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what is the relevance of biblical allusions in billy budd
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Comparing Christ to Billy of Billy Budd
"I stand for the heart. To the dogs with the head!" wrote Herman Melville in his June 1851 letter to Nathaniel Hawthorne (Davis and Gilman 3). Yet, by the time he began writing Billy Budd, Sailor in 1888, Melville must have tempered this view, for Billy Budd depicts the inevitable destruction of a man who is all heart but who utterly lacks insight. Melville no doubt intends for his reader to connect this tale with the gospel of Jesus Christ. Billy Budd endures a persecution similar to Christ's; he is executed for like reasons, and he eventually ascends, taking "the full rose of the dawn" (BB 376). Yet, in creating Billy Budd, Melville forms a character who is but a half-Christ, more like the Child than the Man. Indeed, a number of characteristics and circumstances sharply distinguish Billy Budd from the complete Christ. These differences ultimately work to support Melville's (now refined) philosophy that innocence, unaccompanied by wisdom, must inevitably meet with destruction and that only when a man balances the "spontaneous impulses of [his] 'heart'" against the experiential "wisdom of [his] 'head'" (Howard 328) can he prevail in a fallen world.
Critics often connect Billy Budd with the Christ Child. Richard Chase, for instance, writes that Billy Budd is the realization of Melville's "fresh commitment to the infantile Christ" (267), and Milton Stern claims that Billy's behavior represents an "ideal Christliness" because he accepts "everything with animal insightlessness and the childlike faith of innocence" (216). Christ taught that to enter heaven, one must become like a little child (Matt. 18:2-3). Many have inferred from this that, from a Christian perspective, ...
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...W.H. Gilman, eds. The Letters of Herman Melville. New Haven: Yale UP, 1960. Online. Internet. 29 July 1998. Available HTTP: www.melville.org
Howard, Leon. Herman Melville: A Biography. Berkley: U of California P, 1951.
Melville, Herman. Billy Budd, Sailor and Other Stories. Ed. Frederick Busch. New York: Penguin, 1986.
- - -. Moby Dick. Ed. Charles Child Walcutt. New York: Bantam, 1981.
Richards, Lawrence O. The Bible Reader's Companion. Wheaton: SP Publications, Inc., 1991.
Sten, Christopher W. "Vere's Use of the 'Forms': Means and Ends in 'Billy Budd.'" On Melville: The Best from American Literature. Ed. Louis J. Budd and Edwin H. Cady. Durham: Duke UP, 1988. 188-202.
Stern, Milton R. The Fine Hammered Steel of Herman Melville. Urbana: U of Illinois P, 1968.
The Holy Bible, New King James Version. Dallas: Thomas Nelson, Inc., 1979.
Several comparisons and contrasts can be made concerning the two stories, Billy Budd and Bartleby, written by Herman Melville. The setting of the two stories reveals an interesting comparison and contrast between the British Navy on the open sea, and the famous Wall Street of New York. The comparison and contrast of characters, Billy Budd, Captain Vere, and Claggart in Billy Budd, and the `narrator' and Bartleby in Bartleby, at times are very much alike, and also very different. The conflict, climax and resolution of the two Melville stories contain similarities and differences. These two stories, on the exterior, appear to be very different, and on the interior are alike, especially if trying to analyze the stories by interpreting the symbolism that Melville may be trying to reveal in his writing. This essay will analyze the similarities and differences in Billy Budd and Bartleby.
Melville, Herman. Billy Budd, Sailor and Other Stories. Ed. Frederick Busch. New York: Penguin, 1986.
Abstract: There are many Analyst who would agree that the novel Moby-Dick by Herman Melville, the whale is just half of what the novel is really talking about. They would also agree that Melville employs some sort of spiritual read by simply by providing scriptures and rephrasing verses from the Bible into the text. But what is it really about? What made Melville come up with this idea style of writing Moby-Dick? Other analyst who also asked themselves this questions, probably looked deeper into the novel doing tons of research figured out a possible solution. The solution that Melville was influenced by Shakespeare novel ‘Hamlet’ this has been established because of the allusions Melville makes to Hamlet are countless. Moby-Dick may be a contemporary version of Hamlet. This paper will illustrate how the characters of Moby-Dick counterparts with the characters in Hamlet, expanding the reason why the character in one works with the other.
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s use of flagrant masculinity serves as a vehicle in which femininity is brought on board The Pequod; femininity is inseparable from masculinity in Melville’s works, as staunchly masculine as they seem superficially.
According to the article, Violence in the Media, written by the APA, it provides information on how ferocious television episodes can affect a child’s senses, feelings, and attitude. To be more specific, it can make them become numb, frightened, and more pugnacious due to the amount of violent TV they watch. Furthermore, according to the same article, the APA also wrote, “By observing these participants into adulthood, Huesmann and Eron found that the ones who'd watched a lot of TV violence when they were 8 years old were more likely to be arrested and prosecuted for criminal acts as adults.” Psychologists L. Rowell Huesmann and Leonard Eron held a study that concluded that the result of watching violent television can lead to jail and criminal actions. This will also cause a child to become more aggressive and therefore will become a nefarious person. All in all, the American Psychological Association decided that violent television can shape a child’s disposition. In fact, it can also encourage a child to execute bad deeds and crimes when they become
Stone, Robert. “American Dreamers: Melville and Kerouac.” Beat Down to Your Soul. Ed. Ann Charters. New York: Penguin, 2001.
Does entertainment influence society's attitude towards violent behavior? In order to fully answer this question we must first understand what violence is. Violence is the use of one's powers to inflict mental or physical injury upon another; examples of this would be rape or murder. Violence in entertainment reaches the public by way of television, movies, plays, music, and novels. Through the course of this essay it will be proven that violence in entertainment is a major factor in the escalation of violence in society, once this is proven we will take all of the evidence that has been shown throughout this paper and come to a conclusion as to whether or not violence in entertainment is justified and whether or not it should be censored.
What has our society come to these days? Everywhere we look, violence is present, at the streets, at work, at school, and even at home. Every day in the news we see reports about shootings, wars, thefts, drugs, rapes, and deaths. The worse part of seen this in the news is that all way do it’s complain about it and sit back. We do not even attempt an explanation or a resolution. Violence is among one of the most malignant act that has been increasing day by day. And why is it that we complain about other people being violent, but when we are asked if we are violent or if we have ever responded with violence, everyone says they are not violent. But if among ourselves we are not violent then who is it that makes our society a violent society?
When we think of violence, we automatically picture guns and knives being used to kill people. Although this is a part of violence, it’s not the only way a violent situation can arise. Violence can be any harm done to a person through physical contact. Along with guns and knives, this can include one’s own bare hands or any object within proximity. On television, we see every type of violence carried out, whether it be a simple punch or a serial killer who finds pleasure in the violence he causes. Any form of a violent situation that you can think of has most likely been acted out on a television series or movie. TV is written to blow scenarios out of proportion and create unrealistic versions of different scenarios. Instead of a decent conversation to solve a problem, a punch is thrown or a gun is pulled. By portraying these types of solutions, television is promoting violent behavior. The characters in the action, crime or horror shows are actively encouraging these types of behavior. Although these scenes are needed to produce a captivating plot, there needs to be awareness as to the fact that these scenes are being idolized to the wrong audience.
The world today has a variety of problems and violence is one of the most
The media and entertainment play a very crucial role in our perception of violence in society. Exposure to violence in the media, including television, movies, music, and video games helps us construct our own perspective on violence. According to Joel Best, his theory on random violence states that random violence and violence, in general, is patternless, pointless, and leads to the deterioration of society. Many examples can be given from national and international media coverage on various random violence acts. There are many sides to the debate about whether or not violence in the media affects us and how prevalent it is in our society. The focal discussion is the influence of violence on people through the mass media: movies, television,
Using material from the study of violence in the media assess the view that the media has a direct and immediate influence on their audience
Many psychologists have studied the effect of the media on an individual’s behavior and beliefs about the world. There have been over 1000 studies which confirm the link that violence portrayed through the media can influence the level of aggression in the behavioral patterns of children and adults (American Academy of Pediatrics, 2001). The observed effects include, increased aggressiveness and anti-social behavior towards others, an increased fear of becoming a victim or target of aggressive behavior, becoming less sensitive to violence and victims of violent acts, and concurrently desiring to watch more violence on television and in real-life (A.A.P. 2001). According to John Murray of Kansas State University, there are three main avenues of effects: direct effects, desensitization, and the Mean World Syndrome (Murray, 1995, p. 10). The direct effects of observing violence on television include an increase in an individual’s level of aggressive behavior, and a tendency to develop favorable attitudes and values about using violence to solve conflicts and to get one’s way. As a result of exposure to violence in the media, the audience may become desensitized to violence, pain, and suffering both on television and in the world. The individual may also come to tolerate higher levels of aggression in society, in personal behavior, or in interpersonal interactions. The third effect is known as the Mean World Syndrome, which theorizes that as a result of the amount of violence seen on television and also the context and social perspective portrayed through the media, certain individuals develop a belief that the world is a bad and dangerous place, and begin to fear violence and victimization in real life (A.A.P. 2001).
Society has been bombarded with violence from the beginning of time. These concerns about violence in the media have been around way before television was even introduced. Nevertheless, there have been numerous studies, research, and conferences done over the years on television, but the issue still remains. Researchers do acknowledge that violence portrayed on television is a potential danger. One issue is clear though, our focus on television violence should not take attention away from other significant causes of violence in our country such as: drugs, inadequate parenting, availability of weapons, unemployment, etc. It is hard to report on how violent television effects society, since television affects different people in different ways. There is a significant problem with violence on television that we as a society are going to have to acknowledge and face.
The regularity and asperity of media violence has dramatically increased over the years. The Media exists in almost every aspect of people’s lives and exposure to violence in the media is becoming a large concern. People are exposed violent acts in the media everyday between video games, movies, and television. Parents are distressed over the fact tha...