As You Like It is love: The Language of Love The most obvious concern of As You Like It is love, and particularly the attitudes and the language appropriate to young romantic love. This is obvious from the relationships between Orlando and Rosalind, Silvius and Phoebe, Touchstone and Audrey, and Celia and Oliver. The action of the play moves back and forth among these couples, inviting us to compare the different styles and to recognize from those comparisons some important facts about young love. Here the role of Rosalind is decisive. Rosalind is Shakespeare's greatest and most vibrant comic female role. She is clearly the only character in the play who has throughout an intelligent, erotic, and fully anchored sense of love, and it becomes her task in the play to try to educate others out of their false notions of love, especially those notions which suggest that the real business of love is adopting an inflated Petrarchan language and the appropriate attitude that goes with it. Rosalind falls in love with Orlando at first sight (as is standard in Shakespeare), becomes erotically energized, and remains so throughout the play. She's delighted and excited by the experience and is determined to live it to the full moment by moment. One of the great pleasures of watching Rosalind is that she is always celebrating her passionate feelings for Orlando. She does not deny them or try to play games with her emotions. She's aware that falling in love has made her subject to Celia's gentle mockery, but she's not going to pretend that she isn't totally thrilled by the experience just to spare herself being laughed at (she even laughs at herself, while taking enormous delight in the behaviour which prompts... ... middle of paper ... ...anet Lloyd. Cambridge, England: Cambridge University Press, 1993. McFarland, Thomas. Shakespeare's Pastoral Comedy. Chapel Hill: University of North Carolina Press, 1972. Marsden, Jean. I. The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory. Lexington, Kentucky: University of Kentucky Press, 1995. Odell, George C. D. Shakespeare from Betterton to Irving. Vol. 2 New York: Dover Publications, 1966. Russell, Anne E. "History and Real Life: Anna Jameson, Shakespeare's Heroines and Victorian Women." Victorian Review: The Journal of the Victorian Studies Association of Western Canada. 17.2 (Winter 1991): 35-49. Shakespeare, William. As You Like It. in The Riverside Shakespeare. Boston: Houghton, Mifflin company, 1974. Terry, Ellen. Four Lectures on Shakespeare. New York: Benjamin Bloom, Inc., 1969.
Shakespeare, William. The Norton Shakespeare. Ed Stephen Greenblatt, et al. New York: W. W. Norton & Company, 1997.
“The California Youth Authority is responsible for the protection of society form the criminal and delinquent behavior of young people(Hill, Legislative Analyst).” This is reached mainly through custodial control of these juveniles and the implementation of vocational, education, health, and mental health treatment services.
One of the main concerns of man throughout the centuries has probably been to define the concept of love and to understand the complexities that govern love relationships among people. William Shakespeare seems to have been fully aware of the need and interest in love, since his work transcends time and place. Love is the central concern in As You Like It. This comedy presents different attitudes towards love, which may be derived from the conversations among its characters and from the romantic attachments portrayed in it. By comparing the different love relations in the play, one may further appreciate important facts about the concept of love. Moreover, love is also depicted as the force that rules over all kinds of human ties other than the romantic ones, namely familial bonds and friendship. The purpose of this paper is to analyze the concept of love portrayed in As You Like It, and to explore the different varieties of love relationships among its characters.
In the early first century AD, the Roman Empire was subject to autocratic rule and the old Republic was long dead. Augustus had been ruling for forty years and most of that time he was loved and praised by the Senate and the people of Rome. Throughout his reign, Augustus had the one lingering problem of finding a successor to take over the role of Emperor. He had chosen 3 different heirs in his time of rule; however, they all passed before they had the chance to inherit Augustus’ esteemed power. His fourth choice, Tiberius, was the one to succeed Augustus. He was often referred to, by Augustus, as an outstanding general and the only one capable of defending Rome against her enemies. The statement, ‘Tiberius is condemned by many ancient historians (including Tacitus), and his reign is often portrayed as being detrimental to the welfare of the Roman Empire’ is invalid as he treated the senate fairly, created strong economics and security in the state and boosted the empire into an unprecedented state of prosperity. This hypothesis will be proven through this essay by analyzing factors such as Tiberius’ administration of the Empire, his relationship with the senate, his financial control, the effect of Sejanus over his rule and why were his last years as Emperor referred to as a ‘reign of terror’ by Tacitus.
The Dramatic and Linguistic Means by which Shakespeare Presents Various Aspects of Love in As You Like It
He forced parents to attend their sons executions and then would invite them over to dinner after. Setuonius argued that Caligula’s savage crimes matched his brutal language. He was not compassionate towards anyone and was comfortable doing whatever he wanted to anyone. His motto was “let them hate me, so long as they fear me.” When someone was executed, he wanted it to be a slow, painful death. He preferred that small wounds be inflicted so that they could feel that they were dying. He often watched the trails of torture while he was eating or enjoying himself, which suggests that Caligula was a sociopath. Whenever he kissed the neck of his wife or mistress, he would mentioning cutting her throat. Although Setunious has only mentioned the negative things about Caligula, there are some positive things about Caligula as well. Caligula was extremely talented and practiced multiple arts. He made appearances as a Thracian gladiator & charioteer, singer, and dancer. He often supported tragic actors at public performances. Despite his cruel behavior and arrogant attitude, Caligula was extremely
The first half of Suetonius’ biography of Tiberius reflects very well on him. He is described as being so humble as to be almost annoying about it. Suetonius quotes a senator saying, “others were slow in doing what they promised, but that he was slow to promise what he was already doing.” However, the second half of the biography, which addresses Tiberius’ ruthlessness leads me to believe that Suetonius did not think highly of Tiberius’ in the second half of his reign. To illustrate this, I will give a brief summary of the biography. Then I will give my reasons for believing that the first two years of Tiberius’ reign was good. Finally, I will show how Tiberius turned sour, and became like the many other bad emperors.
Evans, G. Blakemore. Ed. The Riverside Shakespeare. by William Shakespeare. 1552- 1616. Boston: Houghton Mifflin Company, 1974.
He had affairs and sexual relationships with 3 of his 4 sisters, while in a marriage. During his time, he whined often about how dull and boring the times were, and prayed for a military catastrophe or a public starvation for "entertainment". His behavior had become so erratic that during a gladiator match, he ordered for a whole section of the audience/public to be thrown to the lions for the sole purpose of “entertainment.” As Caligula’s actions became more outrageous, the people of Rome began to hate him, and wanted to get rid of him as their leader. Towards the end of his reign, many members began to plot against their leader. Nevertheless, when news of these schemes reached Caligula, he was not delighted. He forced many of the governors of his provinces to commit suicide if they were suspected even a little
Nero was one of the most dangerous threats to christianity during the age of the Roman emperor. As you will read throughout this essay paper i will be giving two examples of emperors that ruled over the great empire of rome in two different ways.
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
The deaths of Caligula's mother Agrippina and brother Nero, however, were not enough to please Tiberius's supremacy over Roman politics. Caligula’s other brother, Drusus, who was infuriated by the death of his father,...
As You Like It is remarkable among Shakespeare's plays for ending with four marriages, something of a record even among comedies. Love is a central theme of the play, although in some of its variations it cannot quite be said to be romantic! The love relationships may, at first glance, appear to be stock types: Rosalind and Orlando representing romantic hero-heroine love, Silvius and Phebe combining love in the lower classes with unrequited love, Audrey and Touchstone a darker attempt to seduce, and Celia and Oliver simple tying up of loose ends. However, Shakespeare makes the theme interesting not just through the sheer variety of relationships that he explores, but also through the unusual elements he brings to each.
Levin, Harry. General Introduction. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Co., 1974.
One of the most intriguing aspects of As You Like It by William Shakespeare concerns the issue of gender. This issue generates a lot of interest and discussions due to its complexity. The main reason for such a concern in the play is the cross-dressing and role-playing. The central love interest between Rosalind and Orlando calls into question the conservative wisdom about men and women and their gender roles. It also challenges our presumptions about these roles in courtship, love, and relationships.