The Subjugation of Women in The Yellow Wall Paper
In the nineteenth century, women in literature were often portrayed as submissive to men. Literature of the period often characterized women as oppressed by society, as well as by the male influences in their lives. The Yellow Wallpaper presents the tragic story of a woman's descent into depression and madness. Gilman once wrote "Women's subordination will only end when women lead the struggle for their own autonomy, thereby freeing man as well as themselves, because man suffers from the distortions that come from dominance, just as women are scarred by the subjugation imposed upon them" (Lane 5). The Yellow Wallpaper brilliantly illustrates this philosophy. The narrator's declining mental health is reflected through the characteristics of the house she is trapped in and her husband, while trying to protect her, is actually destroying her.
The narrator of the story goes with her doctor/husband to stay in a colonial mansion for the summer. The house is supposed to be a place where she can recover from severe postpartum depression. She loves her baby, but knows she is not able to take care of him. "It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervous" (Gilman 642). The symbolism utilized by Gilman is somewhat askew from the conventional. A house usually symbolizes security. In this story the opposite is true. The protagonist, whose name we never learn, feels trapped by the walls of the house, just as she is trapped by her mental illness. The windows of her room, which normally would symbolize a sense of freedom, are barred, holding her in. (Biedermann 179, 382). From the outset the reader is ...
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...f the wallpaper . . . "(Gilman 647).
Bibliography
Anderson, Daniel. *http://cwrl.utexas.edu/~daniel/amlit/wallpaper/whywrote/htm* Why I Wrote "The Yellow Wallpaper"? As it appeared in the October issue of The Forerunner, 1913." 1996. (19 Sept. 1998)
Biedermann, Hans, ed. The Wordsworth Dictionary of Symbolism. Cumberland House: Hertfordshire, 1996
Cunningham, Iain and Holmes, Douglass. "Sensory Descriptions in The Yellow Wallpaper." 1977.
http://englishwww.ucla.edu/individuals/mcgraw/wallpaper/senses.htm* (19 Sept. 1998).
Gilman, Charlotte Perkins. "The Yellow Wallpaper." Women's Work - An Anthology of American Literature. Ed. Barbara Perkins, Robyn Warhol, and George Perkins. New York: McGraw-Hill, Inc., 1994. 640-650.
Lane, Ann J. To Herland and Beyond: The Life and Work of Charlotte Perkins Gilman. New York: Pantheon Books, 1990.
Willy, Linda, Biff and Happy are all characters that use self- deception as a way to mentally escape the terrible reality of their lives. As the play progresses, and ends Biff is truly the one and only character that becomes self- aware. At the end of the play Biff accepts the lies his family and him have been living in for years. Biff makes huge changes mentally at the end of the play, which cannot be said for the rest of the Loman family.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." 1892. The New England Magazine. Reprinted in "Lives & Moments - An Introduction to Short Fiction" by Hans Ostrom. Hold,
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 1684-1695.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Gilman, Charlotte. "The Yellow Wallpaper." Literature: An Introduction to Reading and Writing. Ed. Edgar Roberts and Robert Zweig. New York: Longman, 2011. 419-428.Print.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Loss of respect can ruin a relationship. Biff left town for many reasons, but one important one had to do with Willy cheating on his wife. During a flashback in the play, Willy is in a room with a woman when Biff knocks on the door. The woman was actually in the washroom as Biff came in, but came out before Biff left. Biff saw the woman and knew that his father was not being loyal to his mother.
Themes from a Death of a Salesman are plentiful and confusing at times. Miller seems to say in “Tragedy and the Common Man,” by the test of feeling it is a tragedy; “The tragic feeling,” he writes, “is evoked when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing—his sense of personal dignity” (Foster n.p). What turns this self-confidence
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
Willy's Tragic Flaw and the Effect it Has Upon his Sons in Death of a Salesman by Arthur Miller
Gilman, Charlotte P. "The Yellow Wallpaper." The Norton Anthology of American Literature. Nina Baym and Robert S. Levine. Eight ed. Vol. C. New York: W. W. Norton &, 2012. 790-804. Print.
Charlotte Perkins Gilman's "The Yellow Wallpaper" is a deceptively simple story. It is easy to follow the thirteen pages of narrative and conclude the protagonist as insane. This is a fair judgement, after all no healthy minded individual becomes so caught up with "hideous" and "infuriating" wallpaper to lose sleep over it, much less lock herself in a room to tear the wallpaper down. To be able to imagine such things as "broken necks" and "bulbous eyes" in the wallpaper is understandable, irrational and erratic designs can form rational patterns in our minds, but to see a woman locked inside of the "bars" of the wallpaper and attempt to rescue her seems altogether crazy. Her fascination with the wallpaper does seem odd to us, but it easy to focus on the eccentricity of her interest with paper and lose sight of what the wallpaper institutes: her writing. It is her writing that keeps her sane, the wallpaper that makes her insane, and from these two very symbolic poles the short story rotates. Gilman's short story is not simply about a lonely woman's descent into madness, but is symbolic of previous and contemporary women writer's attempt to overcome the "madness" and bias of the established, male dominated literary society that surrounds them.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” The Yellow Wallpaper and Other Stories. Mineola: Dover, 1997. Print.