Hamlet and His Home Hamlet begins at the open mouth of the Void. Barnardo and Francisco call out to each other and into darkness; they stand atop a guard platform that is naked to the open air and to the night. Every character's entrance is marked by a series of interrogatives, as characters already on stage try to ascertain the identity of those who are newly arrived and yet unseen. Darkness isolates these men from each other as they stand on the edge of civilization, the place where the solid stones of Elsinore castle open up into the world of night and the supernatural. The nature of the ghost remains debatable: Horatio has initially insisted that the guards' delusions have conjured the phantom (1.1.21), and, even accepting the reality of the apparition, Catholic teaching (ghosts are spirits of the dead coming up from purgatory) and Protestant doctrine (all ghostly apparitions are demons in disguise) hold divergent opinions on the nature and source of phantoms (Garber 12/15). The men have gathered together on the guard platform, which has become a kind of stage within a stage. They have come to see a visitor who is a creature of hallucination, purgatory, or hell. This ghost is coming out of the open maw of night above and around the platform; what is known clings to the battlements, and all else in existence hails from the empty, the unknown, the imagined, the demonic. When Barnardo reports to Marcellus, "I have seen nothing" (1.1.20), the word "nothing" takes on a number of meanings. He has not seen the apparition; gazing out into the dark, he has barely seen anything at all. But "seeing" is still phrased in the positive, and so "nothing" becomes something to see. It is more than absence: emptiness itself exists as an ... ... middle of paper ... ...st famous moments deal with a nothing that is the absence of what is known: as Hamlet asks what it would be not to be, the ultimate opaqueness of death is fearsome enough to make him go on living. It is too much for the prince to stare Nothing in the face. Later, in the play's most famous tableau, Hamlet literally stares at an embodiment of Nothing as he holds Yorick's skull. The skull's eye sockets are without subjectivity, empty of their tenant organs and the mind that saw through them; they contain, in a word, "nothing." But from their hollows something maddeningly elusive stares back: simultaneously a presence and an absence, as haunting as Hamlet's own dead father, and opaque as the darkness that envelopes Elsinore. Part of the play's power is in this substantive "nothing," a portal of slippage that relentlessly destabilizes what is known and what is knowable.
...one of us faces the struggles of growing up. We can either complain and rant and blame everyone else, or we can stay positive and try our best to rise above the challenges. Holden showed me how we can keep grumbling and keep whining, but that is not going to make the situation better. We should not let our hardships and challenges defeat us, but rather we should conquer our challenges. It is so much better if we stay positive in facing our challenges than if we just complain and whine about our hardships. Holden, despite his bitterness, is a character that has surprisingly inspired me to be more positive in facing my life’s challenges. After reading this novel, I really hope that the ‘Holdens’ of today will realize that being pessimistic and isolated is not cool; I hope they will be able to grow up someday and face their challenges in a more hopeful, positive way;
William Shakespeare’s Hamlet is a classic tragedy style play set in Denmark during the middle ages. The story depicts a young prince Hamlet, who returns home to Denmark in order to attend his father’s funeral, where he is shockingly surprised at what he finds out. His mother, Gertrude, has already been remarried to a man named Claudius and he has been named king despite Hamlet’s right to the throne. Hamlet’s father comes to him as a ghost and confirms his suspicions in regards to King Hamlet being poisoned by Claudius. Prince Hamlet is asked to avenge his father and set everything straight so the King can pass on peacefully, but the Prince is unsure if the ghost is genuine. In order to set things straight, Hamlet puts on a play he calls, The Mousetrap, in order to sniff out some answers and ultimately lead him to aspire to kill Claudius. As a result, Hamlet gets Polonius, Rosencrantz, Guildenstern, Ophelia, and Laertes all killed in the process of his quest. In the final part of the play, Hamlet kills Laertes with his own poisonous sword, and then kills Claudius, shortly before he himself dies of poison.
One of the main problems described in The Human Stain is the dependence between the perception of another person and the context in which this takes place. People can quickly shift attitudes depending on who they are with and especially to how they are feeling which can cause a myriad of perceptions, even from just one view. Coleman Silk is a character that Philip Roth explores through the eyes of Nathan Zuckerman and he follows a map of dramatic revelations which causes even readers to have shifting opinions about Silk. Thus one person can contain many different features which are hidden not because the person wants to hide them, but due to an absence of the context needed for the revelation of them.
As aviation matured, airlines, aircraft manufacturers and airport operators merged into giant corporations. When cries of "monopoly" arose, the conglomerates dismantled.
Airline and travel industry profitability has been strapped by a series of events starting with a recession in business travel after the dotcom bust, followed by 9/11, the SARS epidemic, the Iraq wars, rising aviation turbine fuel prices, and the challenge from low-cost carriers. (Narayan Pandit, 2005) The fallout from rising fuel prices has been so extreme that any efficiency gains that airlines attempted to make could not make up for structural problems where labor costs remained high and low cost competition had continued to drive down yields or average fares at leading hub airports. In the last decade, US airlines alone had a yearly average of net losses of $9.1 billion (Coombs, 2011).
King Hamlet 's ghosts brief appearances causes Prince Hamlet to act and make decisions according to what he has been instructed to do by the afterlife form of his father. In the
The play does not open with the protagonist, nor with the direct disclosure of the problem. It points to unanswered questions and reveals anxiety and unrest. There is said to be a ghost, but the reason and purpose for the ghost's appearance are unknown. Basically, we can say that the first scene creates an atmosphere and the basis for the disclosure of the specific problem. The first point dramatically established is that there really is a ghost, although the questions raised by its appearance are unanswered. Horatio, the scholar and the skeptic, comes to test the report given by the simple soldiers. The empirical proof that Horatio seeks is there; the ghost appears and it is seen to have a specific identity, that of the deceased King Hamlet. But the reason for his presence is not disclosed and the men on the platform, confronted by the upsetting mystery, have to guess in the dark, literally and metaphorically. Unable to offer an explanation, Horatio sees the apparition in convention terms as an omen of some evil. This is immediately connected with the expository fact that there are feverish military preparations in the kingdom. The indication is that there are pre-existing questions brought into the open in connection with the ghost. The specific question relating to preparations for war, concerning the kingdom and not necessarily the ghost, is answered by Horatio; he gives us expository background concerning the immediate past in the kingdom of Denmark, involving King Hamlet and King Fortinbras of Norway, we hear there was open, chivalric combat between them in which the Danish King vanquished and killed Fortinbras, as a result of which he obtained (fairly) the land which was gained by the Norwegians. But additionally we hear th...
In drama Hamlet, Shakespeare showed Hamlet in " war " for women. In the family, the son is " Hamlet " whose wish is suppressed both by his spiritual father (Superego) and by his corporeal father and whose Ego is torn between two fathers as between his good angel and his bad angel. Hamlet whose conscious mind, is in the conflict with his unconscious mind, while his intellect seems healthily above and his positions of real ego as a madman below, attracted by Gertrud , that is displaced occasionally by Ophelia, and suppressed by his parents. This way, the play is “ the strange eruption of Hamlet, ” that he gets torn between the attraction and the repression and he leaves the various expression on the mind of his reader. His “disposition of prank” (I, v, 180) has been disconcerting to the people about him. His speech and his behavior often seem inscrutable.
The results of airline deregulation speak for themselves. Since the government got out of the airline business, not only has there been a drop in prices and an increase in routes, there has also been a remarkable increase in airline service and safety. Airline deregulation should be seen as the crowning jewel of a federal de-regulatory emphasis. Prices are down: Airline ticket prices have fallen 40% since 1978. Flights are up: The number of annual departures is up from 5 million in 1978 to 8.2 million in 1997. Flights are safer: Before deregulation, there was one fatal accident per 830,000 flights, now the rate is one per 1.4 million flights. So what's the problem?
from that of the appearance of the ghost and the problems of Hamlet and his
Quite literally, the term “nothing” tends to not hold any value to us. But Shakespeare’s King Lear, offers a contrasting interpretation of the concept of “nothingness.” Shakespeare uses the imagery of emptiness to represent the inherent value of absolutely nothing, as characters are reduced to destitution and great loss to realize the true meaning of humanity. The use of the term “nothing” in the play, often refers to or prefaces a character’s complete loss of everything in their life, diminishing them to absolutely nothing. Ironically, this occurs when characters are so insecure about losing something, like wealth or power, that they reject the value of nothingness and, in doing so, end up losing everything. In Lear’s case, he loses not only
Appearance and reality have never been portrayed with such immense differences as they are seen in Hamlet. Deceit runs about freely the entire play and affects every character, creating torment and confusion for all. Three complex characters use treachery to their advantage as they create façade in order to carry out plans, yet their shrouded minds impede them from carrying them through. All Shakespearian tragedies are filled with delusive, spurious characters, but none are as deceitful as those in Hamlet. Claudius, Polonius, and Hamlet have distorted realities and unfortunately, each has a clouded conscious that leads them to make life-changing decisions.
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
In life the border between sanity and madness is thin and undefined. At best it is
Hamlet: one of the most analyzed tragic heroes in all of literature. Hamlet, the main character in William Shakespeare’s Hamlet, is conflicted throughout the whole play. He obsesses over avenging his father’s death, and this leads to rash, irresponsible actions that cause others to suffer, as well. He plans to kill Claudius, his uncle, for murdering his father and then marrying his mother. In an act of outrage, Hamlet unknowingly kills Polonius, the King’s assistant, instead. This creates even more problems because now someone else’s father is dead. Hamlet is somewhat of an inconsistent character; he’s different almost every time we see him. Hamlet displays characteristics of depression, irony, timidity, and being hurt.