The Double Characters in Wuthering Heights
In Bronte's novel, Wuthering Heights, a person has the capacity to attain happiness only if his external state of being is a true and accurate manifestation of his internal state of being. The "double character" which Catherine "adopts" in order to simultaneously maintain her relationship with the high brow Linton family and her low class friend, Heathcliff (66), is also manifested by most of the other main characters in the novel, though the split is usually less obvious in the other characters. It is less obvious because rather than being split between two contrasting external states (only one of Catherine's reflects her internal state), the characters are usually split between their internal experiences of the world and their external facades. For all of the characters, the possibility of happiness depends on a consistency between their internal and external ways of being. Catherine, in her inability to attain happiness, is the most clear example of this in the novel, but the novel's other three crucial characters: Heathcliff, Cathy (II), and Hareton, also demonstrate this.
Catherine and Heathcliff's relationship is a primary example of possible happiness disabled by the inconsistency (internal vs. external) of one of its participants, Catherine. Catherine holds up a façade of "ingenuous cordiality" to gain the love of the Linton children (Isabella and Edgar) to hide her true "unruly nature." She allows this "unruly nature" to come out only when she is in the privacy of her home, Wuthering Heights, with Heathcliff (66). Catherine splits herself into two personalities. She demonstrates her "unruly" one in the company of her true friend, Heathcl...
... middle of paper ...
...sing to always be together (in marriage).
Sources Cited and Consulted
Bronte, Emily. Wuthering Heights Oxford University Press, 1996.
Christ, Carol T. Foreword. Emily Brontë: Wuthering Heights: An Authoritative Text. Ed. William M. Sale, Jr., and Richard J. Dunn. Norton Anthology Edition. New York: Norton, 1993.
Dawson, Terence. Physical and Psychological Settings: The Polarized Houses in Emily Bronte's 'Wuthering Heights'. 7 Nov. 2000 .
McCarthy, Terence. "The Incompetent Narrator of Wuthering Heights" Modern Language Quarterly 42 (1981): 48-64.
Shunami, Gideon. "The Unreliable Narrator in Wuthering Heights." Nineteenth-Century Fiction 27 (1973): 449-68
Strobos, Semon. "Heathcliff and Nelly Dean in Wuthering Heights." The Nassau Review 6 (1993): 131-39.
Fences was published in 1983 but the setting was the 1950s in August Wilsons home town. Wilson’s main purpose of this play is to show how the separation of humans into racial groups can create social and finance instability and can have a huge effect on African Americans and whites. The 1950s was the middle of the civil rights era. The Maxsons Family is African American, In the 1950s there was not many jobs for African Americans; most people believed that this is what pushed Troy to steal things in order to provide for his family. Troy went to prison for murder and when he got out he was determined to do good deeds and to turn his life around; shortly after he got out of prison he got a job as a Garbage man. Troy is a tragic figure and a villain; he is a tragic figure because he made great effort to do good deeds for his family, but he allowed his imperfections to get in his way which led to a horrible death. Troy is a villain because of what he did to his wife Rose. (Shmoop; Editorial Team)
Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by the male figures in other stories. She is brave in the face of the loss of her two sons; she is brave as she does not show weakness to the white men who attempt to control her and make her do their bidding. She does not allow herself to be bound by the conventions of society. She speaks her mind to the white men who invade her home and states “Ah don’t care who Ahm talking t!” (pg238). Aunt Sue is portrayed as a cunning woman, who hides behind men’s perception of her as weak and uses it to her advantage. Her final act of bravery in the story is to giver herself up to death, before the white men can take her life from her. Wright also portrays women as sufferers in his work. Sarah, in “Long Black Song” suffers from isolation and is stuck in a loveless marriage. The gap between men and women is very much evident in this story. Sarah is very much dependent on Silas for company, security and items of comfort. Silas is allowed to exceed from the isolation imposed on his wife. Even when Sarah flees from ...
...ther people build fences to keep people in" (Wilson, 61). Troy Maxson built them to isolate himself and to keep out the people he loved the most.
Fences, a low diction play by August Wilson, expresses the complex relationship between a father and his sons. Troy Maxson, once a baseball star on a Negro League, is now envious of his son Cory who dreams of having a successful football career. Troy also worries that Cory will be treated with the same disrespect that he (Troy) once was during his baseball career. Lyons, Troy's eldest son, is completely misunderstood by Troy, mostly because of his refusal to get a “real” job and his drive to become a musician. Wilson references stories from Troy's past to convey the reason behind Troy's frustration and actions toward his children.
Social Security is a system that was set up in 1935 after the Great depression to help people get through tough times. "Social Security is now used by nearly 44 million Americans"(policy.com). Only people who payed into social security are eligible to collect when they retire. Many people think that they receive the money they pay in but that is not total true. The money that you pay in is used for the people that are receiving it now. "In 1950 there were 16 workers for every beneficiary; today there are only three workers per beneficiary"(policy.com). There is more money going into social security then coming out now. The extra money goes into a trust to be used when it is needed. By the year 2032 those numbers are going to drop. By this time most baby boomers will be retired and collecting social security. This will put a big strain on the funds. There will be more money going out then coming in. And it will not take long to use all the money that is in the trust. By the year 2034 they will only be able to pay 75 percent of the beneficiaries. "The projected average monthly Social Security benefit in 2032 of about 1,100 (in 1998 dollars) would fall to about $800, and would drop further in later years. Average benefits for low-wage earners would drop from $670 to $480"(www.ssab). Theses cut would effect the people just starting to receive benefits and those who are already receiving benefits. And with each year these benefits will decrease. As these benefits continue to decrease "the percentage of aged people living in poverty would rise"(www.ssab).Most people believe this is happening because of the baby boomers generation. There will be more people taking from social security then giving in. By the time my generation is eliable to receive social security there may not be any money to give.
Troy was met with many hardships in his life that left him feeling like he needed to protect himself from the things that have hurt him and could hurt him. The fence that Rose told Troy to build symbolized the barrier that he puts up to protect himself from the things that have hurt him and could hurt him in the future. Troy uses the fence to symbolize the emotional separation and neglect he has towards his family; Rose and Cory in particular. The main reason why the fence took the whole play to complete is because Troy neglected it and spent his time with his mistress which symbolized his neglect towards his family. Cory brings this to attention when he tells Troy that he "don't never do nothing, but go down to Taylors'", which is obviously his mistress’s home (Henderson). This was Troy’s f...
In addition, Rose uses the fence, symbolically, to keep Troy in because she wants to keep him close and unknowingly to keep him away from his mistress, Alberta, whom she, (Rose), doesn’t find about until Act 2, Scene 1 of the play. On the contrary, Troy, symbolically, wants to keep people out with the fence. In the play, Troy uses the fence as a way to keep Cory out, this is directly after...
Throughout the play the reader sees how 'fences' are used to protect the characters mentioned. Early on, Rose protects herself by singing, 'Jesus, be a fence all around me every day. Jesus, I want you to protect me as I travel on my way' (Wilson 21). By Rose signing this song, one can see Rose's desire for protection. To Rose, a fence is a symbol of her love. Her longing for a fence signifies that Rose represents love and nurturing within a safe environment. However Troy and Cory think the fence is a burden and reluctantly work on finishing Rose's project. Bono indicates to Troy that Rose wants the fence built to protect her loved ones as he says, 'Some people build fences to keep people out' and other people build fences to keep people in. Rose wants to hold on to you all. She loves you? (61). While reminiscing about the 'project', Bono asks Troy why he 'got to go and get some hard wood' (60) as he says, "Nigger, why you got to go and get some hard wood? You ain't doing nothing but building a little old fence. Get you some soft pine wood. That's all you need" (60). Troy choosing to use hard wood instead of soft pine wood shows the reader that Troy wants hard wood to protect him harder from Death and all of his problems. Although each character in the play interprets the concept of a fence differently, they all see it as some form of protection.
In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.
...in character of “Fences,” fights to be a father with nothing to go on but the harsh example set by his own father, which resembles a symbolic fence separating the relationship between father and son. There is also Troy's son, Cory, a boy becoming a man, coming of age under Troy's sovereignty. The play shows that no matter how old you are, you're constantly measuring yourself against the example set by your parents. Even if the reader’s family is nothing like the Maxsons, one may possibly connect with this basic human struggle.
As with most works of literature, the title Fences is more than just a title. It could be initially noted that there is only one physical fence being built by the characters onstage, but what are more important are the ideas that are being kept inside and outside of the fences that are being built by Troy and some of the other characters in Fences. The fence building becomes quite figurative, as Troy tries to fence in his own desires and infidelities. Through this act of trying to contain his desires and hypocrisies one might say, Troy finds himself fenced in, caught between his pragmatic and illusory ideals. On the one side of the fence, Troy creates illusions and embellishments on the truth, talking about how he wrestled with death, his encounters with the devil, later confronting the d...
The theme of August Wilson’s play “Fences” is the coming of age in the life of a broken black man. Wilson wrote about the black experience in different decades and the struggle that many blacks faced, and that is seen in “Fences” because there are two different generations portrayed in Troy and Cory. Troy plays the part of the protagonist who has been disillusioned throughout his life by everyone he has been close to. He was forced to leave home at an early age because his father beat him so dramatically. Troy never learned how to treat people close to him and he never gave any one a chance to prove themselves because he was selfish. This makes Troy the antagonist in the story because he is not only hitting up against everyone in the play, but he is also hitting up against himself and ultimately making his life more complicated. The discrimination that Troy faced while playing baseball and the torment he endures as a child shape him into one of the most dynamic characters in literary history.The central conflict is the relationship between Troy and Cory. The two of them have conflicting views about Cory’s future and, as the play goes on, this rocky relationship crumbles because Troy will not let Cory play collegiate football. The relationship becomes even more destructive when Troy admits to his relationship with Alberta and he admits Gabriel to a mental institution by accident. The complication begins in Troy’s youth, when his father beat him unconscious. At that moment, Troy leaves home and begins a troubled life on his own, and gaining a self-destructive outlook on life. “Fences” has many instances that can be considered the climax, but the one point in the story where the highest point of tension occurs, insight is gained and a situation is resolved is when Rose tells Troy that Alberta died having his baby, Raynell.
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
Seichepine, Marielle. "Childhood And Innocence In Wuthering Heights." Bronte Studies 29.3 (2004): 209-215. Academic Search Complete. Web. 13 Feb. 2014.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.