Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
treatment of women in literature
portrayal of women in literature
gender issue in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: treatment of women in literature
Women have gained equality with men over the many centuries of the evolution of the modern western civilization. Hence, it cannot be overlooked that there still exist many literary examples of social disregard for woman potential. Joseph Conrad's "Heart of Darkness" exemplifies the Western patriarchal gender roles in which women are given the inferior status. Not only are women portrayed as being inferior to men, but Marlow's (the protagonist's) seldom mentioning of them in his Congo adventure narrative symbolizes his view of their insignificance. There is a total of five women presented in Marlow's narrative but only three of them are significant minor characters: Marlow's aunt, Kurtz's African mistress, and Kurtz's "Intended." The following essay will examine how the presentation of each of these three women in Marlow's narrative contributes to connecting events in the story.
Despite the generalized view of women of his time, Marlow's narrative indicates a more specified view of the value of women which suggest that they are all naïve but with culturally dependent personas. In presenting female characters, Marlow may have intended to add more essence to his narrative. Nonetheless, each of their appearances and his descriptions of them served to be metaphoric, yet powerful contributions to the story line.
From the beginning, Marlow sends a clear message to the reader regarding his position on the image of women. He relates how he "tried the women" after he found no man to help him achieve his travelling and trading ambitions. He did something out of the ordinary for his time; he went to a woman for financial aid. Because this woman is actually his aunt, one might argue that perhaps Marlow is not thankful enough to his...
... middle of paper ...
...he associates her with having powerful qualities, she is still considered naïve for not having expected departure from Kurtz. She displays sorrow and grief as she throws her hands to the sky as the steamboat pulls away. Finally, Marlow uses Kurtz's Intended to support his view of women as being accurate. In order to save their fantasy worlds, Marlow argues that men can stoop as low as lying. In unique ways the three significant female figures influence the development of Marlow's story but they do not influence the theme of the story; which is Marlow's exploration of the darkness of the human soul. Preserving the "beautiful world" of women as Marlow suggests denies women journey into the Darkness. Their role is therefore limited to their cultural environment and their own world because they might not have the strength to handle all the difficulties and temptation.
The natives who attack the steamboat as the pilgrims near the Inner Station are seen only as ‘naked breasts, arms, legs, glaring eyes.’ The effect is to cause the reader to never picture the natives as fully human.” By emphasizing the barbaric nature of the natives, Marlow shows how inconsiderate humans can be toward other humans. We look down on people who are different than us, simply because they are distinguished from us. He regards them and describes them as if they are lower life forms than him, which simply isn’t true. But the important question is why does Marlow (and all of The Company) think that these natives are simply animals? It’s because the Company holds power that the natives do not have. This goes back to the original thesis of this paper: without God serving as a strong figure in our lives, we look to
...Piercy badgers the reader with Comstock's view of women (mostly in the descriptions of his dutiful wife and obedient daughter) to illustrate his sexism, however, the belabored point begins to fall flat and instead leaves the character feeling one-dimensional. Likewise, even men initially introduced to the reader as pro-feminist, like Theodore Tilton, meet with a predictable sexist ending. These men were no doubt chosen to embody the patriarchal society of then and today, but the unyielding portrayal began to feel overwhelmingly oppressive (perhaps her intent) and a novel so based in realism, on that point, began to feel contrived, therefore unrealistic. Nevertheless, Piercy compares and contrasts the experiences of the characters', offering them up to the reader, perhaps in hope that similarities can be identified and a feminist dialogue can be started or continued.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.
Throughout the entirety of his story Charlie Marlow seems unaware of the importance of female interactions within his travels. Though he mentions women on vague occasions—as in the case of his aunt and the multiple mistresses of Kurtz—he treats them as if they were secondary citizens. In much the same way he regards the “savages,” Marlow approaches women with extreme prejudice. He notes “how out of touch with truth women are. They live in a world of their own, and there has never been anything like it, and never can be. It is too beautiful altogether…” (Conrad, 10). He refers not only to the women from his young adulthood, but...
As Marlow describes, she is a very nice lady and she does whatever she can to fulfill her nephew’s wish. Marlow, on the other hand, seems to feel a little disconcerted because of asking for the help of a woman. This can be inferred from the utterances of Marlow. While telling his story to his friends he says “I, Charlie Marlow, set the women to work— to get a job. Heavens!” (Conrad 2013, P. 8). The word “Heavens!” indicates a lot. He gives us the feeling of not being content with requesting the help of a woman. However, even this statement is very supportive for my thesis if we inspect the way men look at women in 1900s. Men tended to see women as housewives taking care of the children and chores. And Marlow’s discontent shows the big effect of his aunt on his adventure even though he does not want to
In “Too Beautiful Altogether” Smith points out that even though Heart of Darkness is an especially masculine account, femininity and gender play a deeper role in the story. Smith writes “Marlow’s narrative aims to “colonize” and “pacify” both savage darkness and women” (Smith 189). Furthermore Smith states, “By silencing the native laundress and symbolizing the equally silent savage woman and the company women, Marlow reconstructs his experience of the darkness they stand for. The story’s two speaking European women, Marlow’s aunt and Kurtz’s Intended, perform a similar function. By restricting unsatisfactory feminine versions of imperialist ideology to them, Marlow is able to create his own masculine version to keep the darkness at bay” (Smith 190). For Marlow his story is never meant for a female to read or hear. Marlow feels that his story is far too masculine for and women and because of that the story would be over their head.
A lie is an untruth. It can be a false statement or a statement left unsaid that causes someone to be misled. In life, lies are told for many different reasons. In fiction, they thicken the plot. In Conrad's Heart of Darkness, Marlow dislikes lies and therefore only tells two, both in extraordinary circumstances. The lies that Marlow tells show several things about him. For example, even though he has been touched by evil, he is still a good man. He never actually tells a lie, instead he lets others continue to believe what they already believe. This helps him justify his lies.
Clarissa's relationships with other females in Mrs. Dalloway offer great insight into her personality. Additionally, Woolf's decision to focus at length on Sally Seton, Millicent Bruton, Ellie Henderson, and Doris Kilman allows the reader to see how women relate to one another in extremely different ways: sometimes drawing upon one another for things they cannot get from men; other times, turning on one another out of jealousy and insecurity. Although Mrs. Dalloway is far from the most healthy or positive literary portrayal of women, Woolf presents an excellent exploration of female relationships.
The two main characters in Heart of Darkness, Marlow and Kurtz are used to show the true nature of man, that is, the capacity for good and evil within humanity. The central character is a thirty two year old sailor, Charlie Marlow. Marlow is the primary narrator in the novel, therefore his thought’s, opinions, experiences and revelations, shape the entire novels themes and the value system put forward. Marlow illustrates how forces of light and darkness serve to weave the human soul together; thus, essentially how good and evil are reflected in an individual. This is particularly important regarding the construction of Marlow, who is essentially a biased narrator, and a product of his European upbringing. An example is his inability to deal with the dying natives at the “grove of death”, offering a native a biscuit as an apparent kind gesture. Yet this is only due to him not being confronted with situations like this previously where his own values, and the whole premise behind colonialism, the exploitation is revealed. The patriarchial views of women he displays also outline the background of Marlow and the a...
In Joseph Conrad’s novel Heart of Darkness, Marlow’s view of women embodies the typical 19th century view of women as the inferior sex. There are only three relatively minor female characters in Heart of Darkness: Marlow’s aunt, Kurtz’s mistress, and Kurtz’s "Intended." Marlow mentions these female characters in order to give the literal aspect of his tale more substance. While they definitely play specific roles in the story, they do not relate with the primary theme of the story. The primary theme focuses more on how Marlow’s journey into the heart of darkness contrasts the "white" souls of the black people and the "black" souls of the whites who exploit them, and how it led to Marlow’s self-discovery.
In Joseph Conrad's novel Heart of Darkness the story of Marlow, an Englishman travelling physically up an unnamed river in Africa and psychologically into the human possibility, is related to the reader through several narrational voices. The primary first-person narrator is an Englishman aboard the yawl, the 'Nellie', who relates the story as it is told to him by Marlow. Within Marlow's narrative are several instances when Marlow relies upon others, such as the Russian, the brickmaker and the Manager at the central station, for information. Therefore, through complicated narrational structure resulting from the polyphonous account, Conrad can already represent to the reader the theme of the shifting nature of reality. As each narrator relates what is important to them, the audience must realise that each voice edits, absents information and is affected by their own experiences and the culture and ideology within which they judge and respond. Therefore the text reveals itself as non-essentialist. It is also seen through the narratorial voices, who are all significantly European males, although challenging the received view of imperial praxis as glorious and daring, a racist and patriarchal text, which eventually, through Marlow's own assimilation of the ideology of his time, reinscribes and replicates that which it attempts to criticise: European action in Africa.
“The mind of the man is cable of anything.” These are the words Joseph Conrad uses to describe the potential of each human being, a potential that can be limited based on a person’s ideal of what is right and what is wrong. Conrad makes this ideal visible in his piece of literature “Heart of Darkness,” in which he describes Marlow’s, the novel’s protagonist, journey to the center of imperialism, Africa, where he encounters the dehumanizing treatment of white Europeans towards the African civilization. During his expedition, Marlow learns that morals are individual perceptions of what is right and what is wrong.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Marlow is telling the story to his friends in the dark of night on the Thames river. As he begins the day is just ending "in a serenity of still and exquisite brilliance." It is a very sombre and dull atmosphere and as the calmness begins to fade it becomes more profound. At one point Marlow stops and is interrupted by the unknown narrator who describes the setting on the Nellie. "It had become so pitch dark that we listeners could hardly see one another. For a long time already he, sitting apart, had been no more to us than a voice....I listened, I listened on the watch for the sentence, for the word, that would give me the clew to the faint uneasiness inspired by this narrative that seemed to shape itself without human lips in the heavy nightair of the river."