Dramatic Irony in Sophocles' Oedipus the King
Oedipus the King is a Greek tragedy written by Sophocles. Sophocles knowing that his audience is aware of the outcome of the play utilizes that knowledge to create various situations in which dramatic irony play key roles. Dramatic irony is when the audience knows the tragic truth before the characters do. Through his use of irony Sophocles manages to avoid retelling an old tale, though the audience is cognizant of the story's end they are intrigued by the irony present in the story. Sophocles made liberal use of irony. By doing this he tantalized the viewer into wanting to see how the events that occurred later would mentally affect the main character, in this case Oedipus.
Oedipus is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Because of these traits Oedipus was able to solve the riddle given...
... middle of paper ...
... attempted to show examples of dramatic irony and how they apply to the story line in the play. I thoroughly enjoyed "Oedipus the King" due to the style Sophocles used and because I normally enjoy tragedies such as this. I believe tragedies cause one to question every aspect of life which would explain why many of the plays were written in this time frame. This play held up to it's expectations and I look forward to seeing more dramatic irony in this form in the future.
Throughout most famous Greek literature, a great hero usually saves the day. In the story of Oedipus though, the good man with one minor flaw goes through great pain. This pain in the play Oedipus Rex is the focal point for the whole play. Almost every aspect of the play builds up and foreshadows Oedipus’ fall from power, and entry into pain. Sophocles in his tragedy Oedipus Rex creates a mood of dramatic irony using the dualities of sight and blindness, and light and darkness. This dramatic irony highlights Oedipus’ hamartia and in doing so Sophocles enhances his message that arrogance and is wrong.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
In the play Othello, Shakespeare uses many literary devices to help the reader understand the theme of the story. One of those many literary devices used in the play, is the wide range of irony. Throughout the pages of the book the reader will see the use of dramatic, situational, and verbal irony. Shakespeare does not use irony in an understated way, it is very direct, and can be found on almost every page of the book. The use of irony creates suspense, and adds interest as to what will happen.
Oedipus Rex, by the Greek playwright Sophocles, is, without a doubt, one of the greatest examples of dramatic irony. There are many instances where the audience knows so much more than the main characters, and Sophocles uses irony to point to Oedipus as Laius' murderer as well. Additionally, Oedipus is most definitely a tragic hero-he had a tragic flaw, namely that he was relentless and often rash in his search for the truth about Laius' death and his killer; this ultimately lead to Oedipus' own destruction. He also refuses to compromise or humble himself before others and stubbornly refuses to allow others to express different opinions from their own. Oedipus is so arrogant and self-confident that he challenges the will of the gods (hence, the entire basis of the play).
Oedipus the King, written by Sophocles, is a tragic drama that portrays a great deal of irony. Oedipus, the protagonist, suffers serious misfortune that is significant in that the “misfortune is logically connected with the hero’s actions” (AbleMedia LLC). When the reader learns about the background of Greek culture and the life of Sophocles, this tragic drama is able to become more alive and valuable. It is important to familiarize oneself with the author because it allows for a greater connection to the dialogue presented. Through the character development of Oedipus, one can see how ironic circumstances can turn a prideful king into a tragic figure.
as Sung T'ai Tsu, was forced to become emperor in order to unify China. Sung
For this reason, Plato believes that we must separate the soul based on how it
For Plato, the soul is considered to have three parts: the appetitive or the passions, the spirited part or the will, the reasonable part or the intellect. The appetitive deals with the bodily necessities and desires. The appetite is often considered base or even sinful, but is clearly not so for Aristotle: the passions merely demonstrate a person’s basic necessities, which one can not consider without considering the human person in the same way. The spirited part reacts to injustices or incorrectness in one’s surroundings, and it is often described as the “angry” part, as anger deal with perception of injustice as well. The reasonable part concerns itself with finding the truth and distinguishing it from falsities, and is often considered both the highest and hardest to perfect part of the soul. Each part has its own intricacies and specifics, allowing them to aid the human...
Even before this story begins, irony is brewing and continues throughout the pages. The creative author is using this enticing technique as a backbone for his play, and also as a key component in foreshadowing the tragic plot. Oedipus Rex by Sophocles is filled with many different ironies, so much so, that this reoccurring element tremendously affects the outcome of the story.
The playwright Sophocles wrote one hundred and twenty-three plays throughout his lifetime, his most famous being “Oedipus Rex” also known by other titles such as “Oedipus Tyrannus” or “Oedipus The King”. Sophocles ' plays often involve the downfall of the protagonist, and this is no exception. The play tells the tale of King Oedipus of Thebes, a man prophesied as doomed by the gods. His name alone is a hint at his fate, translating to “swollen foot” as his feet were bound and broken at birth when his father left him to die. Though he survived and lived the life of a prince by another royal family, he is distraught when informed that he is not their son. Upon visiting an oracle of Apollo to determine
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
Dramatic irony is used commonly throughout the play: sometimes obviously, sometimes it is more subtle. By using it so often it makes the audience think about the subtleties moments and how they could be ironic, which is a very clever way to keep their attention. When Jocasta figures out that she is in fact Oedipus?s mother, she tries to stop him from finding out, and ironically, Oedipus gets offended and more motivated to figure out the truth, as he believes that she thinks he is the offspring of slaves. This example builds tension because it gives a guarantee that he won?t give up until he figures out the truth. ?Oedipus whose name is afar? says this in the beginnin...
Plato believed that the body and the soul were two separate entities, the body being mortal and the soul being immortal. In Plato’s phaedo, this is further explained by Socrates. He claims that by living a philosophical life, we are able to eventually free the soul from the body and its needs. If we have not yield to our bodily needs, we should not fear death, since it can than permanently detach the soul from the body. The most convincing argument for the immortality of the body is the theory of recollection, which shows that we are already born with knowledge of forms and that learning is thus recalling these ideas. If we are already born with knowledge this implies that are soul is immortal, since it would otherwise be a blank page.
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.
He believes that the soul takes shelter within the body. The three parts are all located in three different areas: reason is in the mind, spirited is in the heart, and desire is in the stomach. Reason is what controls the whole soul (Plato p. 49). The mind tells the body what to do, how to feel, what to say. The mind controls our appetites and decides who to honor according to memories about those people or events. The spirit is in the heart, the heart is what shows us how we feel about others. The stomach is desire as we crave to have certain possessions such as food or other physical materials in life. If what Plato is saying is any truth, than the argument presented that our soul is our life and our body is nothing but what carries our soul, is therefore false and unsupported by this idea of the mind, heart and stomach. Then so, our thought that Plato’s idea that we can make ourselves alive, is fairly reasonable and true. This is because it is more understandable to say that the reason why our souls are what makes us alive is because our souls are physically made of three parts that control the way we live. Our body is now not only what carries life for us, but what allows us to keep it. Our soul is different from the body because it represents life, but it is our body that allows our lives to