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essays on how jd salingers life affects his books
essays on how jd salingers life affected his books
intelectual formation of the writer j.d salinger
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Salinger, J(erome) D(avid) (1919- ), American novelist and short story writer, known for his stories dealing with the intellectual and emotional struggles of adolescents who are alienated from the empty, materialistic world of their parents. Salinger's work is marked by a profound sense of craftsmanship, a keen ear for dialogue, and a deep awareness of the frustrations of life in America after World War II (1939-1945).
Jerome David Salinger was born and raised in New York City. He began writing fiction as a teenager. After graduating from the Valley Forge Military Academy in 1936, he began studies at several colleges in the New York City area, but he took no degree. He did, however, take a fiction writing class with Whit Burnett, an editor of Story magazine, who encouraged Salinger and brought out his first published story, "The Young Folks" (1940).
Over the next several years Salinger contributed short stories to popular magazines such as Collier's, Esquire, and The Saturday Evening Post, continuing to produce work even while serving in combat during World War II as a staff sergeant in the United States Army from 1942 to 1946. After returning to civilian life, Salinger continued to achieve success with his short stories, many of which were drawn from his war experiences. During the late 1940s he published work in Mademoiselle, Cosmopolitan, and The New Yorker.
At the age of 31, Salinger gained a major place in American fiction with the publication of his only...
Salinger, J.D. The Catcher in the Rye. New York: Little, Brown and Company, 1991. Print.
All of these are components of J. D. Salinger’s writing style. While the tone of The Catcher in the Rye may suggest a lighthearted, entertainment centered novel, the work is, in actuality, a deep study of human emotion and sympathy, as well as a dark portrait of the wickedness in the world.
Although it is not a biography, it gives the reader an idea of who J. D. Salinger was and his ideas about writing. It is a scholarly article because it includes quotations from J. D. Salinger as well as factual evidence. It was also published by a reliable source, The New York Times.
Montresor demonstrates that he is an unreliable narrator for the events that he describes by lying to other characters in the story. Firstly, he establishes in the beginning of the story
Throughout this short story, Poe uses details and the character's true emotions create the eerie mood. “I continued, as was my won't, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.” In the beginning of this short story, Montresor states how he plans to kill Fortunato. His smile was not genuine or sincere. He states how Fortunato did not realize or see through his sinister
Stevick, Philip. "J(erome) D(avid) Salinger." American Short-Story Writers, 1910-1945: Second Series. Ed. Bobby Ellen Kimbel. Detroit: Gale Research, 1991. Dictionary of Literary Biography Vol. 102. Literature Resource Center. Web. 3 Feb. 2014.
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
...thout forcing them upon you. Also, Salinger uses his novel to force society to address social issues previously ignored in that era including mental health disorders and sexual orientation. Especially after World War II, many people were suffering from disorders like PTSD, but never seeked treatment due to the lack of acceptance of mental weakness at the time. Though Holden, Salinger shows that after traumatizing events, people need others to help them cope and to show the public how hard it was to receive the help people needed. He aimed to change society with this novel and succeed, it raised many questions and is believed to help lead to a more accepting community. If more authors were brave enough and talented enough to write about controversial topics like Salinger, society would be a more accepting and diverse place where everyone could live together happily.
In Sappho's poems, she does not take on a typical point of view of love as she describes the allure and agony through her own experience. This alternative approach to love is shown in Sappho's poems 16 as she makes a connection between her own life and the emotions behind the Trojan war. Also, in 31 she describes a physical pain that opens up her life to the audience through her experience with jealousy. Another link between author and audience is seen in poem 94 as Sappho tells a story of her heartbreak. Then in Sappho's fragments 48 and 51, there are short personal phrases, allowing the readers to fill in the rest with their thoughts. It is with Sappho's first-person perspective that she creates an intimate connection with the audience
In the book The Catcher in the Rye, by J.D. Salinger, characterization of Holden Caulfield reveals a classic coming-of-age story. Throughout the novel, Holden’s character develops and begins to transition from being a child to being an adult. His journey in the story helps him recognize his true identity, in both positive and negative ways.
J.D. Salinger's novel The Catcher in the Rye depicts a short span in the life of a
In many novels written by J.D. Salinger, there is a recurring theme of love that
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Love is a force that can overtake large adversities and can stumble over small challenges. Love is an intense feeling of deep affection. Love is eternal, but can be deflected. Different forms of love are expressed by Othello, Desdemona, and Iago in Shakespeare’s play Othello. As a result of romantic love, Desdemona splits from her family, and Othello slays his wife. Next, familial love, not as dominant as romantic love, is evidenced in Desdemona's choice to marry Othello against her family's requests. Lastly, Self-love is the basis for characters such as Iago and Othello to abandon moral reason. Love comes in different forms.
In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes of Love; Agathon enunciates that the correct way to present an eulogy is first to praise its nature and gifts. As the last speaker, and the most important one, Socrates connects his ideas with Diotima of Mantinea’s story of Love’s origin, nature and purpose. Different from the earlier five speakers who regard Love as an object and praise different sides of it, Socrates, referring to Diotima’s idea, considers Love as a pursuit of beauty gradually from “physical beauty of people in general” (Symposium, Plato, 55) to the “true beauty” (55).