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symbolism in the odyssey
how to tell a true war story analysis tim obrien
how to tell a true war story analysis tim obrien
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The Horrors of War Exposed in Homer’s Iliad
"There- Harpalion charged Menelaus - King Pylaemenes' son
Who'd followed his father into war at Troy
But he never reached his fatherland again.
He closed on Atrides, spear stabbing his shield
Right on the boss but the bronze could not drive through,
So back he drew to his ranks, dodging death, glancing
Left and right, fearing a lance would graze his flesh.
But Meriones caught him in full retreat, he let fly
With a bronze-tipped arrow, hitting his right buttock
Up under the pelvic bone so the lance pierced the bladder.
He sank on the spot, hunched in his dear companion's arms,
Gasping his life out as he writhed along the ground
Like an earthworm stretched out in death, blood pooling,
Soaking the earth dark red. Hardy Paphlagonians,
Working over him, hoisting him onto a chariot,
Bore him back to the sacred walls of Troy...
Deep in grief while his father, weeping freely,
Walked beside them now. No blood-price came his way.
Not for his son who breathed his last in battle." -Homer, The Iliad; book 13, page 362, lines 742-760
Homer, perhaps one of the greatest epic writers of all time, was a master in the art of manipulating the emotions of his audience using only the written word. This passage, however, seems somewhat atypical of his writing style. Strangely enough, he does not even once laud the beauty of war or the concept of kleos, which is a Greek term meaning glory and renown. This is highly out of the ordinary for Homer, who seems to admire the manly feats of arms and courage that he perceives stem from war-like pur...
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...r, he is telling a truly epic tale. Many elements hold constant throughout the poem, so much so that Homer has been said to use his "stock" tactics to the extent that his story becomes almost formulaic in nature. In some cases, Homer strays from his normal style in favor of tangents that at times contradict his views on warfare, as in this case of young Harpalion. These rare passages are enough to give one pause, and are certainly worthy of note in that they not only enliven the story but also serve to maintain the attention of the audience through sheer force of contrast. This sad tale of a young man cut down in his prime might have been only a passing, fleeting glimpse into the horrors of war, but nevertheless it is a good reminder that war is not glorious as it is in the old tales...it is ugly and brutal, stomach-turning and heart-breaking.
The Trojan War veterans of The Odyssey succeeded in defeating their enemies on the battlefield. The end of combat did not mean relief from burdens for them. War is cruel, but in it these men see a glory they cannot find outside. Achilleus’ death in war is treated with ceremony and respect. Agamemnon, having survived that same war, dies a pitiful death and Klytaimestra “was so hard that her hands would not/ press shut [his] eyes and mouth though [he] was going to Hades” (XI, 425-426). Dying at home meant being denied even simple acts of dignity. Reflecting back on it Hades, Agamemnon characterizes the veteran’s struggles when he asks, “What pleasure was there for me when I had wound up the fighting?” (XXIV, 95).
“Want to gloat over your enemies? “Keep your joy in your heart, old dame; stop, do not raise up the cry. It is not piety to glory so over slain men” (Homer, 211-212)
The past does not inevitably exist in the present. The creative processes of remembering and telling stories allow our histories to remain with us. Memory and story negate the possibility of existing independently of the past by connecting humans across time to the actions and value systems of their predecessors. Humans are forced to live amidst and confront a complex and multi-dimensional reality in which their every action affects people and events outside of their immediate context. By burdening humans with the consequences of their histories, story and memory comprise a foundation of moral responsibility. Since memory and story are subjective, our past, a seemingly immutable reality, is subject to their creative hands. These hands define as malleable entities the past, the future, and that which exists or has its basis outside of the present. The “real” is only immutable in a present entirely disconnected from all other time. Yet while the profound power of memory and story does deny an objective, singular reality, it simultaneously allows humans the capacity to transform the world to their liking. Even death, the most immutable of realities, can be manipulated through the creative processes of remembering and storytelling. Death, then, is the point from which we will begin to understand Homer’s exploration of memory and story.
Anger has always been the downfall of humanity. For generations man, had fought in war for many reasons, some claiming to be their rights. What right does any man has sending innocent people to their death? Anger has brought men to make careless decision without caring for the consequences of their action even giving their back to their own people. Men that fought courageously for their country, but no one will ever know their name. So many countless tears mothers have cried for their fallen love ones. Many innocent lives lost because of selfishness and greed. In the Iliad, Homer’s descries the moment when brave warriors enter the battle field and hey yell the cry of war, the same cry that men have cried
By the time the first war broke out, Rome had established themselves as the dominant power over the Italian peninsula. Carthage was a very powerful city-state in northern Africa and had made a name for themselves as the leading maritime leader in the world. Maritime means they are located near the sea and have many things to do involving the ocean. The first war broke out when Rome interfered with a dispute on the Carthaginian controlled island of Sicily. The war ended with Rome controlling Corsica and Sicily. The second war started when Hannibal invaded Italy and had two signature victories at Lake Trasimene and Cannae but was eventually defeated by Roman general Scipio Aemilianus which left Rome in much control of the Mediterranean Sea and a big section of Spain. The third war ended with Rome invading and capturing carthage in 146 B.C. led by Scipio which turned yet another big country into a Roman empire.
...s that Homer is implying that duty is a weak motivator in the face of almost certain death. The message seems to be that if one is merely fighting for the sake of others, he is less willing to give his all for their sake. This selfishness is an issue that Homer also establishes through Achilleus as he sits alone by his ships. Regardless of the reason for his sudden cowardice, Hektor is unable to defeat Achilleus and falls by the Achaian’s hand (22.355-260).
The first Punic War started with a request by the locals in Messana for the Romans to aid them in defeating the Carthaginians. Messana was at the southern tip of Italy and would be a great asset to the already superior naval fleet of Carthage. Rome saw this to be a good opportunity to halt the expansion of the Carthaginian Empire and to stop the possible attack on Italy (which was controlled by Rome). Despite this fact the Roman council debated on whether to attack on these premises or not, but eventually it was decided that they would wage war on the Carthaginians. The Carthaginians were then told that they must halt their invasion or war would be waged. They did not stop and Rome declared war.
During Author Miller’s era of the 1950’s, the ‘cold war’ was happening. Senetor Joeseph McCarthy was completely against communism and began to arrest the communists and people assosiating with them. Those arrested were forced to either name names to identify those who were communists or thought to be, or else they would remain in jail. This was callef McCarthyism For many, being prisioned was a terrible frightening thought so they would name names including any that they could think of that could be innocent. Author Miller was arrested for associating with communists and refused to identify others, and wrote The Crucible, using it as an allegory to identify the problems of society and it’s flaws of the corrupt government.
In book eight of Homer’s The Odyssey, Odysseus is on the island of the Phaeacians and is waiting to return home to Ithaca. Meanwhile, Alcinous, the Phaeacian king, has arranged for a feast and celebration of games in honor of Odysseus, who has not yet revealed his true identity. During the feast, a blind bard named Demodocus sings about the quarrel between Odysseus and Achilles at Troy. The song causes Odysseus to start weeping, so Alcinous ends the feast and orders the games to begin. During dinner after the games, Odysseus asks Demodocus to sing about the Trojan horse and the sack of Troy. This song too causes Odysseus to break down and cry. Homer uses a dramatic simile to describe the pain and sorrow that Odysseus feels as he recalls the story of Troy.
The most obvious character in Othello that appears to deceive everyone is Iago. He is a character that hides behind the mask of a honest solider who is blunt, unsophisticated, loyal and well-intentioned. This is the view of Iago portrayed in the opening of the film. It is not until the end of the third scene, when we hear his soliloquy, that the audience learns of his true real intentions.
“Then the screaming and shouts of triumph rose up together, of men killing and men killed, and the ground ran blood.” From first examination the Iliad seems to be an epic founded on an idealized form of glory, the kind that young boys think about when they want to join the army. A place full of heroism and manliness where glory can be achieved with a few strokes of a sword and then you go home and everything is just lovely. Many people view the Iliad this way, based on it’s many vivid battle descriptions and apparent lack of remorse for the deaths that occur. This, however, is not how war is presented in the Iliad. Homer presents a very practical outlook on war countering the attainment of the glory with the reality of its price and the destruction it causes. He successfully does this by showing the value of the lives of each person that dies and, in a sense, mourning their passing, describing the terror and ugliness of war, and, through the characters of Achilleus and Hector, displaying the high price of glory.
A poem interpretation lays in the person’s capability to understand and take human emotions and each poem has multiple readings, and every person who reads a poem will interpret it differently.Racism ,a misconception or a myth?” The collection of poems "I'm not racist but..." by Anita Heiss shows how racism is embedded in the human race and although not always spoken is there hidden and ready to hurt people. Anita Heiss ’s poetry collection is emphasising the permanence and the anger felt by the victims of racism . The poem raises awareness about racism as an ongoing problem.
...journey is less cyclical than Achilles' but similarly ends with his regret for the ravages of war. Odysseus is a flawed character, much like man himself, and his actions can only be fully accounted for by attributing them to the gradual progression of his soul. He is gifted, yet possesses shortcomings; insightful, yet blind; driven, yet lost. Achilles is divine, yet mortal; rational, yet contradictory; kind, yet vicious. Still, together they represent the ideals of Greek mythology and the weaknesses of mankind. They are in control of their own actions, but subject to fate. Through both heroes, Homer manages to convey some of the most fundamental features of human existence.
In conclusion, melanin production has played a considerably important role in human evolution. Not only does it influence color pigmentation through its protective role of defending against harmful UV rays, but also determines detrimental features such as eye-sight and hearing. Furthermore, melanin production and its evolutionary adaptions mark an important presence upon our biological systems to this day. Therefore, in the process of furthering human evolution, melanin production has played an enormous role in human evolution by selecting for several features that allow for particular adaptions according to the human's geographical location and environment.
War is a lot like love: it costs a lot of money, time, and energy; it distracts you from other areas of life; sometimes you win, sometimes you lose, but most importantly, in the end, it’s still worth fighting for. But unlike love, war cannot and should not be justified and disregarded, by gods or men. No matter what people try to do to resolve their disputes, sometimes they get so aggravated that they resort to killing each other, and the taking of a life is no light matter. It’s no coincidence that most people have post-traumatic stress coming back from the wars in Afghanistan, Iraq, and Iran. It’s because sinners live on the same planet, sinning and accusing the other of sinning while covering their own sin. So wars come and wars go, exchanging the powers between the nations who attack each other. The Trojan War, partially exemplified in the Iliad by Homer, follows this natural pattern of human nature. The Iliad does not go anywhere near the fact that the war is unjustifiable and absurd. In fact, the poem makes it clear that in the minds of both Greeks (also Achaeans) and Trojans that the war was justified and that each faction thought that they were entitled to some sort of resolution in their favor. Therefore, one should examine the Iliad from the viewpoint of the characters and the poet’s beliefs, from a fixed fictional standpoint instead of the real world’s standpoint. Both the Greek and Trojans had both rational and somewhat realistic reasons behind their logic, summed up in three observations: The competition of the main characters to elevate their own self-importance, their manly struggle over the hot Greek chick, and finally the vengeance that must be wrought for their fallen brothers-in-arms. But even though both sides...