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short summary of the duchess and the jeweller
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THE DUCHESS AND THE JEWELLER
Oliver Bacon, the jeweller, is really the only developed character in the short story “The Duchess and the Jeweller” by Virginia Woolf. The author uses the indirect stream-of consciousness technique as well as her own words to depicts the enterprising merchant as a many-sided man: He is both ambitious and sympathetic.
The jeweller is highly arrogant and ambitious. His strutting smugness is evident through the animal metaphors used to portray him-from his physical bearing (“his nose was long and flexible, like an elephant’strunk”), to his ambition compared to a “giant hog” snuffing for truffles or a “camel sees the blue lake.”He reveals his heart’s deepest passion for cold stones rather than other human beings, especially since he does not have any real fri...
The Merchant's revealed nature, however, combats the very destruction of creation and individual that he tried to attain. As the Merchant tries to subsume the reality of marriage, love, and relationship under his own enviously blind view, Chaucer shows us another individual, significant and important in his own way. Instead of acting as a totalizing discourse, Chaucer uses the Merchant's tale to reveal his depraved envy and to reveal him as no more than a wanton cynic. Thus, Chaucer provides the very perspective that the Merchant tries to steal from his audience.
In the novel, My Antonia, by Willa Cather, society seems to govern the lives of many people. But for the others, who see past society's stereotypical values, had enough strength to overcome this and allowed them to achieve their dreams. Throughout the book, everyone seems to be trying to pursue the American Dream. While they all have different ideas of just exactly what the American Dream is, they all know precisely what they want. For some, the American Dream sounds so enticing that they have traveled across the world to achieve their goal.
Every woman would want to be Lady Marguerite Blakeney, née St Just. Having recently made her debut at the Comedie Francois, Marguerite married Sir Percy Blakeney alias the Scarlet Pimpernel. Charming, clever, beautiful, with childlike eyes and a delicate face, Marguerite captures everyone’s attention. Yet Marguerite is portrayed as a stereotypical woman who is weak, impulsive, and whose identity revolves around her husband.
Eudora Welty's first novel, The Robber Bridegroom, is a combination of fantasy and reality while exploring the duality of human nature, time, and the word man lives in. The union of legend, Mississippi history and Grimms' fairy tales create an adult dream world. Every character in the story has little insight to themselves and how they relate to the world around them. The antics of Mike Fink, the Harps, the bandits, and the Indians closely relate to Mississippi folklore. The blending of actual history and pure fantasy create a much richer form of entertainment. Mike Fink was an American frontiersman who is said to have beaten Davy Crockett in a shooting contest. The Harpe brothers were notorious rustlers and killers in the South. "After being felled by a bullet that paralyzed him, Big Harpe was decapitated; as the decapitation began, Big Harpe is reported to have said, "You're a God Damned rough butcher, but cut on and be damned" (Appel 70). The head was put on a post to warn other outlaws. The duality in man himself is a strong theme in the story. The men who fail to realize that man is a combination of good and evil are unable to succeed in the world around them. The Harps and to a lesser extent Mike Fink follow their most basic instincts to be frontiersmen. They are immersed completely in the lives they led and there is no other way to live. This inability to change is there downfall. The Harps are killed and Mike Fink is relegated to a lowly mail rider. This symbolizes the end of the lawless frontier. Unlike the Harps and Mike Fink, Jamie Lockhart, Clemet and Rosamond Musgrove are torn between two different personas in themselves. Jamie must separate the bandit in hims...
The Ladies Paradise by Émile Zola Zola's portrayal of men and their attitudes towards women may be the relation between that of, the controller and the controlled. One is made to believe that it is the men who control the women, and although this is the case in most instances of the Ladies Paradise, there are two people who ensue in resisting against all odds, at being run over by the machine that captivated and engulfed the late nineteenth century bourgeois household unit. They are the elegant Mademoiselle Boudu and the brushy eye-bowed Monsieur Bourras. One of the main characters, Monsieur Mouret ("governor" of the Ladies Paradise), spectacularly uses the lower classes as a tool to increase the perception of happenings in his store. So as to invoke middle class ladies of France not only to enter his palatial trap set for the nineteenth century consumer, but as well to create their desire of acquiring greater material possessions than they may actually need.
“Follow your heart, but be quiet for a while first. Ask questions, then feel the answer. Learn to trust your heart.” Heart. Feelings. Trust. All of these concepts said by Carl W. Buechner are philosophies that are spoken of freely in the twenty-first century, where love is limitless and marriage is bound by no restraints. A rich man can easily fall in love with his maid. A poor couple can just as effortlessly run off and get married. However, during the turn of the nineteenth century, this was regarded as foolish, even outrageous. Marriage was for stability, for financial reliability. Love or the “heart” was not at all a necessity, nor even a component to the formula. Happiness in marriage was simply a rare bonus. But Jane Austen proves this contrary in her novel Pride and Prejudice. Her protagonist, Elizabeth, defies the social norm of acquiring a husband for the mere sake of security and instead looks for love. But Elizabeth is no weak, romanticized girl. Her “modern” outlook leads her ultimately to success. Other characters like Charlotte or Lydia will have lukewarm or cold marriages because there were no true feelings of love or even affection; thus, though financial stability is present in Charlotte’s case, there is no intrinsic relationship stability. With this in mind, Austen’s characters’ wide-ranging attributes indicate a wide spectrum of possible relationship developments, but the “happiest” marriage is exemplified in Elizabeth’s because hers is illuminated by full knowledge and mutual love, equating to a secure relationship.
In the short stories "The Story of an Hour," by Chopin and "A Rose for
The Scarlet Pimpernel is an eighteenth century novel that takes place in England and France during the French Revolution. The story takes places during the months September and October in the year 1792. In England we see the characters in a rural area free from death. For example, The Fishermen’s Rest is a small countryside pub where many of the characters such as Marguerite St. Just, Percy Blakeney, Lord Antony, and Andrew are seen safe. In France, however, the mood is very different. It is of civil unrest and the French aristocrats and people who help them must fear for their lives.
Cather's “The Garden Lodge” is about a woman named Caroline Noble whose husband, Howard, asked her if she would like to demolish their old garden lodge and replace it with a summer house. The conflict in the story is Caroline is not sure if she wants to knock down the old garden lodge because it brings back memories of when opera singer Raymond d'Esquerre, spent a month at their place. The resolution is that Caroline decides to go on with building the summer house and demolishing the garden lodge. The author uses flashback to explain how Caroline grew up and also when she reminiscences about her time with Raymond.
The effect marriage in Virginia Woolf’s Orlando has upon the modern individual will be the focus of this essay, whilst also considering the role the wedding ring plays in defining the terms of marriage. Woolf portrays Orlando as a modern individual largely because she is free from a number of social conventions and familial pressures other women of the time are subjected to. Despite this, it is the pressure of marriage that she cannot escape: even after she has married Shelmerdine, Orlando is thinking of ways to live her life as before. In contrast to her statement of being forced to consider ‘the most desperate of remedies, which was to yield completely and submissively to the spirit of the age, and take a husband’ (121) Orlando is sincere in her affection for Shelmerdine, suggesting it is the idea of what marriage entails rather than the act itself which provides the pressure to conform and desire for escape.
The opening scene of To The Lighthouse between Mr Ramsay and Mrs Ramsay displays the gender division that flows throughout this passage highlighting Woolf’s own perspective on society and sexuality between genders. Woolf supports the belief in a complete change to society resulting in a non – hierarchical society. Woolf felt for this to happen aside from the practical changes, that a radical redefinition of sexuality was also needed. The novel focuses on sexual issues of the twentieth century central to feminist campaigns, such as marriage being a form of institutionalized slavery . She brings to attention one of Freud’s most well-known theory, the oedipal conflict. The author draws upon the story of Oedipus who kills his father and marries his mother. Freud states that the daughter demands the attention of the father and the son the attention of her father. In doing so this monopolizes the love the son has for the mother at the risk of jealousy from the father, due to the dominating attention the child wants from the mother. Similarly, this oedipal triangle is formed between James and his parents. Woolf gives reference to Freud and his views on male development and family dynamics by sharing his views on the unconscious whilst talking about them in her own way. She “absorbs many of Freud’s insights about male and female gender identity, yet at the same time infected them in a manner now known as feminist.” The dialogue between the Ramsay’s and James is seen by the reader to express feelings equating to sexual intensity in the way he loves his mother and hates his father, simply by his reaction to Mr Ramsay’s comment about the foul weather. His preference for his mother over his father is clear when he states she is “ten thousa...
Mrs. Marian Forrester strikes readers as an appealing character with the way she shifts as a person from the start of the novel, A Lost Lady, to the end of it. She signifies just more than a women that is married to an old man who has worked in the train business. She innovated a new type of women that has transitioned from the old world to new world. She is sought out to be a caring, vibrant, graceful, and kind young lady but then shifts into a gold-digging, adulterous, deceitful lady from the way she is interpreted throughout the book through the eyes of Niel Herbert. The way that the reader is able to construe the Willa Cather on how Mr. and Mrs. Forrester fell in love is a concept that leads the reader to believe that it is merely psychological based. As Mrs. Forrester goes through her experiences such as the death of her husband, the affairs that she took part in with Frank Ellinger, and so on, the reader witnesses a shift in her mentally and internally. Mrs. Forrester becomes a much more complicated women to the extent in which she struggles to find who really is and that is a women that wants to find love and be fructuous in wealth. A women of a multitude of blemishes, as a leading character it can be argued that Mrs. Forrester signifies a lady that is ultimately lost in her path of personal transitioning. She becomes lost because she cannot withstand herself unless she is treated well by a wealthy male in which causes her to act unalike the person she truly is.
Throughout history, women writers used pen names and pseudonyms to avoid the eyes of the patriarchal society. The female writers were no strangers to harsh criticism from the gender-biased readers regarding their artistic works. However such emphasis on gender discrimination coined the words, feminism and sexism, which now reflect on the past and the present conflicts. In the book A Room Of One’s Own, Virginia Woolf tracks down the history of women and fiction to find the answer. She argues, “A woman must have money and a room of her own if she is to write fiction”. She chants on and on about the topic of “women and fiction”, contemplating the role of women in the traditional domain and the virtues of women writers. Although, Woolf may have contemplated over such awareness that a woman needs an atmosphere of her own in which nobody can intrude, the modern world has prevailed over such hindrances throughout technological innovations that offer freedom of speech. Also, economical affluence is not a necessity for women to engage in the fictional world but rather a sufficient condition in the modern world. Thus Virginia Woolf’s predictions failed to represent the current vantage point revolving around women and fiction.
In Jane Austen’s “Pride and Prejudice” the story of two unlikely lovers unfolds. Elizabeth Bennett, the second eldest of five sisters, unfortunately has a mother who wants her to marry rich. When Elizabeth first encounters Fitzwilliam Darcy they mutually dislike each other. The two characters undergo conflicts that revolve around each other. As the story progresses Mr. Darcy finds a likeness for Elizabeth that she does not return. After Mr. Darcy proposes to Elizabeth, that she rejects, he clears up all the mistakes that Elizabeth believed he had made. Elizabeth then realizes that Mr. Darcy evolves much like herself, she falls in love with him, and he finally proposes to her, which she accepts. Through Austen’s use of strong character’s she illustrates how society and class can produce prejudice between two people madly in love.
“‘The Necklace’ is one of the most famous of Maupassant's short stories but also one of the most enigmatic” (Adamson). Guy de Maupassant was born in Normandy to wealthy parents. His childhood setting and character reflected in his fiction writing. His mother provided the characterization of slighted, overbearing women in most of his stories. The plot is about the loss of a diamond necklace by a low-ranking officials wife. She finds outs the price of a similar necklace is 36,000 francs. Madame Loisel spent 10 years paying off her debt for the necklace only to find out that the gems were paste costume jewelry instead of diamonds. Guy de Maupassant develops his theme that objects can have a perceiving power in his short story “The Necklace” through the use of characterization, symbolism, and irony.