King Arthur
Character Analysis
Although King Arthur is one of the most well-known figures in the world, his true identity remains a mystery. Attempts to identify the historical Arthur have been unsuccessful, since he is largely a product of fiction. Most historians, though, agree that the real Arthur was probably a battle leader of the Britons against the Anglo-Saxons in the sixthth century. In literature, King Arthur's character is unique and ever changing, taking on a different face in every work. There is never a clearly definitive picture that identifies Arthur's character. It is therefore necessary to look at a few different sources to get better insight into the character of Arthur, the once and future king.
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Arthurian literature can be divided into two basic categories, pseudo-histories and romances. The main difference between the two is that pseudo-histories such as Wace and much of the Celtic work, for example, Geoffrey of Monmouth show Arthur as a strong, central character, making him the dominant figure in the story. He is the one who goes on quests and battles, gaining respect and glory for his court. In romances, however, Arthur is most often overshadowed by his knights, staying mainly in the background as the source and the inspiration behind their great chivalric deeds.
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The first written chronicle of Arthur's adventures comes from Nennius, a monk from North Wales. In his ninth century writing, Nennius tells of Arthur's twelve victories over the Saxons but describes him only as a dux bellorum "a leader of battles" and not a king. It was Geoffrey of Monmouth who first proclaimed Arthur as king in his twelft...
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... continues to personify the ideal of the chivalric code and remains a glorious, beloved, and respected king whose authority stays intact despite his weaknesses. These qualities make King Arthur a true legend, which continues to fascinate and intrigue audiences throughout the generations.
Sources of information
Abrams, M. H. The Norton Anthology of English Literature. New York: W. W. Norton & Company, Inc., 1993.
Cavallo, Adolfo Salvatore.Medieval Tapestries in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993.
Lacy, Norris J. The Arthurian Encyclopedia. New York: Peter Bedrick Books, 1986.
Broughton, Bradford B. Dictionary of Medieval Knighthood and Chivalry: Concepts and Terms. New York: Greenwood Press, 1986.
Camelot and Arthurian Legend: Arthur. online 4/27/98
http://www.eliki.com/ancient/myth/camelot/arthur
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