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character and characterization in king oedipus
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oedipus the king character analysis
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Creon's Metamorphosis in Antigone, Oedipus the King, and Oedipus at Colonus
Temptation is ever present in our society and always has been throughout human history. When a person gives into temptation, this is seen as a sign of weakness. Usually, after a person has given into temptation once, that person will find each successive temptation easier and easier to give in to. Before realizing it, this person has changed into a completely false, morally lacking being. Over the course of Sophocles' three plays Antigone, Oedipus the King, and Oedipus at Colonus, Creon gradually changes from a moral, just king into a morally corrupt and deceptive character.
In the opening of the first Theban play, Oedipus the King, Creon is a neutral character. He informs Oedipus that the city of Thebes is suffering from a great sickness, and he even goes to Apollo to acquire information as to how this plague may be stopped. Oedipus proclaims Creon's trustworthy nature when he states "I sent Creon,/ my wife's own brother, to Delphi- / Apollo the Prophet's oracle-to learn /
what I might do or say to save our city" (Lines 81-84). Oedipus later relies on Creon to arrange a meeting with Teirisias, the blind prophet who sees all things and is usually found within the city limits of Thebes.
Later on in the play Oedipus accuses Creon of conspiring with Tiresias against Oedipus' kingship. It is at this point in the play where Creon serves as the voice of reason and logic. Dodging Oedipus' insane accusations, Creon derives at many logical, unarguable explanations in his defense. Creon argues,
Who in his right mind would rather rule
And live in anxiety than sleep in peace?
Particularly ...
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... Ode on Man in Sophocles' Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Herodotus. The Histories. Translated by Aubrey de Selincourt. England: Penguin Books, 1972.
Jaeger, Werner. "Sophocles' Mastery of Character Development." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Segal, Charles. Oedipus at Colonus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Sophocles. Oedipus Rex. Transl. by F. Storr.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Sophocles. Oedipus the King. Trans. Robert Fagles. The Norton Anthology of World Masterpieces. Ed. Maynard Mack et al. 6th ed. Vol. 1. New York: Norton, 1992.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
It is clear that throughout the play Creon was given plenty of opportunities to see his wrong doings. Tiresias not only tells Creon that he is making a mistake but warns him of the consequences. Creon chooses to insult Tiresias and ignore his advice until he is swayed by others to follow the advice. However, Creon’s hesitation and pride cause him to lose everything.
many times to tell me the truth, but couldn’t as he felt it was the
Fitts, Dudley, and Robert Fitzerald. Sophocles: The Oedipus Cycle. New York, NY: Harcourt Brace & Com, 1977. Print.
Sophocles. "Oedipus the King." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. By Michael Meyer. Boston, MA: Bedford/St. Martin's, 2000. 1125-166. Print.
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
Sophocles. "Oedipus the King" Literature: An Introduction to Fiction, Poetry, and Drama. 9th ed. Kennedy, X.J. and Dana Gioia, New York: Pearson Longman, 2005. 1365- 1433
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
In Oedipus the King (OK) , the audience is introduced to a Creon who seems to put loyalty to the king above all. He sympathizes with the tragic plight of King Oedipus and asserts no apparent ambition himself. His attitude toward the king is one of yielding and fulfilling reverence. Creon's notion of justice in OK stems directly from the divine. That which the gods have decreed must become law. It pains Creon to have Oedipus exiled, but he must do so as the gods have willed it. Creon's respect for divinity and prophecy seems to be his defining trait in OK. His attitude is one of unquestioning reverence.
In “Oedipus the King”, Oedipus is a brash and arrogant ruler while Creon is his patient, thoughtful right hand man. After Oedipus and his sons all die and Creon becomes king of Thebes, he begins to grow wilder and even more out of control than Oedipus was. In “Oedipus the King” Oedipus accused Creon of bribing Tiresias, the blind prophet, to make a prediction that will doom Oedipus. He accuses Creon of “plotting to kill the king” (189). He does this without any concrete evidence or proof. Oedipus rationalizes that because Creon induced him to “send for that sanctimonious prophet [Tiresias]” (190), he is responsible for the prophecy. Oedipus assumes that “if the two of you [Creon and Tiresias] had never put heads together, we would never have heard” (192) the prophecy. Creon even calls Oedipus a man is full of “crude, mindless stubbornness” (190). Oedipus lashed out at Creon for “betraying a kinsman” (192). He did so without any evidence or proof. He just did accused Creon without thinking about the consequences. Although Creon stands against rashness and unthinking now, he soon becomes another Oedipus. ...
we be sure? We can only be sure when we begin with the simplest, most
Oedipus loses all trust for Creon and thinks that he is plotting to kill him and steal the thrown. This, however, is not true at all. Creon even says that he would rather not be king. He is equal in all decision making with Oedipus and Jocasta. So why would he want the extra hassle of actually having to be the king. Oedipus doesn’t listen and wants to have Creon banished or killed.