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Perceptions of Men and Women Revealed in Susan Glaspell's Trifles
Human beings not only live in the physical world but also survive in the emotional world. Frequently, one's emotional world actually controls the actions one commits in the physical world. Perception plays an enormous part in what one feels is important and what one feels is unimportant. Is there a difference between perception of men and women? In Susan Glaspell's story Trifles, she examines the difference of perception between men and women in a unique way by revealing these differences in the solving of a murder case. The difference between what the men and women perceive to be important pieces of evidence is astonishing. Glaspell uses symbols as interpreted by the different genders to help explore these perceptual divergences for the reader.
Introduction of the characters occurs as the play opens so they are all privy to the same information and have an opportunity to discuss the investigation. The characters themselves are symbols. George Henderson, who is the county attorney, is perceived to be very intelligent and will be able to convict Mrs. Wright of the murder of her husband. Henry Peters, the sheriff, is not as well educated as the county attorney but desires to uphold the law. Lewis Hale, a neighboring farmer, is the person who discovers Mr. Wright's body. Mr. Wright who is dead, is the symbol that allows the play to evolve. These are the men of the play. Mrs. Peters, who is the sheriff's wife, has come to the Wright's home with Mrs. Hale to retrieve some personal items for Mrs. Wright, who is in jail. Mrs. Hale, the wife of Mr. Hale and neighbor to the Wrights, has come to gather Mrs. Wright's possessions to take back to the jail. Mrs. Peters...
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..., "'My, it's a good thing the men couldn't hear us. Wouldn't they just laugh! Getting all stirred up over a little thing like a-dead canary. As if that could have anything to do with-with-wouldn't they laugh!'" (1180).
Glaspell not only exposes how the characters have different perspectives but she also makes the reader realize the differences between male and female perception in the play. The play is about perception, and what is actually important is not the death of Mr. Wright but the life of Mrs. Wright. Truly, perception is different not only for men and women but also for each individual person, for it determines one's ability to perceive the truth and to achieve happiness.
Work Cited
Glaspell, Susan. Trifles. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 1999. 1172-1181.
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
The second reason why Brutus should not be a tragic hero is because he has a tragic flaw and this flaw leads to his ultimate downfall. The tragic Flaw for Brutus is his idealistic view of the world. He contracts this view about Caesar after Cassius persuades him by saying that Caesar will be a tyrant. Because of this, Brutus joins the conspirators and kills Caesar. This shows that Brutus, like other tragic heroes uses his tragic flaw and thus will cause his eventual defeat. Later in the play Brutus directs, as any ideological man would, to charge rather than wait for the enemy to attack. This is an excellent exemplar of the Brutus’s tragic flaw since Brutus did this so that he would not lose support in Rome.
A tragic hero is the character whose actions deeply affect the other characters and who creates a series of events that eventually lead to the character’s downfall and the downfall of his loved ones. Such a hero possesses a flaw in character that influences his actions and thinking and especially his judgments. In logically determining who the hero in Julius Caesar is, one simply must find the one character who fits the above guidelines. Marcus Brutus is the only one, and, thus, he is the tragic hero.
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
The characters address the audience; the fast movement from scene to scene juxtaposing past and present and prevents us from identifying with particular characters, forcing us to assess their points of view; there are few characters who fail to repel us, as they display truly human complexity and fallibility. That fallibility is usually associated with greed and a ruthless disregard for the needs of others. Emotional needs are rarely acknowledged by those most concerned with taking what they maintain is theirs, and this confusion of feeling and finance contributes to the play's ultimate bleak mood.
The pointedness of the play is created through a distinct plot path. The observer is lead through the story, seeing first how greatly Amanda Wingfield influences her children. Secondly, the play-goer notes how Tom Wingfield desperately struggles and writhes emotionally in his role of provider- he wants more than just to be at home, taking care of his all-too-reminiscent mother and emotionally stunted sister. Tom wants to get out from under his mother’s wing; his distinct ambitions prevent him from being comfortable with his station in life. Lastly, Laura struggles inside herself; doing battle against her shyness, Laura begins to unfurl a bit with Jim, but collapses once again after Jim announces his engagement and leaves her, again. Each character struggles and thrashes against their places in life, but none of them achieve true freedom. This plot attests to the fact that true change and freedom can only come through the saving power of God Almighty and Jesus Christ, and by letting go of the past.
The tragic hero is one of literatures most used (and sometimes abused) characters. The classical definition of a tragic hero is, “a person with heroic or potentially heroic qualities. The person is doomed by the Gods or some other supernatural force to destruction or suffering. The hero struggles against the fate, but due to a personal flaw, ultimately fails in the battle against fate. It is my personal opinion that Brutus,as he is portrayed in Shakespeare’s Julius Caesar, is a tragic hero by this definition. I came to this conclusion due to the fact that Brutus shares many similarities with other tragic heroes in literature such as Oedipus, Hamlet, and Ralph from Lord of the Flies. All four characters share the two critical traits that are needed to be tragic heroes: a tragic flaw that eventually leads to a tragic downfall. The tragic hero was defined by Aristotle, yet the “invention” of the tragic hero goes to Sophocles.
In conclusion, Brutus is a tragic hero in this awe-inspiring play because he is burdened with countless character flaws that engender his inevitable awakening, enlightenment, and death. They also lead to his dramatic change from a despicable fiend, to a loved companion of Rome. Through massive loses, and profound change in character, Brutus is transformed into a kingly tragic hero.
Brutus’ tragic flaws are part of what makes him a tragic hero. In Julius Caesar, Brutus is a great example of a tragic hero. His tragic flaws are honor, poor judgement, and idealism (Bedell). In Shakespeare’s plays, the tragic hero and his flaws cause the downfall of the play (Tragic Flaws).
In conclusion, Brutus is the real tragic hero because throughout the play he is battling himself over good vs. evil. Even though he has tragic flaws he is still seen as a noble and respected figure in Rome both by those who wanted Caesar dead and those who did not. His ability to be easily manipulated led to the death of Caesar, himself, and countless others. If he had made his own decisions, he would not have ended up causing the chaos and tragedy he did. But, on the other hand he did have his own personal reasons for killing Caesar.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
According to the Merriam -Webster Online Dictionary an assumption is a belief that something is true or a fact or statement that is taken for granted. Susan Glaspell wrote "Trifles" to demonstrate the male assumption that women are insignificant members in a male dominated society. Because the men underestimate them, the women are able to prove they are not insignificant. The improper assumptions by men toward women can have dire consequences, as demonstrated in Glaspell's world. Combating these narcissistic assumptions displayed by men can result in a unity among women that can overcome any male caused disrespect and oppression.
There is no such thing as the perfect person. We may dream of such a person, but sadly, everyone has flaws. These flaws are what make us human. Something else that makes us human is our need for heroes. We attribute 'perfect' qualities to our heroes. In reality even our heroes are flawed. The closest thing to the idealized person, or hero, is the Shakespearean tragic hero. The tragic hero is someone of high standing, good character, and a flaw. While it may be only one flaw, it is often fatal. An example of a tragic hero can be best seen in William Shakespeare's play Julius Caesar. Marcus Brutus is a prominent leader and noble citizen of Rome who leads in the assassination of Julius Caesar. We see that Brutus plays the role of the tragic hero through his noble standing, fatal flaw, and legacy.
The play’s major conflict is the loneliness experienced by the two elderly sisters, after outliving most of their relatives. The minor conflict is the sisters setting up a tea party for the newspaper boy who is supposed to collect his pay, but instead skips over their house. The sisters also have another minor conflict about the name of a ship from their father’s voyage. Because both sisters are elderly, they cannot exactly remember the ships name or exact details, and both sisters believe their version of the story is the right one. Although it is a short drama narration, Betty Keller depicts the two sisters in great detail, introduces a few conflicts, and with the use of dialogue,
Meyer, Michael. The Bedford Introduction to Literature: Reading, Thinking, Writing. 10th ed. Boston: Bedford/St. Martin’s. 2013. Print.