The Two-Fold Thought of Deleuze and Guattari: Intersections and Animations
Charles J. Stivale, a scholar in French literary and cultural studies, tries to articulate Deleuze and Guattari's philosophical concepts with practical studies on culture, analyzing films, cyberspace, and Cajun dance. Although he says that the goal of the book is to provide "an initial orientation" to Deleuze and Guattari's collaborative works, it is not a simple job at all for those innocent of Deleuzean concepts to follow the flow of his thought (ix). He provides short explications of the concepts and quotations from Deleuze and Guattari's books before his application, but only the readers, who are familiar with Delezean concepts, seem to be able to articulate
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He deals with "cyberpunk" fictions and Cajun music and dance practices. He considers that science fictions are privileged expression of the different modes of becoming, which evolves "from animal, vegetable, and mineral becomings to becomings of bacteria, viruses, molecules, and things imperceptible" (A Thousand Plateau, 248). Focusing on the process of becoming, he analyzes Rudy's, John Shirley's and William Gibson's fictions. Facing the recurring modes of the loss of the subject and of the intensity of participating in multiple subjectivities, he encounters the problematic of cyborg again. Juxtaposing shortly Donna Haraway's dream of cyborg image to three sets of images from the three fictions, he moves into what Deleuze and Guattari calls "becoming-woman." He considers "becoming-woman" a "particular means of access to 'an entire politics of becomings-animal, as well as a politics of sorcery, which is elaborated in assemblages that are either those of the family nor of religion nor of the State'"(135, quoted from A Thousand Plateau). This shift, actually a reduction of the problematic, seems improper. Stivale sticks to what really does not matter in the Deleuze and Guattari's logic. It is not only a matter of women-subjectivity but also overall problem of subjectivity. Later in this book, from the interview with Guattari, …show more content…
Reading the interview with Guattari is an excellent experience, by which we can see Guattari's politically radical stance and his view on Freud and Lacan. As an appendix, he provides a translation of Deleuze's unpublished essay, "How Do We Recognize Structuralism?" (1967) This way of conclusion reflects Stivale's intention of writing n-1 dimensions in order not to come up with one conclusion at the end of a long discussion of the
First is Jefferson’s introduction to the National scene between 1775-1776. Afterward, he served on a diplomatic mission to Paris (1784-1789), and it was during his stay with the French that he bore witness to the beginning of the French Revolution. Subsequently, between 1794 and 1797, the man resided in Monticello in semi-retirement before finally serving as the President of the United States between 1801 and 1805. Eventually, Ellis covers the last ten years of Jefferson 's life; thus completing the mentioned propitious
At the University of Chicago, Dunham decided to study anthropology with a focus on African and Caribbean ritual dances. Here, she studied under many of the best anthropologists of the time, and in 1935, she was awarded a grant from the Julius Rosenwald Fund to study dance in any way she wished. So, she decided to use this money to travel to the islands of the West Indies and document the ritual dances of the people. She visited such islands as Jamaica, Trinidad, Martinique and Haiti; however, she found a special connection with the people of Haiti and the dances they performed, particularly in their Vodoun rituals. In 1936, Dunham received a bachelor of philosophy from the University of Chicago, and after gathering her research and materials from her work in the Caribbean, she submitted her thesis, Dances of Haiti: Their Social Organization, Classification, Form, and Function,” to the University of Chicago in 1938.
...s the superiority of the former to the latter; in the second case, he greatly decreases the distance between the two groups and the level of superiority that Brazilians have over Europeans. Finally, his essay, as a whole, ultimately reinstates a great distance between the two groups, and Europeans reclaim superiority over Brazilians. Notably, in the first two cases, nature is also elevated above art, but art finally subjugates nature. Perhaps this is because Montaigne identifies with “Lycurgus and Plato… [who] could [not] believe that our society could be maintained with so little artifice and human solder” (153). Montaigne’s essay suggests that he relies on the artifice of his writing and interpretations to explore and define social groups, explore and establish social hierarchies, and maintain social order in a manner that ultimately favors him and his people.
Thomas Jefferson was born on April 13,1743 in Shadwell, Virginia. He was born into a family that had status, wealth, and tradition of public service. Jefferson was the third child in the family and grew up with six sisters and one brother. Thomas Jefferson was well educated; he attended private schools and at the age of seventeen he attended the College of William and Mary. Thomas Jefferson was interested in being a scientist, after learning that there was no opportunity for a career in science in Virginia he then studied law. In 1767, Thomas Jefferson was admitted to the bar in 1769, when Jefferson public career started he already owned more than twenty-five hundred acres that he inherited from his father who died in 1757. After marring his wife Martha Wayles Skelton whom was a young widow his property doubled. After the death of Martha’s parents, his property doubled again.
At seventeen, when young Jefferson entered the College of William and Mary he was tall, raw-boned, freckled, and sandy haired, with large feet and hands, thick wrists, and prominent cheekbones and chin. His classmates described him as far from handsome, a fresh, healthy looking youth, very erect, agile and strong, with something of rusticity in his air and demeanor. The college at that time had one truly outstanding educator, Dr. William Small of Scotland, professor of mathematics. Jefferson said in his autobiography that his coming under the influence of Dr. Small "probably fixed the destinies of my life". Dr. Small gave Jefferson the views of the connection of the sciences and of the system of things of which man is a part, which then prevailed in the advanced scientific circles of Europe. As a student, Jefferson attended the musical parties that the lieutenant governor, Francis Fauquier hosted. Jefferson was always present with his violin and participated in the concert, the governor himself also was a performer.
...t is Impressionism. We see that without Paris and its artists there would have been be no break from the traditions and regulations laid down by the L’École des Beaux-Arts and Le Salon. Without Paris the movement would not have gained the recognition that it did. It was aided by the industrial revolution, the Haussmann project, the growth of le café and the revenue from trade by Parisian art dealer Paul Durand-Ruel. We also note how Paris was highly influential in the subjects of impressionist paintings. We see how the camera and colour theory influenced their work as well as how the modern cityscape and social interactions consumed their creations. Even today Paris plays a role in Impressionism. Its museums house some of the greatest examples of period impressionist work on view, showing that nearly two centuries later Paris is still at the heart of Impressionism.
...illed with interesting scenes, people, and ideas, has a distinct theme that emerges by looking at both the women and their male counterparts. From their similarities to actresses to their depiction as ghosts, Toulouse-Lautrec’s women are superficial. It is the men’s obsession with this, however, that reveals the work’s complete theme. Namely, that it is the outward grandeur of a woman that charms men. This point is brought close to home as the viewer realizes that he joins the men in the painting with the same curious interest in the superficial. Toulouse-Lautrec’s masterpiece brings the theme of superficiality’s appeal full-circle by engulfing both the subjects and the audience.
Jefferson’s last writings was for his grave stone, which said “Here was buried Thomas Jefferson. Author of the Declaration of American Independence, of the statute of Virginia for Religious Freedom, And Father of the University of Virginia. Born Apr. 1, 1743 O.S. Died July 4, 1826.”(Donovan, 296) This were Jefferson’s greatest achievements in his eyes, he saw his fight for natural rights in his life to be the most important thing in his life. His fight for natural rights made him one of America’s greatest hero’s.
Montaigne, Michel de. The Complete Essays of Montaigne. Trans. DonaldM. Frame. Stanford: Stanford UP, 1958.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
Jefferson’s beliefs in local self government created differences between himself and Alexander Hamilton which created the Federalists (Hamilton followers) and the Democrat Republican’s (Jefferson followers).
I will discuss Post Impressionism by using three works, A Sunday Afternoon on the Island of La Grande Jatte, Still Life with Basket of A...
“The various disciplines that make up the arts and sciences are the cultural frames in terms of which attitudes are formed and lives conducted. The interpretive study of culture represents an attempt to come to terms with the diversity of the ways human beings construct their lives in the act of leading them.”
In the introduction to “The Pure Products Go Crazy,” James Clifford offers a poem by William Carlos Williams about a housekeeper of his named Elsie. This girl is of mixed blood, with a divided common ancestry, and no real collective roots to trace. Williams begins to make the observation that this is the direction that the world is moving in, as Clifford puts it—“an inevitable momentum.” Clifford believes in that, “in an interconnected world, one is always to varying degrees, ‘inauthentic.’” In making this statement, Clifford is perhaps only partially accurate. In the western hemisphere, where Williams was located, perhaps it can be said directly that the influence of modern society has attributed to the lack of general ancestry, as one culture after another has blended with the next. Perhaps it can be said as well that, as Clifford puts it, “there seem no distant places left on the planet where the presence of ‘modern’ products, media, and power cannot be felt” (Clifford, 14). The intention of this paper is to contend first that there is essentially such a thing as “pure” culture, and contrary to Clifford’s belief, that there are “pure” unblended cultures that remain (while not altogether untouched by foreign influence), natural within themselves. It will be argued as well that the influence of modern society does not necessarily lead to a loss of cultural soundness itself, but rather that a presence of certain cultural practices within the respective cultures has attributed to the lasting “purity” of certain cultures. In this case, we will be discussing the cultures that exist in Haiti and Bali.
Through Duchamp’s embrace of irrationality, chance and play, his approach to art demonstrated that the conceptual side of an artwork was far more important than the physical product, and even more important to the audience. After the minimalistic movement, it was his ideas that furthered and supported artists of the time to adopt a new artistic movement. It is because of this, why society has recognised Marcel Duchamp as being a major influence on the development of Conceptual Art.