The Characters in As I Lay Dying
The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. (excerpt-Faulkner's Nobel Prize acceptance speech)
Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis. This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters. Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information about the Bundren family and their struggles to exist they are all limited by the perspective of the character providing the revelations. The story centers on the death of the mother of the Bundren clan, Addie, whose imminent death creates fragmentation and chaos in the Bundren family because Anse, Addie's husband, has promised to travel to Jefferson to bury her with her family. Floods, fires, injuries and poor decisions mar the journey, but the family endures and Anse brings home a new Mrs. Bundren. However, Anse, often read as the most selfish Bundren is the only one prepared to go on with life and accept Addie's death.
Others in the family are not so ready to accept the displacement of their mother so readily. Among them, Vardaman and Dewey Dell are often portrayed as the least individualized characters in the Bundren family. Someone once suggests he is a "frightened, perhaps deranged child" and she is a "female vegetable." These suggestions might be a bit extreme, but defin...
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...ner 57). Vardaman, on the other hand, is even younger than Dewey Dell and seems less able to cope with reality. However, he does see Darl set fire to the Gillespie's barn and trusts Dewey Dell enough to reveal this to her. She tells him never to repeat it. However, Vardaman will be disappointed in the journey as will Dewey Dell. Only Anse gets what he wants. Vardaman's train is not in the store window and Dewey Dell is tricked by another man, the pharmacist, into providing sexual favors. Both are victims of their genetics and their environment, which, at their age, does leave them the least individualized characters in the novel.
WORKS CITED
Faulkner, W. As I Lay Dying. Vintage Books, New York, 1957.
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One would expect Socrates to win against his non-philosophical interlocutors. However, this is not the case. The more the conversations proceed, the more they are infiltrated by anger and misunderstanding, the more one is under the impression that Socrates may well silence his interlocutors but he hardly persuades them. His last interlocutor, Callicles, not only is not persuaded by him, but at one point even refuses to talk to Socrates and leaves him with the choice between abandoning the discussion altogether and performing a monologue.
William Faulkner, a Nobel Prize winning author, wrote the novel "As I Lay Dying" in six weeks without changing a word. Considering the story's intricate plot, not changing a single word seems like it would take a literary genius to complete. Many people agree that Faulkner could very well be a genius due to the organization of this story. Faulkner uses fifteen different characters to narrate and allow the reader to analyze each of their point of views. Through the confessions of each character, the reader is able to form his or her opinion about different characters and issues. Since some narrators are unreliable for different reasons, it could be confusing to form opinions. One character that is easily understood is Dewey Dell Bundren. She is the only daughter in the Bundren family and ends up being the only woman in the family. "As I Lay Dying", the story of a family's journey to bury their mother and wife, is also the story of Dewey Dell's journey toward maturity. Along their journey to bury their mother, the characters, like Dewey Dell, seem to evolve through their encounters with other people. Faulkner depicts Dewey Dell as a very monotonous person in the beginning of the book. In the beginning, Dewey Dell is seen fanning her mother, picking cotton, or milking cows. However, towards the end of the book, her repetitiveness is lost. Towards the end of the novel, Faulkner specifically shows Dewey Dell in numerous situations becoming a mature individual.
“As I Lay Dying, read as the dramatic confrontation of words and actions, presents Faulkner’s allegory of the limits of talent” (Jacobi). William Faulkner uses many different themes that make this novel a great book. Faulkner shows his talent by uses different scenarios, which makes the book not only comedic but informational on the human mind. As I Lay Dying by William Faulkner is a great book that illustrates great themes and examples. Faulkner illustrates different character and theme dynamics throughout the entire novel, which makes the book a humorous yet emotional roller coaster. Faulkner illustrates the sense of identity, alienation, and the results of physical and mental death to show what he thinks of the human mind.
In As I Lay Dying, William Faulkner uses the characters Anse and Cash, and a motif/symbol in "My mother is a fish," to reveal the psychological and societal problems of the twenties and thirties. Written as soon as the panic surrounding the stock market in 1929 started, Faulkner is reported as having, “took one of these [onion] sheets, unscrewed the cap from his fountain pen, and wrote at the top in blue ink, 'As I Lay Dying.' Then he underlined it twice and wrote the date in the upper right-hand corner"(Atkinson 15) We must take care to recognize Faulkner not as a man of apathy, but one of great compassion and indignation at the collapse of the economic foundation of the U.S. This is central in appreciating the great care with which he describes the desolation and poor landscape of Yoknapatawpha County, which is where As I Lay Dying takes place.
In William Faulkner’s novel As I Lay Dying, the Bundren family, is faced with losing the matriarch, Addie (Ma) Bundren. Throughout the novel the family struggles with the differences in their personalities, no character is like any other. Faulkner uses these characters’ different traits, to allow the reader to understand that everybody has a different perspective on what is normal and what is not.
In his work, Meditations on First Philosophy, Descartes narrates the search for certainty in order to recreate all knowledge. He begins with “radical doubt.” He asks a simple question “Is there any one thing of which we can be absolutely certain?” that provides the main question of his analysis. Proceeding forward, he states that the ground of his foundation is the self – evident knowledge of the “thinking thing,” which he himself is. Moving up the tower of certainty, he focuses on those ideas that can be supported by his original foundation. In such a way, Descartes’s goal is to establish all of human knowledge of firm foundations. Thus, Descartes gains this knowledge from the natural light by using it to reference his main claims, specifically
Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie Bundren and Cora Tull. The first person narrative acts as an important literary technique because it allows the reader to experience the opposing views of Addie and Cora; they are both mothers who act as foils to each other because of their diverse opinions and outlooks on motherhood, religion and life.
Addie is actually the perfect character to try and describe the lack or void of words and meanings. The very fact that she is dead and is talking about this void from the dead is important. In a way she is speaking from a void between life and death. Morna Flaum expresses this idea in her article, “Elucidating Addie Bundren in As I Lay Dying.” “Her condition of deadness, speaking from the void between is and not-is makes her the perfect vehicle for Faulkner to describe the indescribable, approach the unapproachable, express the inexpressible, as he so gracefully does, does-not. The placement of Addie’s chapter in the middle of her long journey from deathbed to grave is also significant.” Flaum goes on to say that this placement of Addie’s chapter
In Meditations on First Philosophy, it is the self-imposed task of Descartes to cast doubt upon all which he knows in order to build a solid foundation of knowledge out of irrefutable truths. Borrowing an idea from Archimedes, that with one firm and immovable point the earth could be moved, Descartes sought one immovable truth. Descartes' immovable truth, a truth on which he would lay down his foundation of knowledge and define all that which he knows, was the simple line "Cogito ergo sum": I think, therefore I am. This allowed for his existence.
The subject matter of the “Republic” is the nature of justice and its relation to human existence. Book I of the “republic” contains a critical examination of the nature and virtue of justice. Socrates engages in a dialectic with Thrasymachus, Polemarchus, and Cephalus, a method which leads to the asking and answering of questions which directs to a logical refutation and thus leading to a convincing argument of the true nature of justice. And that is the main function of Book I, to clear the ground of mistaken or inadequate accounts of justice in order to make room for the new theory. Socrates attempts to show that certain beliefs and attitudes of justice and its nature are inadequate or inconsistent, and present a way in which those views about justice are to be overcome.
Taoism, known as “The Way,” can be categorized as both a Chinese philosophy and a religion. Taoists believe in accepting and yielding to the ways of life, complementing nature and being by internalizing their goals rather than worshipping a god externally. Taoism, in its metaphysical and philosophical nature, is much like Confucianism, but the ideal interests of the two religions are contrasting. Confucianism was formulated during a time of war and relies heavily upon a moral and political system that fashioned society and the Chinese empire, while Taoism correlates to a time of peace and honors spiritual and metaphysical preoccupation (Taoism 2).
Descartes makes a careful examination of what is involved in the recognition of a specific physical object, like a piece of wax. By first describing the wax in a manner such that “everything is present in the wax that appears needed to enable a body to be known as distinctly as possible” (67), he shows how easily our senses help to conceive our perception of the body. But even if such attributes are modified or removed, we still recognize the changed form, as the same piece of wax. This validates Descartes’ claim that “wax itself never really is the sweetness of the honey, nor the fragrance of the flowers, nor the whiteness, nor the shape, nor the sound” (67), and the only certain knowledge we gain of the wax is that “it is something extended, flexible, and mutable” (67). This conclusion forces us to realize that it is difficult to understand the true nature of the wax, and its identity is indistinguishable from other things that have the same qualities as the wax. After confirming the nature of a human mind is “a thinking thing” (65), Descartes continues that the nature of human mind is better known than the nature of the body.
It is driven by the reality principle by attempting to rationalize the situation and acts accordingly in order to achieve satisfaction while doing it in a socially acceptable manner. The ego is ‘like a man on horseback, who has to hold in check the superior strength of the horse’ (Freud, 1923). For example, while out at a restaurant Tom is thirsty but knew that the waiter would return to refill the water glass, so he waited until then to get a drink, even though he just really wanted to drink from Mrs. Smith’s glass. The super ego sits, omnipresent, at the top and acts as a moral compass for both the id and ego. McLeod (2008) states that the superego attempts to manage the urges of the id and convince the ego to think and act towards moralistic goals rather than simply realistic ones and to strive for perfection. There are two aspects of the superego: the ego ideal and the conscience. The ego ideal is the general idea one has of how to behave to be classified as an upstanding member of society; it includes norms, rules and standards for good
Many atheists have used science as a way to disapprove the existence of God. Science is not an accurate way of disapproving the existence of God(2). Scient...
Rene Descartes, a 17th century French philosopher believed that the origin of knowledge comes from within the mind, a single indisputable fact to build on that can be gained through individual reflection. His Discourse on Method (1637) and Meditations (1641) contain his important philosophical theories. Intending to extend mathematical method to all areas of human knowledge, Descartes discarded the authoritarian systems of the scholastic philosophers and began with universal doubt. Only one thing cannot be doubted: doubt itself. Therefore, the doubter must exist. This is the kernel of his famous assertion Cogito, ergo sum (I am thinking, therefore I am existing). From this certainty Descartes expanded knowledge, step by step, to admit the existence of God (as the first cause) and the reality of the physical world, which he held to be mechanistic and entirely divorced from the mind; the only connection between the two is the intervention of God.