Othello’s Iago
We find in William Shakespeare’s tragic play Othello an example of personified evil. He is the general’s ancient, Iago, and he wreaks havoc and destruction on all those under his influence.
Louis B. Wright and Virginia A. LaMar in “The Engaging Qualities of Othello” comment on how the character of Iago is the wholly expected type of villain for an Elizabethan audience:
Iago at once captures the attention of the spectator. He is the personification of the villain that Elizabethans had come to expect from Italian short stories and from Machiavellian commentary. Villains of this type, as well as those of domestic origin, had long been popular on the stage. From the days of the mystery and morality plays, the characters personifying evil invariably had gripped the attention of audiences, for iniquity always stirs more popular excitement than virtue. (127)
First of all, Iago’s very words paint him for what he is. Robert Di Yanni in “Character Revealed Through Dialogue” states that the evil antagonist reveals his character quite plainly through his speech:
Iago’s language reveals his coarseness; he crudely reduces sexual love to animal copulation. It also shows his ability to make things happen: he has infuriated Brabantio. The remainder of the scene shows the consequences of his speech, its power to inspire action. Iago is thus revealed as both an instigator and a man of crude sensibilities. (123)
David Bevington in William Shakespeare: Four Tragedies enlightens us on the ancient:
Iago’s machinations yield him both “sport” and “profit” (1.3.387); that is, he enjoys his evildoing, although he is also driven by a motive. This Vice-like behavior inh...
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...gton, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books, 1980.
Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.
Di Yanni, Robert. “Character Revealed Through Dialogue.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Literature. N. p.: Random House, 1986.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Wright, Louis B. and Virginia A. LaMar. “The Engaging Qualities of Othello.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p.: Simon and Schuster, Inc., 1957.
	Sweetness and Power is a strong study relating the evolution of sugar to societal growth as well as to economic change. Despite the flaws contained within the structure of the book and the lack of fieldwork, the book is an excellent collection of data regarding sugar, a topic that most people do not think of as being a major factor in the lives they live today. Mintz forces the "educated layperson" to look around the world today, and really think about what it would be like without the luxury of sugar.
The most horrific thing a villain can do is commit a crime that results in several casualties and provide no explanation for the anguish he causes. Human nature drives people to yearn for the knowledge of why something occurred, and when a person thinks he is in possession of such knowledge, the illusion that controlling future events to prevent any further disruption in the natural order of things arises. If such a thing were possible, the answers criminals have provided over centuries past would have allowed governments to completely rid society of crime. However, people do not see this and still desire complete control, which, in turn, brings comfort to the soul. Unfortunately for the characters in William Shakespeare’s Othello, none of them are in control. The infamous villain Iago controls the other characters with such precision that they might as well be marionettes. He is the cause of several deaths at the conclusion of the play, and commits the ultimate crime by refusing to provide an explanation for his actions. Since Shakespeare’s Othello was printed in 1622, critics have gone back and forth about what Iago’s motives were, about who he was, and about why he was so very successful in carrying out his devious plans. So many countless people, so many countless ideas, and so many countless hours have been spent trying to answer these questions when Shakespeare answers them all in Act Two, scene one of Othello.
In his lengthy literary career, Jonathan Swift wrote many stories that used a broad range of voices that were used to make some compelling personal statements. For example, Swifts, A Modest Proposal, is often heralded as his best use of both sarcasm and irony. Yet taking into account the persona of Swift, as well as the period in which it was written, one can prove that through that same use of sarcasm and irony, this proposal is actually written to entertain the upper-class. Therefore the true irony in this story lies not in the analyzation of minute details in the story, but rather in the context of the story as it is written.
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
What Swift has accomplished by making Gulliver the embodiment of common English values and beliefs and then having him visit far away lands that are really the mirrors of English society is an interesting satirical device. He forces the English reader to unknowingly judge English society, not according to some higher law or pristine observer, but through the lens of their own cherished values. This effectively turns English beliefs and values in on themselves as a test of their merit. Swift echoes this structure by first having Gulliver visit a land of little people, which causes one to observe them with scrutiny. Then Gulliver immediately travels to a land of giants which causes scrutiny of Gulliver, who is now the little one.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Jonathan Swift is a well-known author and satirist who graduated from Oxford University in England. He is very educ...
In the play, Othello, written by William Shakespeare Iago is one of the most unique and interesting characters. Not only is Iago a main character, but he is also one of the most controversial, causing more drama and quarrels than any other character in the play. Shakespeare does a good job with the character of Iago by creating an atmosphere where Iago can keep the reader's attention on each and every individual scene throughout the entire play, as one tries to figure out Iago's true intentions. When reading the play it is easy for an individual to view Iago as an evil person who gets pleasure from malicious acts he inflicts upon others around him.
Although Jonathan Swift and Oliver Goldsmith have two distinct writing styles, their passion for literature, their desire for a better world, and the underlying topic of their work are all strikingly similar. The lives of these two famous authors also resemble each other’s, starting in poverty, living through life’s hardships, and ending in success. Swift and Goldsmith were two of the most famous authors of the 18th century. I believe if Swift and Goldsmith had met, they would have made great friends. For the reason that, along with their passions, their lives were bursting with challenges. Both were born in poverty and underwent numerous challenges, including the death of loved ones and the loss of purpose in life. In addition, Jonathan Swift
With such an obsession with sweet foods, there is an obvious desire for an explanation of how such a once unknown substance took center stage on everybody's snack, dessert, and candy list. That's where Sidney W. Mintz comes into play. He decided to write this book Sweetness and Power, and from the looks of all the sources he used to substantiate his ideas and data, it seems that he is not the first person to find the role that sugar plays in modern society important. By analyzing who Mintz's audience is meant to be, what goals he has in writing this book, what structure his book incorporates, what type, or types, of history he represents within the book, what kind of sources he uses, and what important information and conclusions he presents, we can come to better understand Mintz's views and research of the role of sugar in history, and how much it really affects our lives as we know them.
Iago is very determined and emotionless. He brings negative outcomes to every character he comes in contact with. Although Iago characterizes himself as noble, the reader can see him for the villain he is. Throughout the play Iago’s every decision is on how
Hart, Vaughan. "Gulliver's Travels, Jonathan Swift (Book Review)." Utopian Studies 9.2 (1998): 250. Advanced Placement Source. Web. 22 Feb. 2012.
Jonathan Swift’s Gulliver’s Travels presents a narrator, Lemuel Gulliver, who recounts his various sea voyages to fantastical lands. During each voyage, Gulliver encounters different societies and customs to which Gulliver must adjust to. in order to be accepted into their society The entire novel serves as a commentary on how people everywhere have a tendency to abuse the power given to them.
The Writings of Jonathan Swift; Authoritative Texts, Backgrounds, Criticism. edited by Robert A. Greenberg and William Bowman Piper. Norton Critical Editions. New York: Norton, 1973.
Shakespeare’s utilization of characterization through personal thoughts illuminates the willingness of Iago to betray during his quest for revenge. While blissfully deceiving Roderigo, Iago’s reveals his