The Myth Of Sisyphus
The myth of Sisyphus was a paper written by Albert Camus to show that life has no ultimate meaning. This goals of men and woman are false and in the end humans really accomplish nothing. Camus represented his idea of existentialism through the use of Sisyphus. This allows us to see a comparison of a mythical tale and the real world.
Albert Camus feeling towards existence was that humans were not supposed to be living in the world. Camus believed that there was a sense of absurdity for human existence. Human beings cannot feel at home in a world where chaos, death, and suffering are present. A world designed for humans would have meaning, life, and order. The world that humans presently lived in was not the real home that they should be in. The world was indifferent to the problems facing humans, thereby making humans living unwanted inside of their own universe. Camus uses Sisyphus as an example of how he believes life on earth is really taking place. Sisyphus is forced to roll the heavy rock up the mountain only to find that it rolls all the way back down and making all his work for nothing. Camus believed that this was similar to human life, through all the activities and events throughout our lives we merely accomplish nothing in the end. We work hard and try to achieve goals, but these goals are meaningless in the whole time that makes up our life.
Camus believes that Sisyphus is an "absurd hero" because he believes that he c...
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
Hercules, or known in Latin as Heracles, was the greatest of the Greek heroes, a paragon of masculinity. In art Hercules was portrayed as a powerful, muscular man wearing lion's skin and armed with a huge club. He was also described as being a macho man buffoon, who was very impulsive. Hercules’ home and birthing place is in Thebes, Greece. Thebes is a city in central Greece. It plays as an important setting in many Greek myths, such as the stories of Cadmus, Oedipus, Dionysus and many other important roles in Greek Mythology. The demigod, Hercules has an interesting origin, he is most famous for his 12 labors, and leaves a legacy in words and expressions.
made him kill his wife and children. In horror and remorse at what he did,
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
The Stranger, by Albert Camus, depicts a man who is going through life with an existential viewpoint on things that he does. The protagonist, Meursault, insists on going through life as if nothing in his life matters at all, and the point of his existence continues to escape him on many different levels. Through the death of his mother; the relationship with Maria, and the killing of an Arab; Meursault still finds that the meaning of his life escapes him. While many people believe that Camus uses symbolism with the weather and various other devices, I believe he uses a different approach. In The Stranger, Camus shows through symbolism that the true meaning of life is found when facing one’s own death.
Taylor is careful to identify exactly which features of Sisyphus predicament account for the lack of meaning. He argues that the facts that Sisyphus task is both difficult and endless are irrelevant to its meaninglessness. What explains the meaninglessness of Sisyphus’s life is that all of his work amounts to nothing. One way that Sisyphus’s life could have meaning, Taylor proposes, is if something was produced of his struggles. For example, if the stone that he rolls were used to create something that would last forever then Sisyphus would have a meaningful life. Another separate way in which meaning might be made present is if Sisyphus had a strong compulsion for rolling the stone up the hill. Taylor points out, though, that even given this last option, Sisyphus’s life has not acquired an objectives meaning of life; there is still nothing gained besides the fact he just ...
The Classical mythology contains tales and epics of the ancient Greek and roman literatures and myths. On the other hand, Homer’s two epic poems, the Iliad relates to the events of the Trojan War while the Odyssey details Odysseus expedition after the war. Homer’s epic poems, the Odyssey and the Iliad present a major part of ancient history as modern fictional heroic stories. In ancient Greek, heroes were humans who were depicted to possess superhuman abilities. A key example in the classical mythology is Akhilles who is later known in Homer’s Iliad as Achilles. Achilles is he greatest hero of the Iliad whereas Odysseus is the greatest hero of the Odyssey. The greatest heroes from classic mythology and the modern fictional hero’s stories are mortal, and subject to death. The Odyssey and the Iliad marks the beginning of modern fictional literature.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
Camus' interpretation of existence is revealed in his philosophical essay The Myth of Sisyphus in which he discusses the absurd and its consequences, revolt, freedom and passion. Some interesting connections can be made between the philosophical discussion in The Myth of Sisyphus and the existential themes found in The Plague. In The Myth, Camus outlines his notion of the absurd and its consequences; in The Plague he brings his philosophy to life.
Sound like something made up that has no value in our lives, but according to May this is incorrect. Myths are the stories that unify society “they are essential to the process of keeping our souls alive and bringing us new meaning in a difficult and often meaningless world” (May, 1991, p. 20). He believes that human beings often communicate with each other on two levels. First level being rationalistic language and second level through myths. Rationalistic language is used when people want to communicate the truth and myth is used when total human experience is much more important empirical evidence. For example, Feist uses the example of the Oedipus story that is buried knee deep in myth. What is so alive with the Oedipus story is that reader feel connected with it while reading. Also, the story relates examples of activities that occur throughout the story such as the life of Oedipus, his suppression of guilt, birth, exile, separation, identity, incest, meditation, and death that we as human beings are able to visualize and expand on which causes us to grow internally, expand our awareness, and increase our ability to be conscious (Feist, 2013, p.334). Additionally, it is a way for people to search for an identity which can have positive results on their abilities as a person. When we think of existentialism we might think of the famous philosophers Friedreich Nietzsche or Martin Heidegger and other twentieth century philosophers, artists and psychiatrists, but it is Rollo May who made a considerable impact in interpreting its meaning and application. To understand existentialism, we need to know that the bottom line that is common among all the thinkers regarding its definition is that existence takes precedence over essence. Meaning, it means to emerge or to become which suggests process and growth. Whereas, essence refers to a product meaning something that is considered stagnation and inaction. Furthermore, there are two basic concepts of
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism it emphasizes individual freedom. Throughout The Stranger, the amount of existentialism views is abundant. The use of Mersault’s experiences covey the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
An absurd hero is developed by the six tenets of existentialism: anxiety, death, the void, existence precedes essence, absurdity, and alienation. These six tenets explain the overwhelming question, “Why do we exist?”. To understand why we exist, one must first question why the absurd happens. Camus did such. Camus develops the plot of his existential novel through a plethora of absurd events that boosts the overall theme of the novel. One example of this is how the town of Oran turns it back on the sea at random moments of time. This is very strange, why would a town that is isolated between the sea and a mountain range want to turn away from the one source of its salvation and one of the few ways it could connec...