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bluest eye by toni morrison essay author introduction
what subjects and themes does toni morrison utilize in the bluest eye
bluest eye by toni morrison essay author introduction
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Toni Morrison’s novel, The Bluest Eye, presents the lives of several impoverished black families in the 1940’s in a rather unconventional and painful manner. Ms. Morrison leads the reader through the lives of select children and adults, describing a few powerful incidents, thoughts and experiences that lend insight into the motivation and. behavior of these characters. In a somewhat unconventional manner, the young lives of Pauline Williams Breedlove and Charles (Cholly) Breedlove are presented to the reader. Through these descriptions, the reader comes to understand how they become the kind of adults they are. Background information is given not necessarily to incur sympathy but to lend understanding.
The narrator makes the point that Pauline’s young life is filled with excuses because of her crippled foot. She could not understand why she of all the other children in her family had no nickname, no funny anecdotes about the things she had done or why she never felt at home anywhere. These experiences made her draw in upon herself and rely on a life she created, "restricted as a child to this cocoon of her family spinnings, she cultivated quiet and private pleasures, she liked most of all to arrange things." Thus as she approached womanhood, Pauline began to search for the life she did not have as a child.
After her marriage and children, Pauline becomes employed with a well to do white family who satisfied much of this hunger. As the narrator says, "praise, power and luxury were hers in this household...here she could arrange things, clean things, line things up in neat rows...here she found beauty, order, cleanliness and praise." Morrison describes another important phase in Pauline’s life, saying, "Pauline was fifteen, still keeping house, but with less enthusiasm. Fantasies about men and love and touching were drawing her mind and hands away from her work."
Thus it seems perfectly obvious how Pauline fell for the mysterious figure of Cholly Breedlove, "when the stranger, the someone appeared out of no where, Pauline was grateful but not surprised. Pauline and Cholly loved each other he seemed to relish her company and even to enjoy her country ways.... She was secure and grateful, he was kind and lively."
For the first time Pauline realized love and acceptance could be hers and she fell into a relationship wit...
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... of the relationship between sympathy and judgement of the character’s lives.
I found this book provocative in that it examined the "bad guy’s" life to such an extent that sympathy was possible. One obvious argument against this style is that explanation excuses cruelty and therefore Pauline and Cholly's actions as adults are justified. However, this reaction is based solely on the responses of the reader. Morrison presents the facts of the Breedlove's young lives without making pronounced judgements. The author presents a spread of experiences and actions and it is up to the individual to pick and choose what he must to create his own responses to the novel.
I think that it is possible for each individual reader to have completely different responses to the ways in which Cholly and Pauline are presented. I found the spectrum of interpretation o$ this novel to be a broad as each individual's experiences. The reader seems to get as much from the novel as he brings into it. Possibly, Toni Mossison intended the reader to be involved in her novel to the extent that he is forced to explore the relationship between sympathy and judgment, understanding and blindly condemning.
Throughout the play Bennett reviles Doris’ character by showing her affection to the past, she talks to old photographs of her dead husband, Wilfred, and talks aloud to him. This indicates Doris’ apparent loneliness and how she feels “left behind” by the rest of her generation. When talking about the people she new in the past like Wilfred, she takes on there voice, this shows how she...
Toni Morrison's novel "The Bluest Eye", is a very important novel in literature, because of the many boundaries that were crosses and the painful, serious topics that were brought into light, including racism, gender issues, Black female Subjectivity, and child abuse of many forms. This set of annotated bibliographies are scholarly works of literature that centre around the hot topic of racism in the novel, "The Bluest Eye", and the low self-esteem faced by young African American women, due to white culture. My research was guided by these ideas of racism and loss of self, suffered in the novel, by the main character Pecola Breedlove. This text generates many racial and social-cultural problems, dealing with the lost identity of a young African American women, due to her obsession with the white way of life, and her wish to have blue eyes, leading to her complete transgression into insanity.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
This theory is particularly evident in Morrison's development of Cholly, the man who raped his daughter. She could have portrayed him as a degenerate akin to Soaphead, a slimy character, who leaves us with a feeling of revulsion. Instead, step-by-step, she leads us through Cholly's life and experiences; so in the end, instead of hating him, we feel his pain.
Sandra Cisneros’ The House on Mango Street, written in 1984, and Toni Morrison’s The Bluest Eye, first published in 1970, are both aimed at adolescent audiences but deal with deep, often disturbing themes about serious social conditions and their effects on children. Both books are told in the first person; both narrators are young girls, living in destitute neighborhoods, who witness the harsh realities of life for those who are poor, abused, and hopeless, although the narrators themselves manage to survive their tough environments with their wits and strength intact. The books are more than simple literary exercises written merely to amuse or delight their audiences.
on her visits to Cranford. Pip asserts himself as both a narrator and character from the
Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references. The book seeks to define beauty and love in this twisted perverse society, dragging the reader through Morrison’s emotional manipulations. Her father Cholly Breedlove steals the reader’s emotional attention from Pecola as he enters the story. In fact, Toni Morrison’s depiction of Cholly wrongfully evokes sympathy from the reader.
We are introduced to Edna Pontellier, a young woman of twenty-nine years who is married to an older, aristocratic man in his forties. They have two young children, who are cared for by servants, and they live a cultured and pampered life in New Orleans in the late eighteen-hundreds. The family is spending the summer on Grand Isle with several other families. It appears that the husband, Leonce Pontellier, is very self-contained man, in his own world, reading the newspaper and seemingly annoyed at the bustle of life going on around him. Everything is his world, including his wife and children, are prim and proper possessions. His expectation of his wife are to be available to him at all times, serve his desire for intellectual conversation, and if for any reason she is not, he rebels by leaving the house and going to his club. He returns to the mainland during the week and Edna is left with the women, children and the eldest son of the island’s hostess, Robert. Edna and Robert appear to have resonated to each other. They enjoy the same things and have developed a happy and platonic friendship. It is obvious to us that Edna feels a great deal emptiness in her heart and soul. She has always felt her life should stand for something more, although she does not know just what that “more” is. Her re...
In the “Yellow-Paper,” the protagonist seeks to relinquish her forms of imprisonment in hopes to escape her mental illness, yet she is still oppressed by those around her and forced to hide her coping mechanism, her journal; from this she is not able to escape her mental illness. The torment caused by the role society consigns for her husband is depicted when he states, “‘What is it little girl’ he said. ‘Don’t go walking about like that - you’ll get cold’” (Gilman 652). Her husband controls her every action and she lacks her needed self expression. She only frees herself after she tears down the wallpaper, freeing the girl inside, which represents her hidden non-expressed self. Similarly, a coinciding of this theme is presented in “The Story of An Hour,” in which Louise Mallard seeks refuge from oppression resulted from a male-dominated society. Mrs. Mallard states, “She said it over and over her breath: ‘free, free, free!’...There would be no one to live for during those coming years; she would live for herself” (Chopin 2). Ecstatic at the thought of being released from the propriety enforced throughout the nineteenth century, Mallard exclaims that she is able to do the things she is ambitious about. Wanting to live away from the roles of marriage, her short-lived passion is later diminished at the sight
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
At a very young age Parker was abused, mentally, physically, and sexually by her father. Whenever her father would have a bad day, he would take it all out on her. This would make Parker feel very unloved and unwanted in her parents’ lives. When her dad was arrested for all that he was doing, Parker was a mess. She had nowhere to go until Julie offered her the spare room in her house. With a literally scarred face and mind, of what family truly was, Parker
To begin, "The Bluest Eye" is Toni Morrison's first novel. This novel tells a story of an African American girl's desire for the bluest eyes, which is the symbol for her of what it means to feel beautiful and accepted in society (American). In the novel, women suffer from the racial oppression, but they also suffer from violation and harsh actions brought to them by men (LitCharts). Male oppression is told all throughout the story, but the theme of women and feminity with the actions of male oppression over the women reaches its horrible climax
Two of the major instances of sexual abuse present in the novel involved both Mr. Henry with Frieda and Cholly with Pecola. The incident with Mr. Henry, while very serious...
With The Bluest Eye, Morrison has not only created a story, but also a series of painfully accurate impressions. As Dee puts it "to read the book...is to ache for remedy" (20). But Morrison raises painful issues while at the same time managing to reveal the hope and encouragement beneath the surface.
Miss Lottie, the woman that she had once believed was different from those she thought of as normal, was really a person aged from difficult times. Lizabeth’s actions, although at the time had brought her small joy and an antidote to her boredom, had effected Miss Lottie by taking away the last bit of hope and care put into the flowers. Her father was no longer the center and the support of her family, but just a person who could no longer work and earn like he had once done. Lizabeth had not noticed the change and the depression in her father, as a result of childhood blinding her to the troubles of the rest of the world. Lizabeth’s confusing emotions spurred her to continue the destruction of the marigolds, as her brother, who did not understand her actions, sat confused and upset. He was not experiencing the rite of passage that his sister was faced with. As Lizabeth is sitting in the middle of the mess she made in Miss Lottie's garden, “...that was the moment when childhood faded and adulthood began.” Lizabeth's actions as child had opened her eyes as an adult and “... gazed on a reality that is hidden from childhood.”