Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
to build a fire jack london role of the setting
to build a fire jack london role of the setting
To build a fire by jack london essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: to build a fire jack london role of the setting
Alienation of the Main Character in To Build A Fire
In most novels and short stories, the emphasis lays on the main character. The author gives details on his personality, his skills, or his appearance one by one until we, as readers, get the final picture of what the protagonist looks like. However, this is not always the case; sometimes it seems in the writer's favor to limit the descriptions of the main character to a minimum, in order to allow him to put the emphasis on the theme. In the short story "To Build A Fire" by Jack London, the main character slowly evolves in a wild environment as a distanced, alienated man, lost in a fatal fight against nature. To create such a character, the author made critical choices regarding the point of view of the narration; he also did a meticulous work of depicting the setting; and finally, we will see how the relationship between the main character and the dog supports this alienation.
The first element of the story that reveals London's intention to distance and isolate the main character is the narration's point of view. The third-person omniscient narrator has this intrinsic characteristic of non-identification with the main character, of detachment to a certain extent. Therefore, the story, by not being narrated through the main character's eyes does not allow for intimacy. At many times in the story, the narrator limits himself to describe the actions of the man: "When the man had finished, he filled his pipe and took his comfortable time over a smoke" (London 104), only revealing some of his fears and thoughts towards the panicking end. Moreover, as the narrator from time to time enters the dog's mind, the only other living being in the story, he contributes to the distanci...
... middle of paper ...
...f snow, uncaringly annihilated by nature in a snap of the fingers. With a clever choice in terms of point of view and graceful work in the placement of the setting, Jack London successfully rendered his main character's tininess, isolation, and dehumanization. This slow march towards death must have had even more impact on our culture in its original context in 1910. Charles Darwin had just proposed his theory of natural selection and evolution a few decades earlier and the debate was still fresh. London produced a really interesting story filled with plentiful references on the subject of human-nature relationship, which have undoubtedly bothered more than one's minds.
Works Cited
London, Jack. "To Build a Fire." Literature: An Introduction to Fiction, Poetry, and Drama. 7th edition. Ed. X. J. Kennedy and Dana Gioia. New York, NY: Longman, 1999. 100-11
... ritual of forgiveness whereby the blot of sin is effaced by penitence and satisfaction” (Sharma 180). Sharma acknowledges that there are Christian influences in Sir Gawain and The Green Knight, but argues that Gawain does not always choose to follow those ideals.
Chloe Fleming investigates Baz Luhrmann’s capability in embodying Shakespeare’s Romeo and Juliet in his own modern film adaptation and praises the hell out of it.
Mills, M. “Christian Significance and Romance Tradition in Sir Gawain and the Green Knight.” Critical Studies of Sir Gawain and the Green Knight. Eds. Donald R. Howard and Christian Zacher. Notre Dame: UP of Notre Dame, 1968: 85-105.
The banking industry is under pressure in today’s business climate. Banks have been through big changes. There is opportunity, but there is also increasing competition. To be the preferred bank means changing “good enough” into a unique value proposition. And that means changing the way people have always done things, change on this level requires cutting edge technology. Change cannot be achieved with a simple directive or surface adjustment especially within the banking industry. It requires an innovative rethink of the entire system, in a strong partnership between bank leaders and their change agents. New systems and policies must support the strategy to be successful. The real test of a good strategy implementation plan is whether the people understand the strategy, are motivated and enabled to implement it, and actually start achieving its goals.
Thesis Statement: Sir Gawain and the Green Knight shows the struggle between a good Christian man against the temptations of this world.
With these figures imposing upon the American people a certain kind of pressure to rise up the American government found it to be of good retaliation to release a kind of reverse propaganda arguing that the Bolshevik’s movements encouraged chaos and anarchy. This proved to be very true as Americans experienced riots and strikes by working class laborers in the Steel and Coal Strikes of 1919 as well as the Boston Police Strike. These occurrences exposed and provided an apparently terrifying insight into the influences of the now Soviet Russia. It was with these that America found it even more necessary to release more propaganda; it was with this new propaganda that targeted children and make them aware of the problem with very little alarm. ...
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Kennedy, X J., and Dana Gioia. Literature: An Introduction to Fiction, Poetry, and Drama. Sixth ed. New York: Harper Collins College Publishers, 1995. Print.
Even though the themes were similar, the plot of the movie and the play were rather different. In the movie, Mercutio, Romeo’s friend, got an invitation to Lord Caplet’s ball where Romeo and Juliet meet, but in the movie Romeo and this friends go to Lord Capulet’s party uninvited. What's more, is that when Romeo was at the ball he was recognized by Tybalt, Juliet’s cousin, from the sound of his voice in the play, but in the movie Tybalt sees him. In addition to that one scene where Juliet was hysterical because she thought Romeo was dead was completely absent in the movie.
Jack London has written a classic short story in the 1908 version of "To Build a Fire." This is the classic story of man fighting nature. In most genres (e.g. movies, novels, short stories) the main character comes out on top, however unlikely that is. Jack London takes literary naturalism and shows the reader how unmerciful nature is. Much like Stephen Crane in "The Open Boat," in which the one of the characters dies, London doesn't buy into that "has to have a good ending" contrivance. Through analysis of two London's letters (to R.W. Gilder and Cloudesly Johns) these two versions of "To Build a Fire" come alive with new meaning. Although there are many differences on the surface, both stories use his philosophy as expressed to Johns and both teach a moral lesson, one which will not soon be forgotten: "Never travel alone."
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
In “To Build A Fire”, the main conflict throughout is man versus nature although it would be inaccurate to say that nature goes out of its way to assault the man. The fact of the matter is, nature would be just as cold without the man's presence regardless of him being there .The environment as a whole is completely indifferent to the man, as it frequently is in naturalist literature. The bitter environment does not aid him in any way, and it will not notice if he perishes. In the same way, the dog does not care about the man, only about itself. Ironically enough though, as the man was dying he was getting upset toward the dog because of its natural warmth, the instincts that it had, and its survival skills and those were the elements that the man lacked for survival. It is ironic that the man had to die in order to find out that man's fragile body cannot survive in nature's harsh elements, regardless of a human’s natural over-confidence and psychological strength.
In the Franco Zeffirelli version of Romeo and Juliet, produced in 1968, the setting is accurate to the times of when William Shakespeare wrote the play. In the last act of the film a few differences arose. In Zeffirelli’s production Romeo does not request a letter telling of Juliet’s well-being from his friend Balthasar, whereas he did so in the play. This letter was to be given by Friar John, who is not mentioned in the 1968 film. In act 5 scene 3 Paris was laying flowers by Juliet’s tomb. Romeo then comes and kills Paris and his page. Both of these details were edited out in Zeffirelli’s version. Lady Montague was alive at the funeral in Zeffirelli’s film. William Shakespeare told of her dying from the stress of knowing her son is dead in his famous play.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.
In 'To Build a Fire,' the man's antagonist is nature: London displays the man's journey as restricted by external forces. First, the temperature of the tundra is seventy-five-below zero (978), which naturally exposes the man?s ?frailty as a creature of temperature? (977). Obviously the man is subject to the forces of winter, and can not change his homeostasis as a warm-blooded animal. Similarly, London employs the ?traps? (979) of snow-covered pools of water to show that while humans may presume we are invincible, nature will stealthily remind us of our vulnerability (through invisible germs, for example). Just as the man does not see the ?trap? (981) that soaks his legs, he fails to notice the dog?s apprehension regarding their journey (981). Here London shows man's self-proclaimed superiority is falsely assumed, as he lacks the ?instinct? (978) that the dog possess; later, the man can not kill the dog (985), which signifies the dog is not subordinate regarding survival. After the man steps in the water, London notes, ?He was angry, and cursed his luck aloud? (981). By attributing his misfortune to ?luck,? the man relieves himself of responsibility, recognizing himself as a victi...