The Relationship between Jane Eyre and Rochester
Each of us carries within us the seed of a unique plant. When circumstances conspire to caringly nourish that seed in the manner most appropriate to its true nature-- circumstances which, sadly, are as rare as they are fortunate--the germ of our original selves is likely to flourish. When, however, this tender seed receives attention which is insufficient or antithetical to its essential inclination, growth is inevitably blighted in some way. Weaker or more sensitive seedlings may wither outright; others will be irreparably stunted. Stronger plants may yet grow to imposing heights, but they will be bent and twisted at the places where their needs were unmet, and may well feel eternally compelled to somehow loosen the knot of those deforming deprivations, so as to come closer to their originally intended shapes: Jane Eyre and Rochester are two such plants; driven by an indomitable will to find and follow their essential selves, they discover in each other a vital key to the realization of that end.
As every conscientious parent knows, a child needs both roots--love and security--and wings--belief in, and encouragement of, his autonomy--in order to mature. While gifted with the latter--the drive for self-realization previously mentioned--Jane and Rochester have been severely deprived of the foundation of the former. They are both outsiders. The identities they have succeeded in forging for themselves thus have a quality of rare integrity, for they primarily have come from within, not from the outer prompting to please and emulate others. At the same time, these characters lack the sense of security and connectedness which is the vital prop of such gifts. When the tw...
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...r love: like two trees in a dense, dark forest, bending, twisting and inter-twining to reach an aperture of warm, bright sunlight, more beautiful to my mind than their unblemished brothers.
Works Cited and Consulted
Bronte, Charlotte. Jane Eyre. New York: Penguin, 1985.
Gordon, Lyndall. Charlotte Bronte: A Passionate Life. New York: Norton, 1994.
Michie, Helena. The Flesh Made Word: Female Figures and Women's Bodies. New York: Oxford UP, 1987.
Poovey, Mary. "Speaking of the Body: Mid-Victorian Constructions of Female Desire." Jacobus, Keller, and Shuttleworth 24-46.
Rich, Adrienne. "Jane Eyre: The Temptations of a Motherless Woman." Gates 142-55.
Roy, Parama. "Unaccommodated Woman and the Poetics of Property in Jane Eyre." Studies in English Literature 29 (1989): 713-27.
Sullivan, Sheila. Studying the Brontes. Longman: York, 1986.
In the novel Jane Eyre, it narrates the story of a young, orphaned girl. The story begins shortly after Jane walk around Gateshead Hall and evolves within the different situations she face growing up. During Jane’s life the people she encounter has impact her growth and the character she has become.
was not a better place but it helped Jane stand on her own feet. Through
Tremendous spirit. The enviable trait that Jane Eyre from Charlotte Bronte’s Jane Eyre possesses is what stimulates her to achieve self-actualization despite the fact that she is a woman. True feminism isn’t as violent as a handful of vicious extremists claim it to be. The accurate definition of feminism is “the doctrine advocating women’s social, political, civil, educational and all other rights as equal to those of men.” Women of Charlotte Bronte’s era did not have basic rights such as the aforementioned. The feminist movement in the Victorian Era had only just begun and Jane Eyre was far ahead of her peers. Published in 1847, the bildungsroman novel of Jane Eyre was an intricate one, with subtle feminism carefully woven in it, particularly through the actions and thoughts of Jane Eyre, the protagonist. Her quest for self-worth and identity lead her to overcome the various stigmas that women in that era were faced with. These ambiguities reflect the tensions real Victorian women of faith experienced in trying to meet multiple often conflicting demands in their lives. Such challenges were complicated further by the fact that 19th century Evangelical Christianity- attentive to the realities of sin, sorrow, sacrifice, and loss- was no easy creed for women and men. (Lamonaca) Jane Eyre’s battles for authentic love, good reputation and indifferent attitude towards social classes dominated English women’s lives. The heroine tackles gender roles and breaks all the mannerisms of the time to inject an early dose of feminism in the English audience. Jane’s transformation from naïve child to independent woman stunned the public and gave women the inspiration to make their own decisions and defy the norms of their era.
Sofya made Raskolnikov realize, through acceptance, love, and sin, that he is not the “Superman” he thought and believes he is, and instead woke him up from his dream. The man became aware that his murder could not be reasonable in anyway, and that he cannot change the cards that are deal, just how he plays the hand. He agrees to spend time in prison to repent his sins. Although Sofya made a radical change in Raskolnikov’s personality, she is always by his side, and given him full support and comfort through the tough times that he has. There is no doubt that the existence of Sofya in Crime and Punishment breaks the narrow-minded view that kept a firm grip on Raskolnikov, and brings him back on the ground.
continue to fluctuate as she matures. Jane Eyre begins her life in the wrong place at the wrong
From the moment when Raskalnikov murders the old woman, his personality begins to change drastically. Dostoevsky challenges the reader to understand the madness which ensues by first demonstrating that the ideas and convictions to which Raskalnikov clung died along with the women. While the reader struggles with this realization, Dostoevsky incorporates the Biblical legend of Lazarus as a symbolic mirror for Raskalnikov's mind. By connecting the two, the reader encounters the foreshadowing of a rebirth of morals and beliefs, though what form this may assume remains cryptic. As references to Lazarus continue to occur, the feeling of parallelism increases in intensity. Just as Raskalnikov slowly struggled through madness, Lazarus lay dying of a terrible disease. When Lazarus eventually dies, Raskalnikov mimes this by teetering on the edge of insanity, the death of the mind. Eventually Sonya begins to pull Raskalnikov back to reality by relieving a portion of his guilt. As his Christ figure, she accomplishes this by providing the moral and spiritual sturdiness which Raskalnikov lost after his debasement during the murders. Sonya affects him not by active manipulation, but via her basic character, just as Christ personified his beliefs through the manner in which he lived his life. No matter what Raskalnikov says or does to her, she accepts it and looks to God to forgive him, just as Jesus does in the Bible. This eventually convinces Raskalnikov that what he did was in fact a crime and that he must repent for it and"seek atonement".
In Charlotte Bronte’s Jane Eyre, the characters come to learn that secrets do more harm than good through Edward Rochester’s secrecy after the fire in his room, Mrs. Reed not telling her about the letter from her uncle, and Edward Rochester’s secret marriage with Bertha. First, Rochester, who really knows what happened during the fire in his room, refuses to tell Jane the full truth so as to not hurt her. Secondly, Mrs. Reed and Jane do not have the best relationship; the hiding of the letter only strains this relationship further. And finally, Rochester’s secret marriage with the psychopathic woman Bertha Mason causes a rift in Jane and Rochester’s relationship which never fully heals. In other words, secrets will never end well, as seen by Rochester keeping what happens during the fire secret to Jane.
Analyse the methods Charlotte Brontë uses to make the reader empathise with Jane Eyre in the opening chapters. Reflect on how the novel portrays Victorian ideology and relate your analysis to the novel’s literary content.
All people live by their own codes of conduct. Everyone, be they male or female, young or old, has their own sets of values, which they adhere to and which are unchanging even in the face of personal or societal pressures and conflicts to give them up. In Jane Eyre by Charlotte Bronte, Jane is tempted many times to acquiesce to others' wishes and, thereby, give up her own moral standards and beliefs. Yet Jane remains steadfast in adhering to her personal code of conduct, namely to maintain feelings of high self-esteem, not to let herself be used and abused by others, and never to give up her religious convictions. Through many disappointments that she is faced with and with her constant struggle to gain independence and love, Jane never loses her self of self, nor does she give up her moral and spiritual values. Jane Eyre, from the very beginning of the novel, shows courage and self-confidence when she stands up to Mrs. Reed for wrongly accusing her to Mr. Brocklehurst of being a liar. Jane, a quiet, pensive girl, who until now took her aunt and cousins' torment without saying a word, suddenly could no longer hold her tongue. She suddenly felt a need to tell her aunt that as much as she appreciated having her put a roof over her head and providing food for her, her existence in Gateshead was nothing less than abominable. She says that servants are treated better than she is, and that Mrs. Reed was not keeping her promise to her deceased husband to raise Jane as her own child. Mrs. Reed, unable to answer Jane's accusations, leaves the room immediately, thus allowing Jane to bask in the glory of victory for the first time in her life. This episode ...
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
Jane Eyre by Charlotte Bronte is a novel about a woman, Jane, moving from place to place on a path to find her own feeling of independence. Throughout her journey, Jane encounters many obstacles to her intelligence. Male dominance proves to be the biggest obstruction at each stop of Jane's journey. As Jane progressed through the novel her emotional growth was primarily supported by the people and the places she was around. This examination will look for textual support from different sections of Jane Eyre to review how Jane had grown emotionally and intellectually as she moved from location to location, as well as looking at critical analysis from Bronte critics as to how each location plays a role in Jane’s progression.
After the botched crime Raskolnikov is plagued his failures. "He was conscious at the time that he had forgotten something that he ought not forget, and he tortured himself." (107) After he carelessly kills both women, and allows for the evidence to be found, Raskolnikov realizes he did not commit the perfect crime. This devastates his ego, so he tries to cling to his previous self perception. He is also plagued with feelings of guilt. His guilt, combined with the mistakes he made during the crime, shatter his self perception of perfection.
Raskolnikov is obsessed with his “superman theory”. He is constantly trying to prove that he is part of the 10% of extraordinary people in the world. He wants to become an eminent figure such as Napoleon. At first he believed that the murders he committed would make him part of this elite class. Once he realized that he had made mistakes during the crime he began to question his theory. After much frustration he decided to go to the scene of the crime. This gave him a rush that made him feel invincible. He believed that this would prove if, or if not he was “super”. Once he realized that he wasn’t part of this class, he suffered a mental breakdown. This pushed him to confess his crime to Sonya. She helped him rationalize his crime and admit his guilt. The outcome of this conversation was that it helped him admit his fate.
In Crime and Punishment, we see Raskolnikov caught between reason and will, the human needs for personal freedom and the need to submit to authority. He spends most of the first two parts stuck between wanting to act and wanting to observe. After he acts and murders the old woman, he spends much time contemplating confession. Raskolnikov seems trapped in his world although there is really nothing holding him back; he chooses not to flee and not to confess, but still acts as though he's suffocation (perhaps guilt?)In both novels defeat seems inevitable. Both characters believe that normal man is stupid, unsatisfied and confused. Perhaps they are right, but both characters fail to see the positive aspects of humans; the closest was the scene between the narrator of Notes from the Underground and Liza. In this scene he almost lets the human side show, rather than the insecure, closed off person he normally is.
It is apparent that the love between Sonia and Raskolnikov plays a crucial role in Crime and Punishment, pushing Raskolnikov in a direction he otherwise would not have gone. Dostoevsky uses their relationship as a tool to develop the philosophical themes in the novel and prompt profound changes in Raskolnikov’s character. Through their love, Dostoevsky demonstrates the importance of human relationships in finding and maintaining happiness. He also seeks to condemn nihilism and disprove the idea that one cannot make one’s own meaning in life by having Raskolnikov adopt Christian existentialism and find his purpose through Sonia.