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imagery and recall study
neurobiological basis for phantom limb pain
imagery and recall study
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Describing Phantom Limb Experience
Of people who have had body parts amputated, about 80 percent experience some sort of phantom limb sensation. This experience, which can range from severe shooting pain to merely feeling the presence of the absent limb, most often occurs in amputees but sometimes manifests itself in individuals whose limbs have been missing since birth. The sensations patients experience are not necessarily of the same strength, location, or duration from occurrence to occurrence, and the frequency of episodes often fluctuates over time. Especially in the case of amputees, who have lived a significant portion of their lives with the limb in question, it would make sense that there be a psychological element to phantom limb sensation. This notion is corroborated by the fact that phantom limb sensation is rare in children under the age of four; it is thought that these children are young enough to not see the loss of a body part as so significant a trauma who has.lived with full use of the limb for so long. Yet this phantom limb sensation also has a physiological component. Both pain and light-touch sensations (both of which phantom limbs may feel) are the result of impulses traveling through the thalamus, which relays the information the cerebral cortex, where sensations are mapped.
This mapping is believed to be done on what the Macalester College Psychology Department calls a (somatosensory) "homunculus." Neurologists think that in the cerebral cortex is a map of the human body, where certain impulse locations correlate with specific locations on the body. That is, cortical regions represent individual parts of the body. The amputation, or even the congenital lack, of a body part, would be problematic ...
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...athap/UBNRP/Phantom/casestudies.html
2) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/phantompain.html
3) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/theories.html
4) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/plasticity.html
5) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/merzenich.html
6) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/Ramachandran.html
7) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/pon.html
8) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy1.html
9) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy2.html
10)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy3.html
11)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy4.html
12)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy5.html
The regime of Saddam Hussein began looking like a very promising presidency for the Iraqi people. His goal of absolute domination in the Arab region, turned him into a feared menace among his people. Saddam Hussein was born on April 28, 1937 in Tikrit, Iraq. Hussein’s father, whose occupation was a shepherd, vanished without a trace several months before Saddam was born and he never returned home to Saddam, his brother or his wife. A few months later and after the disappearance of Hussein’s father, his older brother died a terrible death caused by cancer. Saddam’s mother was unable to care for him due to the stress induced anxiety and depression caused by the death of her eldest son, and her missing husband. She was unable to care for Saddam, and at the age three he was sent to Baghdad to live with his uncle, Khairallah Talfah. Saddam would return to Al-Awja years later to live with his mother, but after suffering physical abuse from his stepfather, he fled to Baghdad once again. This influence from Saddam’s childhood made his policies very contradictory in more ways than one, his policies on oil, his abuse of power, and how he treated the people of Iraq could label him as a tyrant. He changed the way the world works today with his use of chemical weapons and abuse of oil.
Phantom pain refers to the phenomenal experience of pain in a body part that has been amputated or deafferented (Flor, Nikolajsen & Jensen, 2006). The characteristics of phantom pain have been described to occur in quick and sudden attacks of pain shooting up and down the amputated limb as well as cases of constant, excruciating pain whilst intensely perceiving the amputated limb to be cramped or postured abnormally (Katz, 1992). Approximately eighty percent of amputees report suffering from or at least experiencing some level of phantom pain post amputation; therefore it is a prominent issue (Flor, Nikolajsen & Jensen, 2006). Phantom pain is neuropathic pain that has no individual trigger but instead a plethora of psychobiological aspects of neuroplasticity that contribute to the cause of phantom pain (Grusser, Diers & Flor, 2003). The following will: outline the role of the peripheral and central factors associated with phantom pain and discuss the cortical reorganisation of the somatosensory cortex in relation to phantom pain.
Soghoian, Christopher. “When Secrets Aren’t Safe With Journalists”. The Opinion Pages. The New York Times, 26 October 2011. Web. 17 November 2013.
For example, Griselda Pollock is another prominent feminist art historian who studied women and social structure in relation to art and what that tells us. In her book Vision and Difference (1988) she reminds the reader that the omission of women in art history was not through forgetfulness, or even mere prejudice, but rather structural sexism that contributed to the perpetuation of the gender hierarchy (p. 1). She does not want to reinforce the patriarchal element of art history and often calls for purging biography and gender from art works to level the playing field. Other writers such as Laura Mulvey, who used psychoanalysis and film studies to explore the concept of the gaze in visual relationships (viewer, subject, artist) and Mary Garrard, who also utilized psychoanalysis and other criticisms to put forth a gender-based
Piland, Sherry. 1994. Women artists: an historical, contemporary, and feminist bibliography. Metuchen, New Jersey: Scarecrow Press.
The formal education of women artists in the United States has taken quite a long journey. It wasn’t until the nineteenth century that the workings of a recognized education for these women finally appeared. Two of the most famous and elite schools of art that accepted, and still accept, women pupils are the Philadelphia School of Design for Women and the Pennsylvania Academy of the Fine Arts (the PAFA).
Long before the storm hit New Orleans there was already a divide in the city. The city seemed to be divided by race with affluent whites living in the cities nicer neighborhoods which unsurprisingly just happened to be located at higher altitudes. While less affluent African Americans tended to reside in neighborhoods at lower altitudes. According to a report titled Race, Socioeconomic Status, and Return Migration to New Orleans After Hurricane Katrina, the segregation in the city had been historically low compared to the rest of the country however “by 2000, the standard index of black–white segregation showed New Orleans to have reached, and even gone a bit beyond, the national average” (Fussell, Elizabeth) When the storm hit 2005 the effect that this seemingly unnoticed difference was magnified as it became apparent that the difference in altitudes would lead to extremely different outcomes for the residents in the different neighborhoods. Acco...
Historically and currently African American women use art as a way to express themselves, their emotions and as an act of resistance. In this paper, I will discuss the various ways two very influential artists, Laurie Cooper and Lorna Simpson, use imagery to uncover and forefront the various forms of oppression that affect their lives as African American women. Since the late 1970s, African American art, as a form of self expression, explores issues which concern African peoples worldwide. During this time period, African American artists use symbols which represent the struggles, despair, hopes and dreams of a people striving to debunk prominent stereotypes and dismantle the intersecting oppressions of race, class and gender.
The control center of the human body is none other than the mighty brain. Due to its incredible importance in basic human functioning, both voluntary and involuntary, any injury or trauma to this organ will have a great influence on the body and it's capabilities (Burrus, 2013). Exploring how the brain deals with various injuries and damage proves that the functionality of the brain is fitting to make the brain the power house of the body. But before exploring this with the help of case studies, it is important to first make sense of the the anatomy and functioning of the nervous system as a whole in order to understand how it is affected during injury, the functioning of the body that is lost, the intervention implemented for treatment or rehabilitation and the changes experienced.
One of the most influential and inspiring feminist artists to produce work, Judy Chicago was able to (how she changed the world) through her work including ‘the dinner party’ (1979).an instillation completed after 5 years of development. Triangular in configuration, equilateral in structure, reflecting the goal of feminism, an equalized world. Completed using ceramics, needle and fiber techniques as well as china painting. The table holding 39 place settings each commemorating a mythical or important woman or historical figure. Beneath the table was 2304 handmade porcelain tiles, 999 of which were inscribed of other important woman’s names. In her artwork the dinner party Judy Chicago gave recognition to woman both achievers and oppressed. In this way she gave a voice to the duality of woman’s issues, not only was she advocating for recognition of woman’s achievements but she was also bringing to the forefront the concept of inequality. Judy Chicago‘’ had been trying to establish a respect for woman and woman’s art; to forge a new kind of art expressing woman’s experience’- challenge and redefine conventions of gender’’ The fact that the names of woman were placed on a high end table setting challenged gender equality in itself as tables like this had previously been only acc...
During the height of the feminist movement in 1971, feminist art historian Linda Nochlin published an essay titled “Why Have There Been No Great Women Artists?” in the magazine ArtNews. In this brief polemical essay, Nochlin elaborates upon the reasons why there have been no great female equivalents for Michelangelo or Rembrandt and explores the possibilities behind the lack of great female artists throughout the course of history of art. Unlike most feminist intellectuals in her times, she does not conduct her arguments through the typical feminist views, emotional and subjective centered, but rather through “historical analysis of the basic intellectual issues (Nochlin 145).”
...owell, E. R., Thompson, P. M., & Toga, A. W. (2004). Mapping changes in the human cortex
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
On 11/17/2015, I wore an arm brace to replicate an amputee that had lost his/her right arm at the shoulder joint. This was to replicate a loss of a dominant arm – the right side. I spent 6 hours with this condition and will report my findings in this report. I lost my arm in a car crash after it was severed and crushed my right arm. Most of my arm was beyond repair and had to be amputated, and I had to learn how to live without 2 hands. There are many reasons why amputations are required.
Here the sensory data is stored and consists mainly of the senses found within the body which comprises of taste, touch, smell, temperature. Here these senses are integrated and processed before being transported to the necessary region to fulfil the response. If the parietal lobe was severed or damaged the human body would not be able to function properly as in the human body would not be to feel nor touch nor sense the feeling of being touch due the damaged that controls this motion in the parietal