Edna’s Choice in Kate Chopin's The Awakening
The text of Kate Chopin’s The Awakening often makes Edna Pontellier appear selfish and unfeeling, especially towards her children. Chopin does, however, allow for the possibility that Edna’s final act may be one of unselfish love for her children. It is Edna’s inability to assume the role society has chosen for her that leads her to act as she does. Edna really had no other choice in the end.
It is very easy to perceive Edna as a selfish, cold, unfeeling woman. Chopin gives many examples in the text that lead the reader to feel no sympathy towards Edna. She is often indifferent to her husband’s affections, a cause of concern for Mr. Pontellier: "He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation" (12). Is Edna really "the sole object of his existence"? How does he show her that he really cares for her? Leonce shows no great displays of affection for his wife at any time, nor does he profess his love for her or seek to spend a great deal of time with her. Leonce, very materialistic and image-conscious, believes he is showing affection for his wife by giving her money and buying beautiful, expensive things for the house. When he is not working, he usually opts to spend his spare time at a men’s club, rather than with his wife. This is so obvious that Madame Ratignolle sees the necessity of telling Edna "It’s a pity Mr. Pontellier doesn’t stay home more in the evenings. I think you would be more . . . united, if he did" (115).
Edna reveals early in the story that she was not passionately in love with her husband when she married him, ...
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...ife. If Edna could only be content to be just a wife and mother, to find true happiness in this, she could resolve the conflict in her marriage. This is not possible for Edna.
It is Edna’s inability to reconcile her true self with the woman that society and her husband expect her to be, that leads to her actions in the end. If Edna were a selfish, uncaring woman, she would simply have left her family to pursue her own interests. The stigma this would have placed on her children would have been harsh. It is because she loves her children that she comes to the decision to take her life. She tells Madame Ratignolle, "I would give my life for my children; but I wouldn’t give myself" (80). Forced to have to choose between the two, she obviously chose that which would hurt her children the least.
Works Cited
Chopin, Kate. The Awakening. New York: Avon, 1972.
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
Additionally, Edna’s sacrifice helped her established an identity for herself. “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself, I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me” (Chopin 57). She realizes how much she valued herself and how she would handle herself. As well as, this emphasizes on the meaning of The Awakening, of how women are able to define themselves as something more than a
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
Freedom means to be able to do what one desires to do without being restricted from doing that action. In Kate Chopin’s book The Awakening, she displays how the protagonist, Edna, escapes from her relationship and society .She feels cornered by society and she is not satisfied with her relationship. Mr.Pontellier Edna’s husband does not treat her with respect, but as if she is a child. Edna is trying to get out of the relationship because she wants to be treated equally (Chopin). During the 1800s, oppression of women was beginning to happen more frequently with women not taking anymore of the unfair rights and actions toward women. Edna uses others distractions or hobbies to feel free away from everything else in her life. Throughout The Awakening, Edna’s obsession with water, playing music and just flat out leaving her family despite her children are her actions toward freedom. She finds these activities soothing and comfortable ,she is feel when she is around doing these things she can't be judged or told what to do. With her obsession with water it is a Her transcendalistic obsession with water and nature sooths her and releases the toxins from her life. With music being an interest of her, she plays it a lot throughout the book too, which is a symbol of something she does to escape from society. But all of these actions by Edna result in her suicide ,which is a way of freeing herself from everything that is constricting her in her life. Edna’s longing for freedom inspires many of her actions throughout The Awakening.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
Unfortunately Edna has no clue that she is being treated so poorly in the beginning of this story. With Mr. Pontellier being absent from home so often she finds plenty of time to spend with Robert. Through the whole summer she does not realize the feelings she is developing for Robert and only sees him as a friend. She enjoys spending all of her free time with him and gets along with him much better than her husband. It is not until she is back home and Robert leaves for Mexico that she starts to "awaken" and realize her true feelings not just for Robert but also for life in general.
Kate Chopin’s The Awakening is a story about a well to do young woman, Edna Pontellier, who lives with her family in Louisiana during the late 1890’s. Set in a variety of scenes, it follows Edna as she engages on a personal journey of increasing autonomy, continually seeking both greater happiness and greater personal independence in the hope of leading a more meaningful and fulfilling life. In so doing, the novel portrays societal expectations for women in the post-war South during the late 1800’s, and shows the difficulties they faced if they refused to conform. The place of women in society can be seen in the way that the women in the novel act and speak, particularly in regards to their husbands and children, but also to others in general.
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence.
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters. The men in the play, the Sheriff, County Attorney, and Hale, search the scene of the crime for evidence on their own, and mock the women's discussions. The women's interest in the quilt, broken bird cage door, and dead canary, all of which are assumed to be unimportant or trifling objects, is what consequentially leads to their solving of the crime. The women are able to discover who the killer is by paying attention to detail, and prove that the items which the men consider insignificant are important after all.
In the play Trifles, Susan Glaspell brings together three women through a crime investigation in the late nineteenth century. Glaspell uses symbolism, contrast of sexes, and well-constructed characters to show that justice for all equally important to finding the truth.
From all this chaos, Edna is consistently trying to find and express herself. She has a strong feeling towards being set free and the importance of herself to her. “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself. I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me.” (47). What Edna is stating, is much deeper than a simple feeling on how she would not give herself away for her children. She’s expressing her emotions on the creativity of feministic thoughts and feels who you are as your own person is essential. Another example is, "You have been a very, very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontellier's possessions to dispose of or not. I give myself where I choose. If he were to say, 'Here, Robert, take her and be happy; she is yours,' I should laugh at you both." (108). This shows Edna again exploring feminist thoughts and the feeling that she is not an object. Kate Chopin shows many of the same feelings and readers see this through characters like Edna and other literary sources. As an article states, “Chopin herself stood naked in her exploration of female creativity
Kate Chopin’s The Awakening should be seen as depicting the discontentment that comes from self-gratification rather than the glorification of delighting in one’s fantasies. Chopin describes the central idea of one who is seeking to please her personal needs and desires and, in the process, neglects to notice how her actions affect others. The protagonist, Edna, is not able to find peace or happiness in the accepted daily life that a woman of her era and social status should have. The fulfilling of her desires could essentially cause social ostracism for her, her husband, and her children, yet she is unable to find repose in living the typical social Victorian life. The final resolve of her “awakening” to her desires, her ultimate suicide, is not an honorable position that women should strive toward as a romantic ideal because her desires were hopeless in her situation. Through Edna’s striving for personal satisfaction, she loses the joys that daily life has to offer.
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
Grubb, T. (2007). "Performance Appraisal Reappraised: It's Not All Positive." Journal of Human Resource Education. Vol. 1, (No. 1,): 1-22.