The Innocence of Brently Mallard in The Story of an Hour by Kate Chopin
After reading "The Story of an Hour", there seems to linger a feeling in the reader
or readers of disgust, or even hatred towards the 'man'. This is especially true for those
who have read other popular works by Kate Chopin that also seem to subtly cast the male
character in a dim, evil, negative sort of light. So it is not inexcusable to assume that the
reason Louise Mallard succumbed to such a sad end is because of her husband, causing
oppression or abusing her. However, Louise Mallard is not a victim of oppression caused
by her husband Brently. She is a victim of the victim of the oppression caused by marriage
in the nineteenth century.
Louise Mallard was not introduced as 'Louise Mallard'. Unlike the other female
Josephine who's title remains unknown, her first name 'Louise' was not mentioned until
very late in the story. Ironically, her first name was mentioned at the point where she feels
that she is married no longer, when her sister Josephine, "Louise, open the door . . . What
are ...
know what was coming to her. She could not even give it a name. When she
In many short stories, characters face binding situations in their lives that make them realize more about themselves when they finally overcome such factors. These lively binding factors can result based on the instructions imposed by culture, custom, or society. They are able to over come these situations be realizing a greater potential for themselves outside of the normality of their lives. Characters find such realizations through certain hardships such as tragedy and insanity.
In "The Story of an Hour" Kate Chopin tells the story of a woman, Mrs. Mallard whose husband is thought to be dead. Throughout the story Chopin describes the emotions Mrs. Mallard felt about the news of her husband's death. However, the strong emotions she felt were not despair or sadness, they were something else. In a way she was relieved more than she was upset, and almost rejoiced in the thought of her husband no longer living. In using different literary elements throughout the story, Chopin conveys this to us on more than one occasion.
Harris, Sharon M. "Kate Chopin." Magill’S Survey Of American Literature, Revised Edition (2006): 1-5. Literary Reference Center Plus. Web. 19 Apr. 2014.
idea of resuming her former life is unbearably grim. When Mrs. Mallard sees that her
Seyersted, Per. "Kate Chopin." Twentieth Century Literary Criticism. Eds. James E. Person, Jr. and Dennis Poupard. Vol. 14. Detroit: Gale Research Company, 1984. 60 vols.
Louise Mallard finds personal strength in her husband's death, ready to face the world as a whole person "She breathed a quick prayer that life might be long. It was only yesterday (prior to her husband's death) she had thought with a shudder that life might be long." The strength conveyed in the image of Louise carrying "herself unwittingly like a goddess of Victory" is unmistakable. However, the irony that her husband lives, and therefore, she cannot, conveys the limited options socially acceptable for women. Once Louise Mallard recognizes her desire to "live for herself," and the impossibility of doing so within the bounds of her marriage, her heart will not allow her to turn back.
In conclusion I don’t think the question is what killed Louise Mallard? How did she kill herself. Why was it so important for her to only live for herself and not think of others. This may have been the actual cause of her death. She had been the prime example of the New Woman who wanted to live for herself and not under the shadow of her husband. The actual thought of living for herself may have cost her life. I wonder why hadn 't she just got divorced if she didn 't love Mr. Mallard anymore before she
Many people interpret that Louise passes away from shock and disappointment from discovering her husband is actually alive. They feel that when Louise finally accepts that her husband is deceased and she discovers freedom, that seeing her husband alive causes her to get depressed, go into shock, and die. On the other hand, a more unique interpretation of Mallard’s death would be that she passed away from excitement and anxiousness from being completely independent, and having various opportunities in store for herself. Mallard may have not been able to handle the new exhilaration directly after experiencing deep depression and grief from the news of her husband’s accident. Some supporting evidence that Louise did not collapse from seeing her husband alive, is that the passage never directly states that she actua...
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Marquand, Jane Le. "Kate Chopin as Feminist: Subverting the French Androcentric Influence." University of Otago. N.p., n.d. Web. 20 Apr. 2014.
Josephine and Mrs. Mallard feel very differently about the societal restrictions placed on them. Josephine is portrayed as the perfect nineteenth-century woman. She fulfills her duty as care-giver. This duty is seen when Josephine is kneeling before Mrs. Mallard's locked door pleading for admission: "'Louise, open the door! I beg; open the door-you will make yourself ill,'" Josephine implores. Josephine is concerned about the well-being of her sister. She is present when Mrs. Mallard hears the news of her husband's death and provides comfort and compassion. On the other hand, Mrs. Mallard feels trapped and burdened by the restriction placed on her by society. Mrs. Mallard longs to be an individual who d...
Upon seeing her husband alive and well Louise realizes that the life she has imagined is not to be. The return of Brently signals a return of the patriarchal oppression in her life, and after imagining herself as an individual and then to be denied the chance to live freely is a punishment far worse than the crime. Louise loses her identity and once again becomes "his wife." Richards once more tries to protect her, a helpless woman, by attempting to block her view from her husband, because of the fragile state of her heart. Mrs. Mallard's strengths are gone, never to be acknowledged by the men in her life. For one, brief hour she was an individual. Now she finds herself bound by masculine oppression with no end in sight, and the result is death.
Chopin, Kate. “The Story of an Hour.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Eds. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Pearson, 2010. 261-263. Print.
The main theme in “The Story of an Hour” is a woman’s freedom from oppression. Mrs. Mallard does not react accordingly to the news of her husband’s death; in the third paragraph it states, “she wept at once, with sudden, wild abandonment.” After her initial wave of shock and sadness has passed, however, she becomes elated with the thought of finally being free of her husband. Originally, she is described as being “pressed down by a physical exhaustion that haunted her body” and having lines that “bespoke repression”; in an attempt to be a perfect wife to a man whom she did not even love, Mrs. Mallard has been masking her true self. Once she realizes that she has finally gained the freedom that she has been longing for, Mrs. Mallard begins to