stories with one another to make the long journey more interesting. The widow named Alisoun in the “The Wife of Bath’s Tale” told the tale of her experiences with her five past husbands and a story about a knight and a witch. She truly believed that for a woman to have a happy life she would need to gain dominion over a man; however one could assume this was programmed into her by her influential mother and her own religious doctrines. Accordingly, Alisoun argued that the woman must control everything in order to have a happy marriage; however, her life experience and the story she shared should tell her otherwise.
Chaucer characterizes the women in “The Wife of Bath’s Tale” as wise. The wife of bath expresses wisdom through her experience with marriage, she informs the other pilgrims that “when {she has} finished telling [her] tale/ of tribulation in the married life in which [she has] been an expert
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.
Chaucer, Geoffrey. “The Canterbury Tales: The Wife of Bath’s Prologue and Tale.” The Norton Anthology English Literature. Ed. M.H. Abrams and Stephen Greenblatt. 7th ed. New York: W.W. Norton & Company, 2001.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
Carter, Susan. "Coupling the Beastly Bride and the Hunter Hunted: What Lies Behind The Wife of Bath's Tale." Chaucer Review, Vol. 37 No. 4 (2003), 329-345.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
However, a divorced woman is automatically viewed as less desirable for suitors if she chooses to marry again. The unfairness of this advantage in the marriage market is presented throughout the poem. Women are viewed as objects that are meant to only serve their husbands commands. The Wife of Bath takes charge in reverses the stereotypical roles by taking charge in her first two marriages and her overall views on sex. Her carefree attitude strikes down the connation’s that women should only be limited to having sex for procreation and for her own personal pleasure. She explains how God wanted Adam and Eve to multiply and that is only possible by having sex. The Wife of Bath elaborates, “But wel I woot expres, withoute lye, God bad us for to wexe and multiplye: That gentil text can I wel understonde. “ (27-29). She uses the bible as a template to justify her actions of having sex for pleasure and procreation. As the church uses the bible to socially repress women from their sexuality. In addition, the wife of bath describes the difference in viewpoints for husbands and wives on their positions in a marriage. A woman in this time period looks at marriage as a profession where she obliges to her husband’s every command. A man looks at marriage more for pleasure and enjoyment. The wife explains the power
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.
The Wife of Bath represents the "liberal" extreme in regards to female stereotypes of the Middle Ages. Unlike most women being anonymous during the Middle Ages, she has a mind of her own and voices herself. Furthermore, she thinks extremely highly of herself and enjoys showing off her Sunday clothes whenever the opportunity arises. She intimidates men and women alike due to the power she possesses. Because of her obnoxious attitude Chaucer makes her toothless, fat and large. Doubtlessly, she is very ugly, almost to the point of "not-presentable. This to me shows how Chaucer depicts what men don't want. The Prioress, on the other hand, serves as a foil to the Wife of Bath. Chaucer describes her as "tender-hearted" who cannot bear the sight of pain or physical suffering. She will cry at the thought of a dog dying. It could represent that she has a frail soul with low tolerance for pain and suffering. The latter description carries over into the modern stereotypes about women as skittish and afraid members of society who need to be cared for.
Morgan implies, “Geoffrey Chaucer is a major influential figure in the history of English literature.” Chaucer battled problem that we face today. Chaucer fights the idea of the patriarchy by creating the character The Wife of Bath. The Wife of Bath challenges the idea that men are better than women. Chaucer claims on page 145 line 212, “Less than your wife, nay, than your very love.” The Wife of Bath wouldn’t listen to any man over her. She was an independent woman that only listened to