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romantic love in merchant of venice
romantic love in merchant of venice
the merchant of venice analysis
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Portia and Bassanio in William Shakespeare's The Merchant of Venice
“The Merchant of Venice” is a Shakespearean play based on the themes
of friendship, racial prejudice, deceptive appearances and love, of
which the most romantic is the love between Portia and Bassanio. In
contrast, the other two couples - Lorenzo and Jessica, Gratiano and
Nerissa – exhibit playful or down-to-earth love.
Portia is as faultless as one could imagine. She is blessed with
beauty, heavenly qualities surpassing all other women on Earth and
moreover “richly left”. Portia’s image is consistent as a goddess, an
angel. However, she is by no means the “unlessoned girl, unschooled,
unpractised” which she claims to be, but is on the contrary
“sophisticated, educated and intelligent”. Throughout the play, she
exhibits wit, resourcefulness, complete love for Bassanio and
generosity towards friends. Her prejudice towards Jews and foreigners
is probably one of the only blemish to her otherwise perfect
character.
Compared to Portia, Bassanio is only a normal citizen in Venice who
has “disabled mine estate/by something showing a more swelling port”.
However, his dashing and daring character complements his romantic
role as a chivalrous suitor to the fair Portia. He is a spendthrift
that as soon as he gets the money he needs, he immediately organises
expensive evening’s entertainment for himself and his friends. His
lavishness and carefree personality is also evident from the way he
agrees to help Gratiano (“You have obtained it”), without knowing what
the favour is. However, to view him as shallow is probably harsh,
unfair and also inappropriate as it was not...
... middle of paper ...
...’s motive for wooing
Portia is to pay off his debts referring the trip to Belmont to woo
Portia as a “secret pilgrimage”, thus making Portia into a goddess.
Bassanio’s loyalty and responsibility is once again emphasised in the
trial scene, where he refuses to give away his wedding ring. He is
also quick to ask for Portia’s forgiveness when he returned to Belmont
from Venice.
In conclusion, Portia and Bassanio is a compatible couple, sharing
many similar qualities – intelligence, affectionate, sensitive, loyal,
generous, and devoted to each other. Their relationship typifies ideal
love and involves self-sacrificing, sharing, humility and devotion.
Despite her submissive and humble attitude towards Bassanio, Portia
proves to be a little more superior of the two and is capable of being
a strong adversary to her foe.
Othello in William Shakespeare's Play Most of the characters in "Othello" perceive Othello as unclean and
The Setting of Venice in Othello Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians.
Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.
In Act II, Portia uses rhetoric, or persuasion, to try to convince Brutus to tell her what is going on by proving her strength and loyalty to him. Portia does this in a few ways. When first trying to convince Brutus to tell her what is happening with him and why he has been acting so strange, Portia reminds Brutus that she is a part of him, his wife, his other half. She acknowledges that she is there to know his secrets and comfort him. Portia says to Brutus, “Which by the right and virtue of my place / I ought to know of. (kneels) / And upon my knees I charm you, by my once-commended beauty, / By all your vows of love and that great vow / Which did incorporate and make us one / That you unfold to me, your self, your half, / Why you are heavy, and what men tonight / Have had to resort to you” (Act II, Scene 1, lines 271-279).
Two tragedies from two different time period, Medea and Othello show similarities and differences in their characters, story plots and settings. Euripedes’ Medea written in the classical period and Shakespeare’s Othello written in the romantic era, the two tragedies shows different feel of what tragedies are.
from the messenger at the end of Act 2 Scene 9 before he enters unlike
Bassanio is the man she wants to marry, but she tries to play down her
Shakespeare, provides a brilliant example of 'seeing the other' in his play The Merchant of Venice. Through the course of the play, Antonio's actions indirectly tell of his homoerotic love for Bassanio, and also creates a sense of question of the line between loving friends or lovers. Antonio helps Bassanio win Portia's love, through provisions of money, advise, and offering his life up, ironically meeting the inscription on the lead casket that must be chosen to win her hand: “Who chooseth me, must give and hazard all he hath”(2.7.19-20). The Merchant of Venice's other is Antonio, who “loves the world only for [Bassanio]”(2.8.52).
things he has called him and for all the many times he has spat on him
The Shakespeare play, “The Merchant of Venice” is reviewed and commonly discussed as a comedic tragedy that fits all of the features of being a comedy play. Due to elements within the play being dark in nature, many others find this to fit within a tragedy category rather than comedic. With the play being reviewed as both a comedy and tragedy, the dark elements within it that would make it a tragedy are possibly not fully understood as they are confusing to some.
& nbsp;   ; “The Merchant of Venice” is a play that relies on soliloquies to advance the plot, create mood and atmosphere, and to develop character among all the actors. I am here to prove how this happens in two different soliloquies and show you why Shakespeare put them into the play.
Shakespeare's The Merchant of Venice The Merchant of Venice is a play that, like many of Shakespeare's plays show characters at the edges of society. In The Merchant of Venice we see Shylock and Portia showing this by either being the minority or the least respected or in Shylock's case both. What adds to their role at the edge of society is the way they subvert their roles because this focuses, in the case of Portia, the audience on her and, in shylocks case, the other characters on him. In The Merchant of Venice
People use all types of ways to manipulate people into doing things for them. Things such as lying or even playing with one's feelings are some of the ways that people do to get what they want, whether it's for a good reason or a bad one .In julius Caesar, by William Shakespeare, we are introduced to two concerned wifes. One named Portia, who is married to Brutus, and the other named Calpurnia, who is married to Julius Caesar. Both want the best for their husbands and both do so by doing what they believe is best.
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.
But letÕs say they are living together. A male and a male doing the same things