Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
essay on the tempest by william shakespeare
Essay on the tempest by shakespeare
the tempest by william shakespeare essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: essay on the tempest by william shakespeare
William Shakespeare's The Tempest
Consider the character of Prospero and show how he used his position
to control many of the characters in the play and how his actions
contribute to the dramatic effectiveness. How do his actions and the
attitude of the characters to him relate to the events and thinking of
Shakespeare's day?
In the Tempest, the character of Prospero is the protagonist. Prospero
is the father of Miranda and has spent twelve years on the island
since he was usurped from being the Duke of Milan. Prospero is a
powerful man, which makes him a good leader. He is very knowledgeable
because of the books he read. He also has control, because he can be
harsh and firm but also virtuous towards others. Prospero would also
seem a cruel character to a modern day audience because of sense of
control and harshness he has over the other characters. However this
would have been accepted, as the traits of a good leader because in
Shakespeare's day being a good leader would entail being harsh and
cruel towards others so therefore Prospero was looked upon as a good
leader. This connects to James the first (the King at the time
Shakespeare wrote this play) because Shakespeare is suggesting that
James the first has these qualities, (harshness, cruel, firm) because
he is a King just like Prospero in the play. In Shakespeare's time it
would have be expected that a good leader should be harsh and firm-
often the leader was head of his family. Throughout the play we see
Prospero's harshness, towards Caliban, Ariel, Miranda and Ferdinand.
Prospero is very firm towards Ariel. Ariel has no freedom because
Prospero controls her. He needed to...
... middle of paper ...
...intless therefore the only form of control is violence
and that is why Prospero uses violence towards Caliban- because he is
not worth educating. When this play is dramatised Caliban could be
represented as a creature that is grovelling on the floor next to
Prospero showing a height difference meaning that Prospero is more
powerful and human like. Prospero is more powerful than Caliban
because they each try to curse each other but the curses from Caliban
are empty because he has a lack of power.
The start of the play immediately fills the audience with suspense,
because they do not know what is going on and there is a sense of
chaos and action that adds to the dramatic effectiveness. This opening
scene does not tell the audience much, and it also seems normal
because there is nothing supernatural or strange about it.
Through a historical lens, Shakespeare’s The Tempest revolves around the evolving times of England during the Tudor Dynasty in 1552-1603. During those times Queen Elizabeth I was the newly appointed ruler of England after her half-sister, the previous ruler had died. This new change was the new beginning for England. It allowed many opportunities to arise such as a new stock company, provisions for the poor, and a chance for many to explore the world with their new wealth. To thank and impress their new Queen, many set sail to conquer new lands. Similar to history, The Tempest did contained a few curious Englishmen and their king discovering new land but the exact location is unknown. At the time of Shakespeare’s
How important is an individual that most often than not authors focus on the growth of one over the growth of the many? Is it because the growth of one symbolizes the growth of all? Or is the focus on the individual due to the image it presents which is the growth in us? In any event, this outlook of individualism is widespread in literature and different genres and techniques excavate the development of the individual. Another factor that comes into play in the development of the character is the situation and the effects of the environment. Within William Shakespeare’s play The Tempest and Michael Cervantes Saavedra’s satire Don Quixote are two different characters molded and formed or in both cases malformed to incorporate their capsules which are the genres and settings that imprison them.
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he is a great war general and contributed to Cyprus in time of need.
In William Shakespeare’s The Tempest and in Sophocles’ Antigone, both authors explore and illustrate the differences between “human law” and “higher law”. The two authors have different opinions about those laws. In The Tempest, Prospero uses his magic to manipulate various characters, and he often uses his magic to follow the plot of the story by his own way. Prospero uses his magic for total control over the people on the island where he lives. In Antigone, Creon, the King of Thebes, uses his title to manipulate others that kills Haemon and Antigone. Though the ending is more tragic in Creon’s control than in Prospero’s, by the end of Creon’s manipulation, the Greek Gods destroys Thebes. Regardless of the differences between the plays, both have different views of “human law” and “higher law”. Through the character and the setting development of the story in both plays, it is obvious that Shakespeare favors “human law” and Sophocles favors “higher law”.
Racial barriers are often used as a means to manipulate a member of a minority group. in The tragedy, Othello, was written by William Shakespeare(1564-1616) an English poet and playwright, who is often contemplated as the greatest writer in the English Language. The story begins with Othello, a black general in the Venetian army who secretly marries Desdemona, a white woman. Early on, Othello promotes Michael Cassio as his lieutenant over Iago, fostering mass jealousy. Desperate to get even with Othello, Iago creates elaborate plans to ruin his marriage with Desdemona. Iago’s effective manipulation skills lead Othello to take his wife's life and then his own. Iago is successfully able to deceive Othello because of their many differences, mainly racial, and Iago's understanding of how manipulation works.
It is clear that the race of Othello is a factor in his downfall. A
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
William Shakespeare is widely regarded as one of the most influential writer's of the 16th century. His command on modern English is uncanny and texts that he authored are considered some of the most exceptional pieces of literature. Throughout all of his plays are intricate plot and character development that end with philosophical life lessons that can apply to anyone. In William Shakespeare's the Tempest, Prospero projects the oppressive demeanour that initially made him a prisoner onto Caliban and Ariel which ultimately leads to his shift from ignorance to knowledge.
Explain how Ariel and Caliban serve as character foils for each other. Be sure to consider their physical appearance and their roles as servants to Prospero.
In Othello racism starts from the first scene of the play where Iago is angry about the
The Tempest raises many questions regarding the formation of authority and power. Is hierarchy understood as natural or as constructed? Also, what are the consequences when authority is usurped? This paper will attempt to answer these questions in a succinct manner using textual references to solidify its arguments. As the play progresses, Prospero constructs the hierarchy in such a way as to return things to their "natural" state. Any type of usurpation, whether attempted or successful, will always end up with power back in its rightful place, and most of the time with a lesson learned.
I love the way Prospero speaks! Although I hate his character, his way of speaking is eloquently biting—whether he is speaking lovingly to his daughter or abusively to Caliban, he gets his point across beautifully. I tried with all my might to decide whether I like Prospero… but to no avail. I had a bad taste in my mouth from the get-go because I remembered a comment about the ambiguity of the Caliban situation—how maybe he did try to rape Miranda, but maybe he didn’t, so maybe Prospero was noble by enslaving Caliban… but maybe he was tyrannical. Prospero definitely reminded me of The Duke (Measure for Measure). Both played God-like roles, deceiving for a good cause yet deceiving nonetheless.
Iago’s deceit and manipulation in Othello Iago is widely credited, in the words of Agatha Christie, as “the greatest villain of all time”. He is a manipulative character who “weaves a web of deceit” by exploiting even the tiniest faults in others. By maintaining a facade of comedy and boyishness he uses his honesty and twisted truth to play others “like a virtuoso” and “drive... them to madness”. In the play Othello, Act 2 Scene 1 is perhaps the most enlightening scene with regards to the truly manipulative character of Iago.
A significant moment in Othello demonstrates the theme of binaries questioned in many of Shakespeare's works. Addressing the Duke and senators, Othello says:
The Tempest Act 1 scene 1(the storm): The opening scene of the Tempest I think is. brilliant. I love the sand. There is an instant unsuspecting panic, which quickly gains. ones attention to the snare.