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how women are portrayed in shakespeare plays
taming of the shrew act 1 and 2 gender role
taming of the shrew act 1 and 2 gender role
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William Shakespeare's The Taming of the Shrew
In the beginning of “The Taming of the Shrew”, some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not “tamed” but just putting on an act to “show up” her younger sister Bianca, whom has always been more beautiful and charming. Kate is “like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart.” 1. This statement made by one author, shows clearly that he does not see her as shrew-like, even at the beginning of the play. The same author states that at the end of the play she has not really transformed, rather she has just fallen in love with Petruchio, in essence she is free from torment because she is no longer seen as the shrew.
In the beginning of the play Kate is “consistently in opposition to everything around her”2, meanwhile “Bianca obeys so gently and with such sweet submission that it is obvious why she is Baptista’s favorite daughter”2. In the end of the play, the roles switch and Katherina is submissive to every word of Petruchio and Bianca resists the commands of her new husband.
Kate’s first reaction to Petruchio, her “mad wooer”, is self-pity, and even her father feels that his treatment of her would “vex a saint”. He takes her away from the home she is used to, with servants and maids to wait on her hand and foot, to the country. There she is away from the luxurious town life and is cold, hungry and tired. She somewhat learns to watch her temper and obey Petruchio so that he will feed her so she can survive peacefully rather than miserably. I believe that his method of taming her is not cruel yet very effective. He shows her that she can get much farther and live life a lot happier if she is nice and “entreats” him rather than fighting him.
One author (pattern in carpet) says that Shakespeare sees Katherine and Petruchio as in love at first sight. He says that their fights are partly like a game and partly a matter of egoism. He sees Katherine as “testing” Petruchio making sure he is “man” enough to put up with the worst of her and prove to be the husband she requires. Petruchio accept...
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...y. She may be submissive to him, but at the same time, he is just as submissive to her. I think that he didn’t only tame her, but she tamed and controls him by craft and not violence.
Katherina is not the only one in the play to undergo a transformation. Petruchio, in the beginning went to woo Katherina only for money. He was offered a dowry by Seignior Baptista to “get rid of” Kate so he could wed his younger daughter Bianca to one of her many suitors. By the end of the play, it is made clear that Petruchio too changed and had fallen in love with Kate. The relationship that they have at the end of the play is truly love. They both are willing to change to make each other happy and they both try in every way possible to make peace in their family. The ironic part of the play is that they both think that they have control over the other one.
All in all Katherina undergoes a complete metamorphosis from the beginning of the play to the end of the play. She starts out a girl, acting like foal trying to kick free from her harness and ends up a submissive, sweet, gentle and kind woman, whom is controlled yet, controls her husband Petruchio, whom she ends up loving dearly.
In Act One of The Taming of the Shrew we catch a glimpse into the life of the Minola family. Baptista, the father is forced with a dilemma, as he needs to find a suitor for his daughter Katherine in order to marry off his other daughter Bianca.
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
Men saw marriage as a way to get rich; love didn’t even enter the equation. Padua is a rich area and therefore many suitors fled there in the hope of becoming wealthy. “I come to wive it wealthily in Padua,” says Petruchio. He asks outright, “Then tell me – if I get your daughter’s love, what dowry shall I have with her to wife?” (Page 37, act 2 scene 1, line 119-120) The husbands were given a dowry by the father of the daughter when they became married. Women didn’t have any say in who they chose to marry; instead the decision was given to the father. If a daughter was not married then they were looked shoddily upon within the society. In this era every woman was to be married otherwise they were frowned upon within the community. Further more without Katherina getting married, Bianca would also never marry. Within a family the eldest daughter must be married off first and in this play turned out to be a bonus. “Her father keeps from all access of suitors and will not promise her to any man until her elder sister first be wed.” This is the main an...
“And to conclude we have ‘greed so well together That upon Sunday is the wedding day” (Act 2: scene 1 l 314-315.) Throughout the first scene of act 2 Kate and Petruchio fight about Kate loving him. He only cares about himself he is self entitled. His sexism towards his wife escalates throughout the entire play. Sexism normally isn’t vocal the person doesn’t really point it out that there being sexist they just go with it. Petruchio doesn’t say to Kate “hey um you're wrong because your a girl.” He portrays it through his actions in the scene right after they get married he doesn’t allow her to eat, claiming the food is all burnt and none of its good. Another example of him only thinking of himself. Poor Kate is thinking to herself am I that horrible? Kate isn’t the problem, Petruchio is. He wants her to be something that shes not. He wants her to be calm and a obedient wife. He doesn’t ever take time to think abou...
In Act II, Kate comes in, dragging Bianca with her tied up. When first reading this, the thought of one sister tying up the other and dragging her is pretty funny. But when you stop to think about why Kate is doing this to her sister, you start feeling sorry for her. We see the immaturity of Kate and that she does not know how to deal with her feelin...
girl. Petruchio is smart to tame Kate because Kate turns out to be a wonderful wife.
The younger sister cannot have a relationship with a man until her older sister does remain the same in both the play and the film. In the play, Lucentio wants to marry Bianca and pretends to be her tutor so he can spend more time with her. He pays Petruchio to wed Bianca’s sister, Kate, so he can marry Bianca. Cameron acts as Bianca’s French tutor to gain more face time with her. He convinces Joey Donner to pay Patrick to date Kat. Patrick is nice to Kat throughout the movie and tries to win her back after she finds out that he was paid to go out with her. Kate never finds out that Petruchio was paid to marry her. Petruchio and Patrick both use deceitful tactics in order to be with their respective loves. They disguise their true feelings and motives for being with their girl. Both Kat and Katherine fall in love with the man who was paid to be with her. The fact that they fell in love is meant to show how they were tamed. Kate gives a speech about how she understands how she should be subordinate to her husband. Petruchio has tamed her bec...
Peturicho's methods of pursuit in some cases border along the lines of torture. Peturicho manipulates and exploits Kate's character in order to change her outward actions. Although Peturicho does not want to change Kate's inward thoughts, he does not want to break her spirit. The greatest example can be quoted below.
In the Taming of the Shrew, the battle of the sexes is more so in the mind of each and every woman, rather than an actual battle between men and women. It is a battle that the women have to overcome in order to be able to enjoy life and to love their husbands, and situations like the fights between Katherine and Petruchio are symbolic of this. When a woman, like Katherine is able to see that love is something that has no roles, or expectations, is when she and her husband can "live happily ever after".
Shakespeare, Wiliam, and Sylvan Barnet. The Taming of the Shrew. . Reprint. London: New American Library, 1998. Print.
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
Maybe I am crazy, but I don't see how starving your new wife and refusing her sleep is enlightened behavior in any way, shape, or form. Barton tells us that, in Shakespeare's time, "shrewish" wives could become the victims of "physical violence, the more ingenious and excruciating the better." She further tells us that, in comparison to the men of that day, "Petruchio . . . is almost a model of intelligence and humanity" and that "what Petruchio wants, and ends up with, is a Katherina of unbroken spirit and gaiety who has suffered only minor physical discomfort . . ." (138). This is a very interesting take on the situation I read about. To me, Katherina's spirit was completely broken at the end of the play. I was anxious to see how Barton would, in addition to this proof of comparative enlightenment on Petruchio's part, find a way to claim that Shakespeare was also showing the men the error of their ways.
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
Kate and Petruchio are traveling on a road on the way to the house of Kate’s father. Petruchio sees a man and to test Kate's obedience he pretends he is a young girl and says to Kate “‘Sweet, Kate, embrace her for her beauty’s sake.’” (Shakespeare 4.5.38) Kate replies by praise the grown man for “her” beauty. Petruchio shames Kate by stating, ‘“Why, how now, Kate? I hope thou are not mad! This is a man [...] and not a maiden.’”
Throughout Taming of the Shrew, Shakespeare portrayed women as objects or shrews that needed to be tamed. Kate was the daughter of a wealthy man named Baptista Minolta from Padua. She was the oldest sister and, under tradition of the time, had to be married first. Bianca, on the other hand, was the younger daughter and was courted by many. Due to Kate’s wild behavior, the suitors were afraid of her. Along came a man named Petruccio, who was determined to marry her and get the money that would be given to the man who marries her. Through Petruccio, Shakespeare exploited women.