Influence of Emerson’s Self-Reliance on Gilman’s Yellow Wall-Paper
The great writer Ralph Waldo Emerson once wrote, "trust thyself: every heart vibrates to that iron string" (p. 1033). How surprised he would be to find out that a half century later this type of idea would culminate in a growing restlessness among American women unsatisfied with their lives and with their roles in society - a society dominated by men with little or no place for women outside the home. One of these female writers who helped lead the battle for domestic and social reform was Charlotte Perkins Gilman. One of her more particularly forceful works is "The Yellow Wall-Paper," meant to highlight the submissive and highly undervalued role women play in marriages at the time. Through this work, Gilman expressed her inner frustrations with the servitude women had to endure in their marriages during that time period, and she advocated her own brand of Emersonian non-conformity for women. By taking such a profoundly dismal outlook on married life, Gilman hoped to inspire other women to seek new roles not only in the domestic, but also public, arena. "The Yellow Wall-Paper" represents to a large degree what the feminist movement of the late 19th century was about, and by analyzing both the story and context of its creation, it becomes apparent the type of interpretation Gilman made of Emerson's work "Self-Reliance."
Although "The Yellow Wall-Paper" focuses on a wife's sudden decline into madness, the story brings forth a very important issue - that of women's roles not only in domestic life, but in society as well. It becomes abundantly apparent even from the first few lines of the story that the wife's views concern her place in the marr...
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..." written nearly half a century earlier, but wished to apply it to women in order to achieve a similar greatness through liberation. Evidently, both authors have achieved their goals and have become literary founders of a new American image created during the 19th century, but transcending the boundaries of time even today.
Works Cited and Consulted
Boller, Paul. American Transcendentalism. New York: Capricorn Books, 1974.
Emerson, Ralph. Self-Reliance. Ed. George McMichael. New York: Macmillan Publishing Company, 1985.
Gilman, Charlotte Perkins. The Yellow Wallpaper. New York: Feminist Press, 1973.
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Kasmer, Lisa. "Charlotte Perkins Gilman's 'The Yellow Wallpaper': A Symptomatic Reading." Literature and Psychology. 36, (1990): 1-15.
Plucker, J. A., & Barab, S. A. (2005). The importance of contexts in theories of giftedness. In R. J. Sternberg & J. E. Davidson (Eds.), Conceptions of giftedness (pp. 201-216). New York: Cambridge University Press.
“The Yellow Wall-paper” is an amazing story that demonstrates how close-minded the world was a little over a hundred years ago. In the late eighteen hundreds, women were seen as personal objects that are not capable of making a mark in the world. If a woman did prove to be a strong intellectual person and had a promising future, they were shut out from society. Charlotte Perkins Gilman wrote her stories from experience, but added fictional twists along the way to make her stories interesting.
"Candide" is a satire of society, government, military and optimism, these issues were depicted throughout events in history. Voltaire did a good job at incorporating the mockery in the history of society and it starts at the beginning where he describes Candide. Candide's home is beautiful castle where one can see the power of the wealthy and the church. He began to make fun of society when he talks about the mother of Candide; she refused to marry his father because he lacked the family lineage. In another scene, when the brother of Cunégonde refuses to allow his sister to marry Candide, as they were of the nobility they were too proud to allow his sister to marry even a privileged commoner. What Voltaire mocked in society is the importance of position in society, that in order to be happy one should be rich and in a good position.
The problem associated with how students are chosen to join a gifted and talented program stems from the way that we define giftedness. Because there are countless ways in which any individual can define talent, the government created a federal task force in 1972 to study gifted education in order to standardize the way in which schools choose students for and implement their gifted and talented programs. The task force’s results are known as the Marland Report and include much information as a result of their research, including a decision that a public school’s gifted and talented programs should aim to serve between 3 and 5 percent o...
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
In Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," Gilman makes adamant statements about feminism and the oppression of women during the 19th century. This story allows the reader to see into the mind of a woman who is slowly going insane and suffering from postpartum depression. During the 19th century, women were forced into a certain stereotype, that of wife and mother. Women were not allowed to express and challenge themselves the way men were. Just as the narrator of the story is trapped in her room, women are trapped in pretentious acts that do not allow them to explore their creativity and intelligence. Gilman displays how easily one can go insane when they are suppressed by a patriarchal society. Gilman’s illustration of a subordinate wife, fully dominated by her husband, proposes a sense of gender stereotypes, as well as the treatments prescribed for the mentally ill; as the narrator is forced to become unproductive, John continues to act superior to his wife and treat her like a prisoner and child.
Whitney, C. S. & Hirsch, G. (2011). Helping Gifted Children Soar. A Practical Guide for
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
Plucker, J. A., & Barab, S. A. (2005). The importance of contexts in theories of giftedness. In R. J. Sternberg & J. E. Davidson (Eds.), Conceptions of giftedness (pp. 201-216). New York: Cambridge University Press.
Brown, B. D. A Psychological Approach to Charlotte Perkins Gilman's The Yellow Wallpaper. http://www.usinternet.com/users/bdbourn/yellow.htm, Aug. 2, 1999, 1-2.
During the Victorian Era and late 1800’s, the conventional norms of society prevented women from ever attaining true independence and freedom. This was a direct result of the expectations that women were supposed to fulfill their household duties and devote their live towards their family, which prohibited them from achieving bliss and self-happiness. Subsequently, Charlotte Perkins Gilman wrote her sensational short story, ”The Yellow Wallpaper,” in 1983 and illustrates a couple in which the power is unequally divided; the husband is a doctor and he makes all the decisions in the household. For instance, the wife is supposedly suffering from a “temporary nervous depression” is prescribed by her husband to stay in a secluded room and is forbidden
Gifted Child Today, 2004: 2000-. Willis Web. City U of New York Lib. 1 Dec
... "The Yellow Wallpaper" is not simply a story of a woman whose imagination drives her insane, it is a symbolic story of the woman writer who wishes to free herself from the conventions of the male dominated literary world. Gilman's proposes that women can achieve such status that they deserve, but that they must first acknowledge and see truthfully the "madness" surroundings, the tenets created by men, and become driven by the "madness" to overcome it. It is not impossible, but an uphill battle won by many others. Charlotte Perkins Gilman is proof of this: her work is wholly a part of the literary canon, among the best of her male peers.
Lovecky, D. V. (1995). Highly Gifted Children and Peer Relationships. Counseling and Guidance Newsletter. Retrieved March 10, 2003, from http://print.ditd.org/floater=74.html.
Parke, B. (n.d.). Challenging gifted students in the regular classroom. Retrieved March 1, 2004, from http://www.kidsource.com/kidsource/content/Challenging_gifted _kids.html