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O'Manjo's Last Waltz
It was another long week, and I was looking forward to the usual summer rituals of mowing lawns and hammering a few nails into any place they seemed to fit. I usually closed the auto parts store at 5:30 and stayed doing paperwork for another hour or so, but not on Fridays. Fridays were the finish line of a usually marathon week of complaining customers and dissatisfied employees. At 5:31, the place would be empty, dark, and eager for an echo.
The old man knew this ritual, and when he came on Fridays, he usually blew in the door around 5:15. He had been coming in every week for about a year. We didn't know Joe's last name, we only knew him as "Old Man Joe." We call him "O'Mango," and he didn't seem to know the difference. His hearing was the least of his problems.
He peppered his weekly visits over different weekdays, but it was always Fridays that he waited until 5:15. He makes the usual remarks every time he sits his old, marshmallow behind down at the counter.
"Well, boy?" He'd ask. "What the hell are you looking at?"
"I'm looking at the ugliest, most disgusting, onriest son-of-a-bitch I've ever seen!" Was my usual reply.
"That's right, and don't forget it!" He would hold his dry, cracked hands in fists and shake them at me.
"Keep it up, boy, and I'll whoop your scrawny little but right here and now."
At some time in O'Mango's life, he was a prizefighter. His nose looked like it had taken more than its share of beatings, so I tended to believe the story. All the talk was, of course, our way of greeting each other. If he did intend to come after me, I'd most likely have him pushed out the door before he could get his oxygen tank over his shoulder.
O'Manjo didn't really need ...
... middle of paper ...
...opened. The neighbors didn't want money for them; they were just trying to sort things through, and knew Joe well enough to guess at our credit arrangement.
They said Joe died peacefully in his sleep, without pain. I wondered if he just laid in bed listening to that tape over and over like it was some kind of drug and he was a junky. This didn't seem wrong to me. At least I'd know that he died happy. I imagined him waking up in heaven wearing his best dance shoes, and bouncing across the ballroom floor.
There will always be another customer to fill Joe's stool and fire remarks at us, but none will replace Joe. When I think about it, I kind of feel guilty that he paid me ten dollars a month to be his friend. It was not a difficult job, but was merely human interaction that somehow becomes precious when it's lost.
I just pray O'Manjo got his money's worth.
My Papa’s Waltz My Papa’s Waltz has been compared to a generational litmus test. Depending on what generation the reader was born, could determine how the reader would interpret this poem. Each generation has its own views that have been developed in them for the language used to describe Papa in this poem. The whiskey on his breath and Papa’s hand beating on his head, both sound like a negative connotation.
died, I believe that it was ideal for him to die, it was uncanny though that he died in the
At the beginning of the year, a work schedule policy change was made to increase production hours as a result of company growth. The previous Monday through Friday work schedule
at me with those piercing eyes and huge grin. He said, "Oh, I'm just trying to
“Keep it up little man. I’ll push your butt in the snow.” I fake a lunge which sends him scrambling trying to coordinate his feet and walking stick.
Theodore Roethke’s poem, My Papa’s Waltz (1948), presents both a warming memory of a boy and his father as well as a dark story of an abusive childhood. Combining a story of both joy and horror sends an important message of abuse and the fear it instills in the victims. Through Roethke’s structure and word choice in My Papa’s Waltz presents two stories which simultaneously depict the fear and Stockholm Syndrome type love often found in abusive relationships.
“No suh, I works in his yard fall an‘ wintertime. I works pretty steady for him all year round, he’s got a lot of pecan trees’n things.”
In his poem, “My Papa’s Waltz,” Theodore Roethke, an award-winning and critically acclaimed poet, emphasizes the strong bond between a father and his son by describing a drunken father dancing in the kitchen with his young son. Unfortunately, when Roethke was only fourteen, his father passed away from cancer and his uncle committed suicide. Although these events are tragic, they impacted Roethke deeply and influenced his works, especially “My Papa’s Waltz” (CITE). Through his use of diction, style, and imagery in “My Papa’s Waltz,” Roethke effectively supports the theme of a child’s admiration for his parents.
“My Papa’s Waltz” is a poem written by Theodore Roethke describing a son’s memory of his drunken father. At the start of the poem, one might assume that it is a poem about how the father beats the son, but it does not specifically say that it is about domestic violence. It simply states that the father was drunk and that he and his son were “waltzing” around the house. To some, the act of “waltzing” is an act of love, despite the father being drunk. To others, it could mean that the father was abusive and was harming his son. As one continues reading the poem, one might question whether the poem is about violence at all.
He then sat up in bed and cracked each first knuckle of every finger on his right hand. Then proceeded to strap on his watch; placing the buckle through the third hole, and aligning the watch so that it fell in the center of his wrist bones on his left arm. By 6:36am, coffee poured: black, breakfast being simplistic, light clean up. Toast and scrambled eggs, which was what he ate every Monday. A thump sounded at his front porch at exactly 7:00am, which meant his paper had arrived. He disliked reading the paper but enjoyed the exactness of delivery.
This poem has a kept form. Even at a glance, it has a set form. It consists of four quatrains, each line being an iambic tritameter. The poem is about a young boy waltzing with his father. One can assume that the speaker is a young boy, or perhaps the poet reminiscing his youth. The father dances around in a haphazard manner, knocking over pans in the kitchen. Upon first glance, the tone is humorous. The picture one immediately forms is rather comical with the boy clinging on for dear life as his chuckling father spins him round and round, making a mess in the kitchen while the mother looks on discontentedly. However, the line, "whiskey on your breath could make a small boy dizzy" suggests the father's drunkedness and "at every step you missed my right ear scraped buckle" suggests the dance was not an altogether joyful one. Lines such as "hung on like death", and "beat time on my head" are might even lead the reader to think the father is abusive of the boy.
The story is quickly introduced with the line, An old ritual. Saturdaymorning shopping (833). The story takes place when Nola, 17, visits home during spring break to see friends and to shop with her mother, Mrs. Dietrich, 47. Though 40 years separate the two, Mrs. Dietrich strives to connect with her daughter through this shopping trip. Nola does not complain because to her, shopping is like coming home (835). However, a connection does not happen because of a lack of communication. During the trip, Mrs. Dietrich tries to bring up a topic to talk about but when she tries, she stops and says, They ve been through that before . This happens several times during the story. For example, when Mrs. Dietrich is tempted to ask what Nola is thinking she stops and has to resist the temptation to do so. Mrs. ...
That evening and the week that followed, my husband and I dined on sourdough hamburgers, french fries, and Pepsis in hopes that Otis would show. After eight nauseating days of engorging ourselves with red meat and grease, we left our home phone number with the shift managers who promised to call the next time Otis came in. They never called.
New Criticism attracts many readers to its methodologies by enticing them with clearly laid out steps to follow in order to criticize any work of literature. It dismisses the use of all outside sources, asserting that the only way to truly analyze a poem efficiently is to focus purely on the words in the poem. For this interpretation I followed all the steps necessary in order to properly analyze the poem. I came to a consensus on both the tension, and the resolving of it.
When he was working there he never maintained a positive mindset. Whenever a customer would approach him he wouldn’t have a smile on his face or even he would never ask the customers how their day was or how they are. Whenever the customers would take a long time with their order he would get very frustrated quickly and would have a mad look on his face. So then he would ask the other employee to take the customers order because he couldn’t stand them anymore. Then after a couple weeks of poorly working he got fired.