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How Shakespeare Uses Language to Explain Othello's Character in Act III Scene III
The purpose of this essay is to discuss the factors that effect
Othello's change in attitude towards Desdemona in Act III Scene III.
It will also discuss the feelings towards race and marriage in the
Shakespearian era. I will focus on Iago's use of language in order to
manipulate Othello.
In Shakespeare's time the attitudes towards marriage and affairs were
very different to rules and regulations nowadays. Men were thought of
very differently to women and were treated as a higher class. It was
known for women to have other men besides their set husband during a
marriage but is was not common and harshly dealt with, whereas the
affairs of men were mostly overlooked, however unjust or unfair. The
Christian teaching reflected heavily in the lifestyles of the married.
Marriage was for reproduction, regulation of sexual activity and for
mutual comfort and support. Men also married, not for love, but for
property and money. The joining of Othello and Desdemona was unique
because it was solely for love. Desdemona's father, Brabantio was
oblivious of the blossoming relationship between his daughter and
Othello. The marriage between Othello and Desdemona is very different
to the stereotypical marriage of that time because Desdemona did not
act as the inferior wife. She did ask for permission to do what she
wanted until the end when she was worried for her husband as he began
to turn his anger upon her. While she was acting as Cassio's
"solicitor"line 27 act III scene III,
She begins to hassle Othello about re-instating Cassio as lieutenant,
which would be...
... middle of paper ...
...comes more devious and sly
by the minute, yet the audience rather admire his technique and
reluctance to let go and give up. His plan works right through until
the end until Emilia realises what she has been oblivious to during
the play. Othello even stabs him at the end in a last brutal attempt
to take revenge on the man who wrecked his life. The audience feel
shocked but great respect at his determination.
This essay has discussed Act III Scene III and has broken it down to
reveal and explains the incredible use of language by Shakespeare.
Although the true story was written by Giambaltista Cinzio Giraldi in
1565. During this scene we witness a complete change in atmosphere and
the characters behaviour as Othello begins to doubt and fear
everything he once trusted. Iago drives hi mad with jealousy and
loathing.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
The Significance of Act 3 Scene 3 of William Shakespeare's Othello Othello was written by Shakespeare around 1602 and was set 35 years previously to that time (around 1571) during the Elizabethan era. Shakespeare got the idea for the play from the Italian Novella 'Gli. Hecatommithi and only changed minor details slightly. He kept the same plot but some of the characters and themes in the play were very different.
trusts Iago and that he believes in him and his word, so he makes his
During Othello’s soliloquy in Scene 3, ll. 299-318, Shakespeare uses the literary devices of imagery, symbolism, and antithesis to develop the state of mind of Othello during this strenuous time in his life. Othello, who seems to intrinsically believe that as a public figure he is fated to be unsuccessful at marriage, is torn between his love for Desdemona and the possibility that she is having an affair with Michael Cassio. This particular passage comes at a juncture after he denies that this could be true, and before he is finally convinced of his wife's infidelity.
The Role of Act Three Scene Three of Othello and How it Relates to the Whole Play
Dramatic Tension in Act 4 Scene 3 of William Shakespeare's Othello. Shakespeare employs the use of dramatic devices to signify the approaching the climax of the play throughout “Othello”. With Act 4 Scene 3 is the final scene to involve Desdemona before her murder. The use of such dramatic devices is prevalent in order to create tension.
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
Othello, a general in the Venetian army, is a conventional man given that he is robust in his profession but feeble in his intimate relationship. As a Moor, he built himself a highly just reputation and is excelling in his profession as he has built himself up from a slave to a general. However, he is quite a weak man in his relationship with Desdemona as states that he cannot live without her: “But I do love thee! And when I love thee not/Chaos is come again”. This is a prime example of diction, as Shakespeare’s words have not only cleared conveyed his message but also expressed the emotion, love, chaos and rage, building in Othello. The message conveyed is that chaos and rage ensue when he is without Desdemona. Each and every typical man always suspects that their wives are promiscuous. Throughout Othello, there are passages hinting at Desdemona’s promiscuity: “you are pictures out of doors…players in your housewifery, and housewives in your beds”, “if she be fair and wise, fairness and wit/ The one’s for use, the other useth it” and “begin to heave the
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.