Analysis of the Themes in Fight Club
It is easy to understand how and why many who view Fight Club
(Fincher, 1999) would argue that is in essence a critique of post
modern consumer culture within America or indeed the western world.
After all we are faced with Character(s) Jack (Edward Norton) who
seems to gain no cultural sustenance from the world in which he
inhabits. More over it seems to do him harm in the form of insomnia.
This coupled with his obsession with Ikea and material goods leads to
the creation of Tyler (Brad Pit). Whose apparent goal is the
destruction of the capitalist system? The film seems littered with
examples of anti consumer, anti capitalist motifs. The blowing up of
credit card companies, the vandalising of coffee shops etc etc. But,
is there more to the narrative of fight club? Its extreme use of
violence on one hand might seem to represent the desperate act of
those trapped deep within the void of consumer culture driven to
violence in a desperate bid to escape; to re claim some sense of
individualism. This view does however ignore many key issues regarding
Fight Club and gender. Especially those of masculinity and femininity,
and the positions they occupy within the film.
Primarily using the work of Laura Mulvey and Henry A. Giroux I
believe that it is clear to see that the themes and issues which are
central to Fight Club are based primarily on gender. Additional to
this, the fragility of man and narratives surrounding masculine
supremacy are present throughout, and undermine any notions of
critical morality.
“Ostensibly, Fight Club Appears to be a critique of late capitalist
society…But Fight...
... middle of paper ...
...hic economy encourages male
violence against women. In short, male violence in this film appears
directly linked to fostering those ideological conditions that justify
abuse towards women by linking masculinity exclusively to expressions
of violence and defining male identity against everything that is
feminine. (2000:12)
Bibliography
Cohen, S & Hark, I R. (ed’s). 1993 Screening The Male: Exploring
Masculinities In Hollywood Cinema. Routledge: London.
Giroux, H A. 2000. Private Satisfactions and Public Disorders: Fight
Club, Patriarchy and the Patriarchy and the Politics of Masculine
Violence. Dr. Henry A. Giroux Online Articles. henrygiroux.com.
Mulvey, M. 1989. Visual And Other Pleasures. Macmillan: Basingstoke.
Nelmes, J (ed) 2003. An Introduction To Film Studies (Third Edition)
Routledge: London
As I read the novel, I couldn’t help but to compare each word to the movie. I may have just recently watched it, but I was suddenly unsure of what I had seen. Was my memory failing me or were things truly that different? I felt like these differences changed the entire story line. The narrator shouldn’t be in a building that was about to be destroyed, this defeated the purpose of Project Mayhem. Then again, I was only on page one.
Throughout time, literature—including films which are culturally, historically, and aesthetically significant—has reflected the cultural psyche of a particular society in the sense that it brings attention to and defines conditions which exist within a particular society. Fight Club is a postmodern drama that examines the impact of a post-industrial society (within this paper, the terms “postmodern” and “post-industrial” are used interchangeably and assume the same meaning) on masculinity within American culture. Postmodernity, according to David Macey’s Dictionary of Critical Theory (307-309), began with the period of accelerated growth that immediately followed World War II, and the era is characterized by increased growth in the fields of science, technology, engineering, and mathematics. Thus, as Macey paraphrases economist Ernest Belgian, “…in the postwar period, market capitalism…[has] been superseded by a third technological revolution that gives rise to an era of…late capitalism;” that is, the technologi...
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Fight Club is a novel written by Chuck Palahniuk. This is a story about a protagonist who struggles with insomnia. An anonymous character suffering from recurring insomnia due to the stress brought about by his job is introduced to the reader. He visits a doctor who later sends him to visit a support group for testicular cancer victims, and this helps him in alleviating his insomnia. However, his insomnia returns after he meets Marla Singer. Later on, the narrator meets Tyler Durden, and they together establish a fight club. They continue fighting until they attract crowds of people interested in the fight club. Fight club is a story that shows the struggles between the upper class and lower class people. The upper class people here undermine the working class people by considering them as cockroaches. In addition, Palahniuk explores the theme of destruction throughout the book whereby the characters destroy their lives, body, building and the history of their town.
Fight club is a drama that is based on the novel “Fight Club.” There are two main characters, the narrator and a character named Tyler Durden. The narrator doesn’t have a name and is played by Edward Norton. The character Tyler Durden is played by Brad Pitt and is suppose to be who the narrator wants to be. The movie is about a man who has insomnia and is trying to find a way to help him sleep. When he visits the doctor, the doctor tells him that he isn’t suffering my insomnia and he should visit a support group. So the narrator starts to go to these support groups and there he lets go and cries. He realizes that him crying and letting
The fight club exists because individuals get weighted down by possessions causing them to miss the deep meaning of life. Most of the people in the fight club hold service jobs or lower level management jobs that are meaningless. Society becomes so rationalized that one must push themeself to the extreme in order to feel anything or accomplish anything.
Fight Club “Its only after we’ve lost everything are we free to do anything”, Tyler Durden as (Brad Pitt) states, among many other lines of contemplation. In Fight Club, a nameless narrator, a typical “everyman,” played as (Edward Norton) is trapped in the world of large corporations, condominium living, and all the money he needs to spend on all the useless stuff he doesn’t need. As Tyler Durden says “The things you own end up owning you.” Fight Club is an edgy film that takes on such topics as consumerism, the feminization of society, manipulation, cultism, Marxist ideology, social norms, dominant culture, and the psychiatric approach of the human id, ego, and super ego. “It is a film that surrealistically describes the status of the American
“My boss doesn’t know the material, but he won’t let me run the demo with a black eye and half my face swollen from the stitches inside my cheek”(Palahniuk, par. 1). Chuck Palahniuk’s “Fight Club” deals with a man frustrated on many different levels; from his childhood to present day life. Fight Clubs' setting contributes to what makes Fight Club such a powerful story. The narrator who is never named, starts off in chapter six with what could be described as an office hell; complete with empty smiles and feeble minded speak of which color icon they will use for office reports. The beginning of chapter six reminds the reader of mindless zombie office speak and a lack of life, that is all too common in many peoples lives. The reader will most likely identify with what is written in a manner easily transferable to anyones life. I believe most people, when reading would characterize the office environment as the light side and the hours during fight club at the bottom of the bar the dark side. I would argue the complete opposite. For the narrator, all the hate, the disgust, the total contempt for humanity is created in that office environment. All the feelings of life, and meaning, and what I would characterize as happiness is all felt during the time fight club is in effect in the bottom of that bar.
At heart Fight Club is really a dark parody about consumerist discontent. First of all Fight Club was one of the most direct depictions of modern society. We can visualize the clear criticisms of the movie from the words of Jamey Hughton, “ ‘Fight Club’ is the kind of breathless experience that chews you up, spits you out, and leaves your senses jaded and disorientated with exhilaration.” Secondly, Fight Club was a real evolution of the modern ideals, the emergence of modern atomized individuals and consequently urban alienation. Finally, the movie points out male-female roles and the place of violence in the male identity. Critic, Gary Crowdus, says it best by writing, “Fight Club members have become so physically impassive, so emotionally anesthetized, and so spiritually numb, that it takes a broken nose, a split lip, or a few cracked ribs to reawaken their deadened nervous systems and to provide them with a meaningful sense of male identity” (46).
Fight Club by Chuck Palahniuk is a great novel, which captures readers from the very first page. The novel has 3 major characters: Tyler Dyrden, Marla singer and the narrator. Marla Singer is a strange persona. Shabby, neither too young nor beautiful, she appears as a part of “triangle” together with Tyler and the narrator. Her presence in the novel is motivated by her important role in plot development. Her presence and actions change narrator’s life completely, fosters Tyler’s development and helps to regulate the relationships of Tyler and the narrator.
When American Sniper opened in theaters January 2015, the world was shocked and excited that a film about a war has finally shown the emotional and psychological pain a soldier goes through. To many this was a new concept but, what the public did not realize, was in 2014, a World War II film, Fury was released. Fury is an insightful film about a tank crew surviving through World War II through the emotional and psychological hardships. The film takes place in April 1945, five months before WWII ends (Fury, IMDb). There are many key points to which makes Fury a modern war film from the extent of backstory each character has, to the prescreening prep and training, to the research of the props. Though American Sniper and Fury differ in wars and
Psychological disorders are widely represented in films, as well as in other media texts such as novels, television shows, etc. One film that portrays more than one example of a psychological disorder is Fight Club, a Twentieth Century Fox movie released with an R rating in 1999. Directed by David Fincher; and produced by Art Linson, Cean Chaffin, and Ross Grayson Bell, the movie mainly introduces Dissociative Identity Disorders (also known as Multiple Personality Disorders), but also hints at insomnia and depression. The movie is adapted from the book Fight Club written by Chuck Palahniuk. Fox marketed the movie using a “myriad of merchandise, including posters, the soundtrack, and even email addresses (yourname@fightclub.com)” (CNN). The movie’s production budget was set at $63,000,000 with the movie grossing $37,030,102 (Daily Box Office). The characters of the movie refer to themselves as the “middle children of history” with the feelings of having no purpose or place in life. They convey that they have no history-making events or real set goals and/or destiny to look forward to. They were brought up by society to believe that one-day they would be rich, famous and loved just as those depicted on television. This is symbolic of society during the surrounding time of the movie’s release. It is prevalent in modern society to strive to become someone/something that one sees in the media. The movie is directed towards Generation-X, but the “…hope was that the film would demonstrate the themes of the story to a larger audience. It would offer more people the idea that they could create their own lives outside the existing blueprint for happiness offered by society” (Palahniuk). This message was one that demanded that its viewers put all that drives them aside, and rethink what they had been taught from childhood. After the film’s release, instead of delivering the message that was intended, it was met with criticism and misunderstanding. This was due partly to the fact that it was scheduled for release shortly after the Columbine shootings. The movie became an easy target for those upset by the blatant violence which surrounded the Columbine incident. Although Fight Club is a film full of violence it is in reality one that promotes anti-violence, and points out to the audience the human impulses that cause violent behavior. Ironically, despite all of the med...