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The Subject of Choice in Shakespeare's Hamlet
It is said that life is nothing more than an endless stream of choices. Every day before work or school, we must all make choices—what to eat, what to wear, whether or not to bother with that homework assignment—some of which are trivial, while others have the direst consequences. In Shakespeare’s classic play Hamlet, the inner thoughts that accompany each decision, as well as the quest for what is actually truth and what is lie, is brought to light in Act 2.2. Hamlet is caught in a great struggle over what to do with his uncle, his evil, murderous uncle. By all rights he should die...yet the easy choice—outright murder—is not always the correct or prudent one. Overall, through diction and poetic devices, Shakespeare manages to convey a feeling of bitterness, an angry yet doubtful tone that shows the turmoil of the inner mind of a complex character.
This angry tone is brought about to a great extent by the choice of diction. Hamlet’s soliloquy is full of angry words; he refers to people of the wretched lower classes—whores, drabs, and kitchen maids—as he curses his own cowardice. Strings of adjectives describing all sorts of horrible sins are attached to the king as well as his own name. The king is a treacherous, kindless, “bloody, bawdy villain!”
As Hamlet’s anger both at the king and himself radiates from the speech, so does his inner confusion. There are two choices open to him—revenge or cowardice as he sees it. Shakespeare uses words and ideas to remind the reader of this fact throughout. Hamlet refers to “heaven and hell,” showing that Hamlet knows that only one course of action is just, yet he is in doubt. In the passage, the devil is mentioned several times, both ...
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...ke every human being, Hamlet is caught up in a choice—a grave and far more serious choice than what to eat for lunch—but a choice nonetheless. Through diction and form, Shakespeare manages to bring the tortured spirit, the angry yet doubtful mind, the horribly bitter soul of a man trapped in a choice that he shouldn’t have to make, to life. He shows how we wrestle with the best and worst in every choice and the uncertainty inherent in all important decisions. It is this theme that makes Hamlet real. It is this...humanity that drives in the point. Life is full of options, some bad, some good, most a mix of both. All we can do, like Hamlet, is do the best we can in each situation and wrestle with the doubt when it comes.
Work Cited
Shakespeare, William. The New Cambridge Shakespeare: Hamlet, Prince of Denmark. Ed. Philip Edwards. Cambridge: Cambridge U P, 1985.
Following the devastating terrorist attacks of September 11th, 2001, the Unites States found itself in a search for answers and revenge against those that had brought about this atrocity. The attack that has been compared to that of Pearl-Harbor elevated the tracking and collecting of terrorism from barely a priority, to the forefront of the American radar. I honestly believe that terrorism as the #1 priority is destined to remain at the top for the foreseeable future. The elemental thoughts on almost all American minds following the attacks were who had the strength and capability to could carry out such an attack on a country with the world’s strongest military and what led to their focus to attack the Untied States: In short, who attacked us, and why do they hate us? The Untied States formed a bi-partisan 9/11 Commission was formed to trace the roots of Al-Qa’ida, investigate the history of the 19 hijackers, examine missed opportunities of law enforcement officials to avert the disaster, and make recommendations to clean up the faulty incoherent intelligence-gathering operation. The 500+ page 9/11 Commission Report contained thirteen chapters of historical narratives, analysis and recommendations. All ten members of the bi-partisan commission signed off on the report, which has arguably become a national historical document. Just as the 9/11 Commission was created to find answers and recommend necessary follow steps to ensure history doesn’t repeat itself, Lawrence Wright sought answers as to why 3000 American lives were lost in the attacks on September 11th. An experienced traveler to the region, Lawrence Wright endeavored to do his own investigative study into the history, ideology and circumstances behind this large-...
Stage 3 involves creating an Architectural Model version of the whole system including sub systems. A Viewpoint Hierarchy shows a skeleton version of the system which can be ins...
The thoughts of young Hamlet contain specific diction that exemplify his fragile state. Overall the diction remains elevated; an attempt of Shakespeare to stay consistent with Hamlet’s aristocratic upbringing. Shakespeare repeatedly pairs particular words together to provide additional contrast to this life versus death debate. Choice words such as “suffer” and “fortune” as well as “coil” and “respect” demonstrate the opposing forces of life and death. This contrasting diction also builds tension as throughout the soliloquy the word choice becomes increasingly more negative.
In Hamlet, the motif of a young prince forsaken of his father, family, and rationality, as well as the resulting psychological conflicts develop. Although Hamlet’s inner conflicts derive from the lack of mourning and pain in his family, as manifested in his mother’s incestuous remarrying to his uncle Claudius, his agon¬1 is truly experienced when the ghost of his father reveals the murderer is actually Claudius himself. Thus the weight of filial obligation to obtain revenge is placed upon his shoulders. However, whereas it is common for the tragic hero to be consistent and committed to fulfilling his moira,2 Hamlet is not; his tragic flaw lies in his inability to take action. Having watched an actor’s dramatic catharsis through a speech, Hamlet criticizes himself, venting “what an ass am I! This is most brave, that I, the son of a dear father murdered, prompted to my revenge by heaven and hell… [can only] unpack my heart with words” (Hamlet 2.2.611-614). Seeing how the actor can conjure such emotion over simple speech, Hamlet is irate at his lack of volition and is stricken with a cognitive dissonance in which he cannot balance. The reality and ...
Many people have seen Hamlet as a play about uncertainty and about Hamlet's failure to act appropriately. It is very interesting to consider that the play shows many uncertainties that lives are built upon, or how many unknown quantities are taken for granted when people act or when they evaluate one another's actions. Hamlet is an especially intriguing production, both on the set and on the screen because of its uniqueness to be different from what most people expect to be in a revenge themed play. Hamlet's cynicism and insane like behavior cause him to seem indecisive, but in reality he is always judging and contemplating his actions in the back of his mind in order to seek revenge for the murder of his father.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2012. Print.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
To begin with, many scholars have suggested that Hamlet’s motives directly correlate to Shakespeare’s own life and experiences. With such an intricate work of literature, it is easily assumed that "anything which will give us the key to the inner meaning of Hamlet will necessarily provide a clue to much of the deeper workings of Shakespeare’s mind" (Jones 25). While this may be true, one cannot necessarily assume that unlocking Hamlet’s motives and frame of mind will bring us closer to William Shakespeare, as a person and personality. Rather, it is safe to say that in exploring Hamlet’s intentions, one can find insight into the mentality of Shakespeare; the ideas which he molded into the character of Hamlet, in order to build the persona which he used to explore the subject of revenge. Like with many great works, a reader cannot always assume that the main character is modeled after the author who penned it. This is a biased way to look at literature, and often detracts from the piece as a whole. One should only take that the ideas portrayed in the work are those that stemmed from the writer’s mind, and therefore links the dramatist with the piece, as in Shakespeare’s Hamlet.
In Hamlet Shakespeare is able to use revenge in an extremely skillful way that gives us such deep insight into the characters. It is an excellent play that truly shows the complexity of humans. You can see in Hamlet how the characters are willing to sacrifice t...
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Hamlet lives in a country of different worlds. At the time, Denmark was in a state of transition between three metaphysical worlds; the heroic world, where a man's honour was foremost, killing was not accepted but expected, might was power, the Machiavellian world, an amoral world where politics and mind games were employed ruthlessly, the ends justified the means, and the Christian world of love and forgiveness. Hamlet was a Christian living in a dying Heroic world which was succumbing to the Machiavellian world. Hamlet's father, King Hamlet, belonged to the heroic world, and so for him revenge was of the utmost importance, shown by the fact that "but two months" (1:2, 136) after his death he returned to instruct Hamlet to avenge his murder. Hamlet's disgust at his mother's marriage to his uncle before "the salt of most unrighteous tea...
Furthermore, this constant contradiction in which Hamlet lives with, he seeks the vengeance of his father by murdering his uncle but at the same time is held back by his emotions of doubt and reflection non which prevent him from committing his act of retaliation. In Hamlet we can see the natural dichotomy every human being possesses and battles with throughout their lives, choosing between good or evil.
Shakespeare uses conflict in Hamlet as a way of exploring ideas. He does this thorough the internal and external conflict that his characters face within the kingdom of Denmark. The conflict that follows is an outcome of lies and deceit which brings about tragedy. From this play we learn of the difficulty associated with taking a life as Hamlet agonises as to how and when he should kill Claudius and furthermore whether he should take his own life. Hamlet being a logical thinker undergoes major moral dilemma as he struggles to make accurate choices. From the internal conflict that the playwright expresses to us it is evident that it can kill someone, firstly mentally then physically. The idea of tragedy is explored in great detail through conflict where the playwright’s main message is brought across to the audience; Shakespeare stresses to his audience the point that conflict be it internal or external it can bring upon the downfall of great people and in turn have them suffer a tragic fate. It is Shakespeare’s aim to show us the complexity of man and that moral decisions are not easily made.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.