The term Gothic refers to a genre that came about in the late eighteenth century. It can be a type of story, clothing, or music nowadays. In this paper it will refer to a style of literature. A very good example of this type of literature is Mary Shelley's Frankenstein. There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the Gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories every told.
The very first characteristic of a Gothic novel is its sinister setting. The opening sentence in Frankenstein sets the mood for the rest of the book. Shelley begins her novel with, "You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings" (p. 13). At this point in the novel, Walton is on a ship in the middle of the North Pacific Ocean, on his way to the North Pole. He is being blocked from all sides by ice, and can see nothing but ice for miles. The landscape is barren, and all of his crew is in fear of running out of food and fresh water. This setting is very sinister in lieu of the imminent death that is facing the crew members.
When the scene switches to the life of Victor Frankenstein, the reader finds out that everything is wonderful throughout his childhood. Later, when he goes away to college in pursuit of knowledge about alchemy and other sciences, everything gets darker and darker. When construction of the creature begins, Victor describes his workshop as "a solitary chamber, or rather cell, at the top of the house, and separated from all the other apartments by a gallery and staircase. This is where [he] kept [his] workshop of filthy creation" (p. 53). He goes on to describe the "dissecting room" and "slaughter-house" that provided his material (p.53). This, too, adds to the sinister setting and evil undertones of the novel.
The setting also serves the purpose of reflecting the feelings of the characters in the novel. Whenever Frankenstein is upset or someone is going to jail, it is raining. A Gothic novel would not be complete without a lot of rain. ...
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...to Frankenstein ends up dying and even Walton is in danger of being killed if he stays out to sea too long.
Death, darkness, rain, and horror are all needed to make a good Gothic novel. Not only did Mary Shelly include all these things, she added a few to make the story even more interesting. Her novel meets all the characteristics for a work of Gothic fiction. As Malamund mentions, "Shelley's monster [is] at home amid the Gothic, and [is] able to march forward--undaunted by the landscape of terror" (p.45).
WORKS CONSULTED
Crowell, Thomas Y., et al. The Complete Works of Edgar Allan Poe. Boston: Desmond Publishing Co., 1902.
Shelly, Mary. Frankenstein or the Modern Prometheus. 1818. England: Penguin Putnam Inc., 1992.
Malamud, A. "Frankenstein's Monster: The Gothic Voice in the Waste Land." English Language Notes 46 (1988): 41-45.
Parkin-Gounelas, Ruth. "Learning What We Have Forgotten." English Language Notes 39 (1987): 215-219.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic fiction is a genre of literature that combines fiction, horror and Romanticism with a particular focus on the mysterious and supernatural aspects. Gothic fiction originated in England during the latter half of the 18th century. This distinctive genre of literature soon developed into a 19th century phenomenon. The success of this dominant genre in England is frequently attributed to Mary Shelley. Despite its success during this time period, gothic fiction ceased to be a dominant genre by the Victorian Era. However, in many ways it had now begun to enter into its most ingenious phase. This paper will analyze the influence of Mary Shelley’s novel Frankenstein on Flannery O’Connor’s work, specifically her novel Wise Blood.
One of the powerful images conjured up by the words ‘gothic novel’ is that of a shadowy form rising from a mysterious place, Frankenstein’s monster rising from a laboratory table, Dracula creeping from his coffin, or, more generally, the slow opening of a crypt to reveal a dark and obscure figure, which all share in common the concept of Social Ostracisation both to the creator and creature. Gothic writing can be dated back for centuries, Shelly immediately comes to mind with Frankenstein as well as The Monk by Matthew Gregory Lewis and Dracula by Bram Stoker all can be associated with Social Ostracisation. The concept of alienating one to refuge, dismissal, and pain are all themes in these novels.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
In the examination of Northanger Abbey and Frankenstein one comes to very different conclusions as to why their authors used gothic elements. The two authors had very different purposes for their stories. Powerful emotions are often an element of gothic literature as it was a genre that took Romanticism to excessive extents. While Austen used this gothic element to satirize the gothic novel, Shelley used it to display a deeper point about the evils of ambition. Both authors exhibited characters severe emotions to show the importance of rationality instead of extremes, but ultimately had a different purpose in presenting this view.
However, it is arguable that looking at Shelley’s Frankenstein from a modern perspective demonstrates the idea that it is a novel torn between gothic and horror as it is one of the rare novels that demonstrate gothic elements and Horror elements. Therefore, there is some continuity to how fear is presented in Frankenstein & The Woman in Black demonstrating that these two novels are examples of a postmodernist novel and pre-modernist novel, which is very rare.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
Ketterer, David. “The Sublime Setting.” Bloom’s Guides: Frankenstein. Ed. Harold Boom. NewYork: Infobase Publishing, 2007. 86-89.
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
Brooks, P. "'Godlike Science/ Unhallowed Arts': Language, Nature,and Monstrosity". The Endurance of Frankenstein. Ed. George Levine. Berkeley: University of California Press, 1979.
In this specific chapter, Victor's scientific obsession appears to be a kind of dream, one that ends with the creature's birth. Up until this point in the novel, Frankenstein has been playing god; he cannot-- or will not-- recognize that his obsession with “infusing life” into an inanimate body is fundamentally wrong. Shelley’s implement of stark contrast between the beauty of life and the ugliness of death (and thus his creature) plays an important role in illuminating Frankenstein’s reaction to the birth of his creation. The contrast used in this section words as a literary tool to describe Frankenstein’s descent from science into madness. The beauty that he saw in nature represents his love for science, while the wretchedness of his creation represents his immense fear of death. This contrast is necessary to understand Frankenstein’s personality in this scene. Frankenstein ironically describes his monster as “beautiful”, as was his intention during his previous work, while invoking an image of true horror in his description of a patchwork corpse that he himself is disgusted by (Shelley 60). The contrast between the creature’s features, from his proportionate limbs and “pearly” white teeth to his “watery” eyes and “straight black” lips, shows the attractive human qualities Frankenstein saw i...
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Mary Shelleys Frankenstein ( 1818 ) is considered by many literary critics to be the quintessential gothic novel despite the fact that most of the more conventions of the genre are either absent or employed sparingly. As many of the literary techniques and themes of Mary Shelleys Frankenstein adhere to the conventions of the gothic genre it can be considered, primarily, a gothic novel with important links to the Romantic movement.
Throughout the novel, Shelley uses a very gothic and gloomy atmosphere partly because she is reflecting her personal life into the novel and also to emphasis on the horror that come when men try to play God.