Importance of the Ocean in Chopin's Awakening
In Kate Chopin's novel, The Awakening, Chopin uses the motif of the ocean to signify the awakening of Edna Pontellier. Chopin compares the life of Edna to the dangers and beauty of a seductive ocean. Edna's fascinations with the unknown wonders of the sea help influence the reader to understand the similarities between Edna's life and her relationship with the ocean. Starting with fear and danger of the water then moving to a huge symbolic victory over it, Chopin uses the ocean as a powerful force in Edna's awakening to the agony and complexity of her life.
Danger and beauty serve as Edna's first outlook on the ocean. Early in her development, Edna observes the ocean only from a distance. Although intrigued by the sea's beauty and enchantment, Edna shows her discomfort in experiencing the water. She felt a "certain ungovernable dread...when in the water, unless there was a hand near by that might reach out and reassure her." (27) Edna does not really understand her `dread' and totally depends on other people to encourage her to get into the water. At this stage of Edna's awakening, she feels insecure not only about the water, but concerning her life in general.
As her interest in the ocean rises and the fear lowers, Edna begins to feel a sensual connection to the sea and its wonders. As Edna is progressing in her life, her senses begin to come alive out of curiosity and desire to understand this mystery of nature. Edna is first drawn to the ocean and the sight "made a delicious picture that I wanted to just sit and look at." (16) The two combined senses of taste and sight seem to pull Edna in the direction of her fear. As she creeps closer to t...
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...e year before. "She felt like some new-born creature, opening its eyes in a familiar world that it had never know." (109) Edna feels like she has at last found the freedom to control her life and choose her own independence without another's helping hand.
From a mother, wife, and society woman, Edna progresses to a unique woman of her own, free and independent. By deciding to choose her own paths to take in life, breaking the rules and expectations of the people around her, Edna achieves total control of her destiny. The backdrop of Edna's journey of her awakening is the tantalizing whisper of the ocean. The ocean awakens Edna's senses, teaches her the thrill of taking a risk and offers her inspiration to "dare and defy" (109).
Work Cited
Chopin, Kate. The Awakening and Selected Short Stories of Kate Chopin. New York: Penguin Books, 1996.
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Edna learning to swim while at Grand Isle is significant. At first, a certain ungovernable dread hung about her when she was in the water, unless there was a hand (presumably a man’s) near by that might reach out and reassure her.19 As she gains confidence, like a “little tottering, stumbling, clutching child, who of a sudden realizes its powers”20 she swims farther out than she has before, though her husband is watching from the beach to reassure her when she admits she thought she might not make it back to land. It isn’t until after she returns to New Orleans that she becomes fully aware of herself and the hopeless situation she is in. She attempts independence, moving out of the family home and into a smaller one in a slightly worse part of town. She tries to nurture her artistic inclinations and beings an affair with a local playboy, but continues to be dissatisfied with life. Adele Ratignolle’s domestic bliss depresses her, and shortly after his return Robert quickly abandons her, supposedly with the best of intentions. Driven back to Grand Isle where her awakening began, “like some new-born creature,”21 Edna swims out to sea with no intention of returning. She admits to herself that one affair would lead to another, and she would eventually forget Robert.
In “The Awakening,'; the conflicting directions of oppression versus free will illuminate the meanings of social awakening and overcoming tyranny. Awakening from the slumber of patriarchal social convention, Edna must rouse herself from the life of dullness she has always lived.
Kate Chopin’s “The Awakening” is wrought with symbolism, foreshadowing and careful diction choices. Many of the passages throughout the novel embody Edna’s awakening sense of self-reliance, independence and sexuality. These are sy...
“A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” implies the tremendous joy that encourages her to shout, as well as underscores the significance of the experience in terms of the greater awakening, for the experience actually does provide Edna with the ability to control her own body and soul for the first time. Her “daring and reckless” behavior, her overestimation of strength, and the desire to “swim far out, where no woman had swum before” all suggest the tragic conclusion that awaits Edna. Whether her awakening leads her to want too much, or her desires are not fully compatible with the society in which she lives, she goes too far in her awakening. Amazed at the ease of her new power, she specifically does not join the other groups of people in the water, but rather goes off to swim alone. Indeed, her own awakening ultimately ends up being solitary, particularly in her refusals to join in social expectations. Here, the water presents her with space and solitude, with the “unlimited in which to lose herself.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
...pport of Mr. Pontellier, her children, Madame Ratignolle, Robert, Madame Reisz, and her father. While Edna sees support for herself in these roles the way the other characters see them, she does not believe that she has their support for herself as an individual, apart from these roles, or as a person defining these roles for herself. As she takes her final walk down to the beach, the sea continues to call to her soul: “The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude” (654). The sea has helped Edna see into her innermost being and the transformational journey has helped her realize that she wants to fulfill her roles in life as an autonomous individual. But because Edna feels that she cannot achieve her goals, she succumbs to that which is closest to her innermost being, the sea.
Throughout The Awakening, water the main motif serves as a catalyst to the metamorphosis of Edna. During the length of the story Edna goes through a process of changes that coincides with the presence of water. Water serves as a conduit for liberation and empowerment that facilitates the rebirth and even death of Edna. In this essay I will argue that the motif of water represents the continual transformations that occur within Edna throughout the story.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
As time goes on we can see that her depression grows ever so slightly, and that it will continue to grow throughout the novel. Such happenings are nothing new to Edna: " Such experiences as the foregoing were not uncommon in her married life. They seemed never before to have weighed much against her husband's kindness and a uniform devotion which had come to be tacit and self understood." (8) The author goes on to describe what Edna felt during the episode: " An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul's summer day." (8)
As this passage commences, Chopin, through Edna’s thoughts, describes the seemingly endless sea that presents itself before her. Edna, through personification, shows the intimacy of her relationship with both nature and the sea. This large, “[…] never ceasing […]” (Chopin 139) body of water has entranced and enthralled Edna to the point where she is now beginning to see this natural element that amazes her so much as the only option left to her in life. Chopin reveals these intentions to the reader by describing the sea as “[…] inviting the soul to wander in the abyss of solitude” (Chopin 139). The word abyss in itself leaves the reader the impression of a mysterious place in which one might not return from; and it is later implied that Edna accepts this sensuous invitation from the sea.
...o the Electra complex. Eventually, this complex derives a sense of spurn of any kind of control from Edna. Lastly, the title The Awakening suggests that, at some point, Edna had to have gone through a period of “dreaming” that enables Edna to live her fantastic caprices. This period of dreaming begins and ends at the ocean which is symbolic for re-birth and the womb. By successfully completing her swim, Edna is beginning her dream and living her edacities. By striping her clothes off and descending into the depths of the sea Edna, as a new-born creature, is seeking to return to the sanctity of the womb. Edna Pontellier is a subject of psychology all her own, however far is up to the reader. The psychology of Kate Chopin’s The Awakening is not tangibly obvious, however in regards to the story is incredibly significant in understanding the nature of Edna Pontellier.
Chopin, Kate. The Awakening. The Norton Anthology of American Literature. Ed. Nina Baym. New York: W.W. Norton, 2007. 535-625. Print.
The imagery of the ocean at Grand Isle and its attributes symbolize a force calling her to confront her internal struggles, and find freedom. Chopin uses the imagery of the ocean to represent the innate force within her soul that is calling to her. "The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in a maze of inward contemplation." (p.14) Through nature and its power, Edna, begins to find freedom in her soul and then returns to a life in the city where reside the conflicts that surround her. Edna grew up on a Mississippi plantation, where life was simple, happy, and peaceful. The images of nature, which serve as a symbol for freedom of the soul, appear when she speaks of this existence. In the novel, she remembers a simpler life when she was a child, engulfed in nature and free: "The hot wind beating in my face made me think - without any connection that I can trace - of a summer day in Kentucky, of a meadow that seemed as big as the ocean to the very little girl walking through the grass, which was higher than her waist.
Chopin, Kate. "The Awakening." 1899. The Complete Works of Kate Chopin. Ed. Per Seyersted. Baton Rouge: Louisiana State UP, 1969. 881-1000.