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technological advancements in the film industry
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Film as the Most Important Art Form of the Twentieth Century The use of film and its explorations have progressed steadily since the 1800’s and as our title suggests, it has become an important art form and a huge influence on society today. Influencing the way we live, the way we speak, the way we act and more. There isn’t an art form closer to representing ‘reality’; this is why film has such an affect on all of us! The first ‘image of motion’ created was in 1873 when Eadweard Muybridge, an English photographer used a series of cameras placed along a racetrack to capture the movement of a galloping horse. Muybridge then moved a step closer to the existence of film when he invented The Zoopraxiscope projector - a series of rotating glass disks with images painted on each panel. This set the platform for others to enhance his workings and to eventually create the worlds first motion camera in 1884 and the first roll of film a year later, invented by Americans Thomas Eakins and George Eastman and used by Englishman William Friese-Greene who is known in history as the first creator of film after his short production showing a girl rolling her eyes. After moving image was born, inventors and photographers progressed to invent equipment known as The Electro-Tachyscope, The Kinetoscope, The Vitascope and more early forms of the Motion Camera, these adapted until the present day. We have numerous different types of Motion Camera today, each offering a slightly different type of image, depending on what the filmmakers are trying to achieve. As well as just capturing the image, today’s cameras are also able to record sound, add e... ... middle of paper ... ...l art is that it has a much more historic background, we are known to still have paintings dating all the way back to the Fourteenth Century, therefore these can tell us and help us realise what history was like. Though again, film creates a much more accurate image and in the future when people look back at film of our lives today, they will surely find it easier to understand than still art. All art-forms are important in their own ways but film offers so much more information to its viewers and these can be absolutely anyone because it isn’t forcing us to do anything we wouldn’t do anyway. We naturally, live, look and think, this is what is required to watch a film, it is the easiest art-form to inhale so whatever’s being portrayed holds a great importance as a way to educate, inform and inspire society today.
In the early years of narrative cinema there was little pressure on filmmakers for the ‘evolution of film forms before nickelodeons’ (Salt, 1990, pp31) as cinema neither became a mass nor high cultural product and was still a novelty but ‘Production companies’ profits were based principally on the sales of longer fiction films’ in the later years (Musser, 1990, pp256) so focus was made for the production of popular narratives so I will show how the early development of narrative evolved from trick films to complex narrative. I will analyse the short film Mary Jane’s Mishap (1903, Smith) and an extract from the seminal The Birth of a Nation (1915, D.W.Griffith).
The many debates about art cinema versus classical cinema have been going around for a while. The mainstream Hollywood classical film and the art cinema are frequently presented as opposites. In one, the style of the film is bland, while the other seeks to center its focus on the visual becoming central as narrative unity. Throughout the movie directed by Stanley Kubrick called 2001: A Space Odyssey, we see that this film can be classified as an art film. On the other hand, it can also be seen as classical film. Even though these two are the complete opposite and they contradict themselves, they are both apparent in the film.
Filmmaking, the art of the motion picture, is a comparatively new art form that combines a moving image in conjunction with sound, primarily to tell a story. Due to the medium of capturing the image is evolving, so is the art in its entirety. Modern technology is allowing a more cheaper, streamlined form of production, thus rendering older methods unnecessary. Celluloid filmmaking is the old method of capturing film on a negative film strip and developing it later in its most natural state, whereas digital film is capturing synthetic and manipulatable pixels on a computer-like device. Digital filmmaking should be a primary film medium but not completely eradicate the dying celluloid film culture.
In the textbook ‘American Film: A History’, Jon Lewis discusses the components which he believes are markers of “the end of cinema as we know it”. By Cinema, Jon Lewis is meaning the all-encompassing thing that is film-making and film-viewing, as well as the marketing, and business side of Hollywood itself. The changes that resulted from the conglomerate business model, the marketing system of the industry and the advance in technology are the major argument points discussed by Lewis, however I think that technology itself is truly the overarching cause of the changes that’ve been seen.
When something is created it is a given that it will be picked apart, dismantled, will evolve into something even greater. It has become the norm in film-making to play by these rules of deformation. Movie makers have stretched the definitions of genre to encompass the given criteria set up by the very people who created these staple types of films that movie goers are used to. Today we can watch romantic comedies that take place in outer space, or horror where no one is killed. It seems as though as soon as you find a clear definition of what a specific genre is, someone comes along and reinvents the category.
My grandfather has always talked about how much movies have changed in such a short amount of time. His favorite movie, E.T.: The Extra-Terrestrial, is an example of how editing and special effects have changed drastically since only 1982 and even from the early 1900s. Watching a movie from this year compared to a movie from the 1930s, the viewer would notice many differences ranging from effects, transitions and especially quality. When film started in the late 1800s, there was no digital technology to edit films. There have been many contributors in the film industry that have helped evolve film to its digital age of today. Edwin Porter was the first person in film history to create a narrative film. Lev Kuleshov created a technique gives films certain moods to it and can affect a person’s emotions just by the way images are juxtaposed and edited together. Danny Boyle is an example of a modern day director that developed a set of guidelines that a director should reciprocate while filming. Film editing has revolutionized and developed so much since the early 1900s to now because of important contributors throughout its history that developed new technology and techniques.
The 1920s was a time of the great success and thrive of the film industry. It was the beginning of the studio era, as the main eight studios emerged (The Big Five: Warner Brother Pictures, Metro Golden Meyer, 20th Century Fox, Paramount, RKO; The Little Three: United Artists, Universal, Columbia Picture). Especially in 1920s the market started to grow rapidly. First of all it was because of technology progress, (such as the ability to create longer movies; starting from 1910s there were experiments for sound creation), growing interest from the audience and growing popularity of actors. Also one of the main reasons was commercial side, as lots of people saw a great opportunity to raise money from the film making.
...tion between art and reality is developed simultaneously by dialogue and a series of non-verbal techniques.
... be a need for self expression and a desire to understand the perception of others. Whether it is a masterpiece or the simplicity of a mother nurturing a newborn babe, art is in the impact of the experience.
Art, in each and every form that it comes in, shows us who we are. Our
Art can be traced to the pre-historic era; it has evolved from pre-historic art to contemporary art. Over the centuries art has changed and taken various forms, under this huge spectrum comes Film. which is rather a new form of art. It has become a means of creative expression as well as performing the purposes of mass media such as providing the audiences with information, transmission of culture and amusement.
Art by definition is “the expression or application of creative skill and imagination, producing works to be appreciated primarily for their beauty or emotional power,” (Hacker, 2011).
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
Art is an expressive form of creativity and expression. Art involves the basic elements and principles that aid to form paintings, sculptures, and other forms of artwork.
Human’s have always struggled to express themselves. Art, is considered by many to be the ultimate form of human expression. Many assume that art has a definition, but this is not the case. Art, it can be said, is “in the eye of the beholder.” This simply means that what you consider art, someone else would not. Art is part of a person’s internal emotions, which signifies why different people see art as different things. Every type of culture and era presents distinctive and unique characteristics. Different cultures all have different views of what art can, and would be, causing art itself to be universally renowned throughout the world.