Loss of Innocence in Heart of Darkness
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
Almost immediately after the start of the passage, the reader is exposed to the prejudices of the white inhibitors. The indigenous people of the area are repeatedly compared to animals, dehumanizing them and depriving them of the common respect that all people deserve, regardless of race or creed. On page 24, Marlow says "A lot of people, mostly black and naked, moved about like ants." Reinforcing this idea, he lends them other animal-like qualities, calling the sickly ones "creatures" and describing their movements as being "off on all fours...to drink," and even the act of drinking is described as the native having "lapped out of his hand," reminiscent of something a dog would do (28).
Another interesting employment of language used by...
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...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that drew Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his story of the tragic loss of innocence, of death and rebirth. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we must not judge a book by its cover, regardless of how convinced we may be of what is inside.
Works Cited
Conrad, Joseph. Heart of Darkness. New York: Barnes & Noble Books, 1994.
with a knife, Tom hit him over the head with a shovel, and killing him in the
her son to have a better life. As for the real Tom it was very embarrassing
Heart of Darkness is a kind of little world unto itself. The reader of Conrad’s Heart of Darkness should take the time to consider this work from a psychological point of view. There are, after all, an awful lot of heads and skulls in the book, and Conrad goes out of his way to suggest that in some sense Marlow's journey is like a dream or a return to our primitive past--an exploration of the dark recesses of the human mind.
There are two kinds of Coral reefs, warm, shallow water reefs that require lots of sunlight and cold, deep ocean water reefs. All natural reefs are a combination of sedimentary rock and calcium carbonate. When we think of coral reefs we imagine the bright, sunny, white sand beaches of the Caribbean but the deep water reefs are inhabited by cold water coral. These coral reefs are created by carbonate secreting animals like black coral, hard coral and octocoral which are the type of coral you will find in the gulf (Georgian). Invertebrates such as algae, sponges and bryozoans, bivalves are some different types of organisms that build these reefs as well. Each of these reef builders are an important part of the reef ecosystem (Science).
Marlow’s story begins with him telling the story of Fresleven, a European who lost restraint and could not control himself. Fresleven, being born into civilization, never learned proper restraint. Fresleven, known as, “the gentlest, quietest creature that ever walked on two legs” (Conrad 6) shows how easy restraint can be lost. Freselven went mad because civilization never forced him to be restrained. Fresleven lost restraint because he went from the sophisticated society of Europe to the uncivilized, jungle of Africa. The people who grow up in the chaos and uncivilized jungle adapt to restraining themselves to survive.
Through much of the first half of the novel, Marlow attempts to remain an observer of the events around him and so he is able to offer his contradictory perceptions on the issue of imperialism. Because he takes very little deliberate action, he can pass his judgement on what he sees without actually having to take a moral stand one way or another. In fact, the journey itself, at first, began as noth...
Marlow’s journey into the Congo River is treacherous and unpredictable. Therefore, in a desperate need for civilization and escape from savagery, the boat serves as a sanctum from the natives, and becomes the link to moral civility. Throughout Marlow's voyage, he and his crew encounter mass amounts of fog. The fog symbolizes ambiguity in its most primal form, not only obscuring but it also distorts. The fog impares not just physical visibility, but which often ends up being wrong, which suggests that the fog has both literally and figuratively clouded Kurtz’s judgement. Marlow’s need to be on the boat, reflects the boat as a safe haven, a place where he can examine his own moral conscious more clearly. When his is not on the boat, he is less decisive and his judgement and moral compass are
Throughout the ride down the Congo river Marlow felt uneasy but claims “I got used to it afterwards; I did not see it anymore; I had no time. I had to keep guessing at the channel; I had to discern, mostly by inspiration…” (Conrad 103). Even though everything is pretty much new to Marlow he stays calm most of the time and regains his composure after attacks. The way in which the reader is able to notice the feelings of Marlow are through the short sentences separated by semicolons then a longer sentence that expresses concern but control. Similarly, despite Marlow's glorified image of Kurtz being impaired he states that “Kurtz was a remarkable man. He had something to say. He had said it.” (Conrad 148). After the treacherous voyage to find Kurtz that ultimately ends with his death Marlow realizes even though Kurtz murdered people he had left something remarkable behind and Marlow vowed to preserve it. Lastly, the one thing that is showcased through syntax is Marlow's struggle to not become savage himself. For instance, when they observe the natives dancing wildly he asks “Who's that grunting? You wonder I didn't go ashore for a howl or dance? Well no-I didn't. Fine sentiments you say? Fine sentiments be hanged!” (Conrad 106). The rhetorical questions reveal that Marlow knew that he could have acted just like them if he
Throughout the entire novella, Joseph Conrad uses simple events to describe significant dark and light imagery. As the story begins, a man named Marlow describes his journey into the depths of the African Congo. He is in search of a man name Kurtz who is an ivory trader. His experiences throughout his journey are physically difficult to overcome. However, even more complex, was the journey that his heart and mind experienced throughout the long ride into the Congo. Marlow’s surroundings such as the setting, characters, and symbols each contain light and dark images that shape the central theme of the novel.
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The novel, Heart of Darkness, by Joseph Conrad, is literally about Marlow’s journey into the Belgian Congo, but symbolically about the discovery of his heart and soul during his journey, only to find that it is consumed by darkness. He realizes that the man he admired and respected most, is really demonic and that he may be just like him. He is able to come to this realization however, before it takes the best of him.
The two main characters in Heart of Darkness, Marlow and Kurtz are used to show the true nature of man, that is, the capacity for good and evil within humanity. The central character is a thirty two year old sailor, Charlie Marlow. Marlow is the primary narrator in the novel, therefore his thought’s, opinions, experiences and revelations, shape the entire novels themes and the value system put forward. Marlow illustrates how forces of light and darkness serve to weave the human soul together; thus, essentially how good and evil are reflected in an individual. This is particularly important regarding the construction of Marlow, who is essentially a biased narrator, and a product of his European upbringing. An example is his inability to deal with the dying natives at the “grove of death”, offering a native a biscuit as an apparent kind gesture. Yet this is only due to him not being confronted with situations like this previously where his own values, and the whole premise behind colonialism, the exploitation is revealed. The patriarchial views of women he displays also outline the background of Marlow and the a...
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Heart of Darkness, is not only an intense tale of pursuit, but also a psychological roller coaster as, through the characters of the story, Joseph Conrad shows us a powerful struggle between the Freudian personalities of id, ego and superego. The main characters of the novel, Marlow and Kurtz are mainly identified with the id and the super-ego type of personalities, and throughout the novel, these characters are placed in intense situations which makes them question their own beliefs and reactions, and ultimately their human personality. Hence, in between the characters, not only is there a battle in the physical sense, but also on the meta-physical level. This leads to a psychological imbalance between the human personalities of both the characters, and while one character is already dominated by his id to a large extent, the other character grapples with the struggle of his id with his super-ego.
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