Viola and Beatrice both take on men's roles, Viola that of a manservant and Beatrice that of the perpetual bachelor and the clown: "I was born to speak all mirth and no matter," she says to Don Pedro [II.i.343-4]. They appear to be actors and manipulators, much more so than their female predecessors, who are mostly reactive and manipulated, such as Hermia, Helena, Titania, and Gertrude. None of these women seemed in charge of her own destiny, but tricked by the schemes of men and later scorned or humiliated as a result of male machinations. Viola and Beatrice, although they both seem fiercely independent and comfortable in a man's world, reveal themselves to have only the trappings of manhood, and not its full capacity for action. They are undone by unrequited love, made desperately unhappy by their inability to woo the man of their choosing. In the end, it is only coincidence and the plotting of other characters that bring the true nature of their affections into the open and thus force the plays to their respective matrimonial conclusions.
Beatrice is deceived by Hero and the others, but the nature of deception is not on a par with the scheming of Oberon in A Midsummer Night's Dream or Claudius in Hamlet. The supposedly false premise on which Don Pedro's plot against Beatrice is based -- Benedick's passionate love for...
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...ke patience on a monument, smiling at grief." [II.iv.117-8] Her matching jests with the clown cause him to actually dislike her as a rival. Beatrice, after swapping a fine round of jokes with Benedick, must respond honestly to his question of "And how do you do?" with "Very ill." [V.ii. 93-4]
So, while Viola and Beatrice are not completely free of typecast feminine failings, they are not helpless pawns. Although they do not confront their problems with masculine directness equal to their masculine wit, they are nobody's fools.
Works Cited
Much Ado About Nothing. The Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398.
People standing outside the building watched helplessly as people dropped from the windows of the ninth floor. William Shephard, a reporter for the United Press said, “Thud -- ...
Beginning in 1933, Hitler and his Nazi party targeted not only those of the Jewish religion but many other sets. Hitler was motivated by religion and nationalism to eradicate any threats to his state. It was Hitler’s ideology that his Aryan race was superior to any other. Hitler’s goal was to create a “master race” by eliminating the chance for “inferiors” to reproduce. Besides the Jews the other victims of the genocide include the Roma (Gypsies), African-Germans, the mentally disabled, handicapped, Poles, Slavs, Anti-Nazi political parties, Jehovah’s Witnesses, and Homosexuals. In Hitler’s eyes all of these groups needed to be eliminated in order for his master race to be a success.
Cuéllar, I., & Paniagua, F. A. (2000). Handbook of Multicultural Mental Health : Assessment and Treatment of Diverse Populations. San Diego, CA: Academic Press.
Tent, James F. In the Shadow of the Holocaust: Nazi Persecution of Jewish-Christian Germans. Kansas: University Press of Kansas, 2003.
"Victims." A Teacher's Guide to the Holocaust. University of South Florida, 1 Jan. 1997. Web. 19 May 2014. .
For many years, people time and time again denied the happenings of the Holocaust or partially understood what was happening. Even in today’s world, when one hears the word ‘Holocaust’, they immediately picture the Nazi’s persecution upon millions of innocent Jews, but this is not entirely correct. This is because Jews
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
Crary, David. “Russian Anti-Gay Law Protests Focus on Sochi Olympics.” Huffington Post 31 Jan. 2014: n. pag. Print.
Guyana, South America is South America’s monarch. It is located on the northern border of South America and is also part of the Anglophone Islands. After Jones and his flock moved to this country, he started a cult. He named this the Peoples Temple.They were located in the jungle of Guyana. In this community, Jones proclaimed that all men, except for him, were homosexual. He...
In conclusion, gender role in Elizabethan era is very complex with respect to women’s role. Men are the masters of the home and society; they preside over every aspect of life. They are however, expected to take care of their family and also be actively involved in politics, war, and they inherit their father’s properties. Women role varied a according to their social status. All women were raised to be subservient to men. Unlike upper class women, lower class women were denied any kind of education. And all women are expected to get married and bear children. The qualities Shakespeare gave Beatrice are very significant because it contrasts traditional Elizabethan theater. Gender role has evolved over time, especially women’s role and it will continue to evolve as long as there are women like Beatrice around.
Baker, Lynda M., Patricia Case, and Deena L. Policicchio.”Abstract” National Center for Biotechnical Information. U.S. National Library of Medicine, 23 June 0005. Web. 28 Apr.2014
Although many companies are in business to make a profit, Southwest claims that their primary goal is not profit maximization. However, they have been consistently profitable by making air travel affordable to those who previously could not afford it (Freiberg, 1996).Southwest says the customer comes second, showing their devotion to employees. By taking care of their employees, the company encourages employees to take care of the customers. Employees are...
On completion of this project I have learned that how operations and managements are implemented in the organization, where the company being leader in the food service industry.
Ultimately, Viola gives herself a choice, either enter Illyria as a woman or disguise herself as a male named Cesario where she will live in servitude to the duke. In giving her self a choice, Viola transcends the traditional understanding of gender but also love from a humanistic perspective by denying her societal expectations as a woman in the 1600s. At the beginning of the play Viola decides to “conceal” her gender under her own pretenses that “For such disguise as haply shall become the form of my intent” (Shakespeare 1192). Her reasoning and determinism for disguising herself as a man helps revolutionizes the concept of love through Viola’s character development throughout the play where she “falls in love” with the character of Orensio, whom is the duke for which she serves. While, Viola could never determine that her “fate” was to fall in love with Orsensio, her choice at the beginning of act one helped determine her unorthodox path that lead her to not only fall in love with someone beyond her social class as a disguised boy but also define a different method of marriage in a 1600s
In the comedy Twelfth Night written by William Shakespeare many of the characters experience emotional pain. The pain that a character name Olivia experiences is the death of her brother, causing her to mourn. Malvolio who is Olivia's steward is involved with emotional pain caused by humiliation, which occurs more than once in this play. Lastly, a great deal of characters battle with the feeling of unrequited love. Even though Shakespeare wrote this as a comedy, there was still a mass amount of emotional pain throughout.