Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
w. b. yeats as a symbolist
life and work of william butler yeats
essays by w b yeats
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: w. b. yeats as a symbolist
Rhetorical Figures in Leda and the Swan
"Leda and the Swan," a sonnet by William Butler Yeats, describes a rape. According to Perrine, "the first quatrain describes the fierce assault and the foreplay; the second quatrain, the act of intercourse; the third part of the sestet, the sexual climax" (147). The rape that Yeats describes is no ordinary rape: it is a rape by a god. Temporarily embodied in the majestic form of a swan, Zeus, king of the gods, consummated his passion for Leda, a mortal princess (Perrine 147). The union produced two offspring: Helen of Troy and Clytemnestra, Agamemnon's wife. In recounting this "momentous rape" with "large consequences for the future," (Perrine 147) Yeats uses rhetorical figures in each of the sonnet's three stanzas.
The figures in the first stanza create tension and portray the event. All definitions for the rhetorical figures mentioned in this essay are derived from Lanham's A Handlist of Rhetorical Terms. Yeats opens with an example of brachylogia, brevity of speech. His elliptical fragment, "A sudden blow," recreates the stunning impact and tension of the assault. The poet uses alliteration in the form of consonance: the plosive "b" first found in "blow" subtly batters the ear throughout the quatrain--"beating," "bill," and "breast," which occurs twice; the initial "g" found in "great" echoes in "girl"; and an initial "h" repeats in "her," which occurs three times, "he," "holds," "helpless," and "his". Yeats ends the first line with "beating still," an example of anastrophe, a kind of hyperbaton, the unusual arrangement of words or clauses within a sentence, frequently for poetic effect. The figure not only creates tension through arrangement but also throug...
... middle of paper ...
...idled sexual passion, the coexistence of power and wisdom in human life, and the potential for combining youthful vitality and passion with mature knowledge and wisdom.
Works Cited
Lanham, Richard A. A Handlist of Rhetorical Terms. 2nd ed. Berkeley: U of California P. 1991. 1-161.
Perrine, Laurence. Instructor's Manual to Accompany Literature: Structure, Sound, and Sense. 4th ed. New York: Harcourt. 1983. 147-48.
Yeats, William Butler. "Leda and the Swan." Literature: Structure, Sound, and Sense. 4th ed. Ed. Laurence Perrine. New York: Harcourt. 1983. 636
The Spiritual Marriage of Maud Gonne and W.B Yeats
(excerpt from Women of the Golden Dawn: Rebels and Priestesses by Mary K. Greer--an account of Yeats's fascination with the beautiful Irish revolutionary Maud Gonne, who inspired his greatest poetry and plays))
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
While the army reached Thermopylae intact, the fleet suffered at the hand of two storms, with Herodotus attributing them to God attempting to equalize the opposing forces . The disparity between the size of the Persian and the size of the Greek forces was huge – thus, the Greeks’ strategy relied on geography . Holding the narrows at Thermopylae and the concurrent straits of Artemisium meant that Xerxes’ numerical superiority was reduced. It was here, on land and sea, that Greece showcased the superiority of it...
This juxtaposition is what leads the reader to understand the true meaning of the poem. For example, “Danae” is a “vessel” for “Jove” (lines 56). Danae is belittled to an object and claimed by Jove while Jove remains “golden” and godly. In lines seven and eight, “Jove the Bull” “bore away” at “Europa”. “Bore”, meaning to make a hole in something, emphasises the violent sexual imagery perpetrated in this poem. Jove disguises himself as a bull in order to take Europa away to Crete so he can rape her. Not only that, but she becomes pregnant afterwards and “bore” a child. Europa was physically “away” from her home because Jove had stolen her, but Jove “bore away” at her physically as well as emotionally. Finally, in line 8, the “Swan’s featherless bride” refers to Leda, who was raped by Zeus in the form of a swan. Not only is she not mentioned by name but she is owned by the “Swan” as demonstrated by the possessive noun. While the other women had minor historical context, Leda is reduced to three words. Not only that but Jove 's violence against the women increase with every name, Leda being alluded to last drives home the pain he
Arp, Thomas R., and Greg Johnson. Perrine's Literature Structure, Sound, and Sense. 11th ed. Boston: Wadsworth, 2012. Print.
Anderson, Robert, et. al. Elements of Literature: Sixth Course. Austin: Holt, Rinehart, and Winston, Inc., 1989. Print.
In these lines from "All Things can Tempt Me" (40, 1-5), Yeats defines the limitations of the poet concerning his role in present time. These "temptations" (his love for the woman, Maude Gonne, and his desire to advance the Irish Cultural Nationalist movement) provide Yeats with the foundation upon which he identifies his own limitations. In his love poetry, he not only expresses his love for Gonne, he uses his verse to influence her feelings, attempting to gain her love and understanding. In regard to the Nationalists, he incorporates traditional Irish characters, such as Fergus and the Druids, to create an Irish mythology and thereby foster a national Irish identity. After the division of the Cultural Nationalists, Yeats feels left behind by the movement and disillusioned with their violent, "foolish" methods. He is also repeatedly rejected by Gonne. These efforts to instigate change through poetry both fail, bringing the function of the poet and his poetry into question. If these unfruitful poems tempt him from his ?craft of verse,? then what is the true nature verse and why is it a ?toil? for the poet? Also, if Yeats cannot use poetry to influence the world around him, then what is his role as a poet?
Herodotus. “Greece Saved from Persian Conquest.” Readings in Ancient History. Eds. Nels M. Bailkey and Richard Lim. Boston: Houghton Mifflin Company, 2002.
“William Butler Yeats.” Encyclopaedia Britannica Online Academic Edition. Encyclopaedia Britannica Inc., 2014. Web. 09 May 2014.
...at "more than their rhyming tell" ("To Ireland", 20). Yeats investment in the mystical Order of the Golden Dawn deepens his symbolic resources, extending his fascination with Celtic mythology into a syncretic spirituality which stresses the Jewish mystical doctrine known as the Kaballah. Through a combination of highly accessible rhyming and metrical poetry with such esoteric systems Yeats is able to construct a dual-level poetics in which readily traceable meanings are amplified by an acquaintance with the symbolic systems Yeats spent a great deal of his life mastering. His investment in these symbolic systems, and their ability to invoke unseen spiritual forces instantiates the poet's resistance to certain developments of modernity - such as the stress on reason, urbanity and individuality - and makes his poetic work a central aspect of his magico-religious Work.
... the elderly of Irish society it is also evident that there are issues over medical cards, problems with waiting lists, private consultations fees and shortages of beds as well as a general deterioration of quality of services on offer at care home facilities. Problems in the healthcare system provide incentives that favour the treatment of private patients over public patients. Such differences have effectively consolidated the two-tiered system. Recommendations to eliminate health care inequalities would be to introduce the government's proposal of the universal social health insurance scheme. For this to be achieved citizen engagement is important to abolish the current range of inequalities embedded in the Irish Healthcare system. The principle of equity could then potentially be enhanced and thus create a more equal society not based on money but based on need.
This book is a collection of the poetry, drama and essays that have been written by Yeats. The importance of this book is that it does not only make known the major contributions in poetry, drama, prose fiction and autobiography, but also criticisms which have been leveled at Yeats and these works. The criticisms herein are elaborate, taking a volume of 24 interpretative essays which have been written by different seasoned authors and poets such as Douglas Archibald, Lucy McDiarmid, Thomas Parkinson and Daniel Albright, among others.
Mays, Kelly J. “The Norton Introduction to Literature.” New York: W.W. Norton & Company, 2013. Book. 592-638. October 27, 2013.
Yeats' poetry is very dramatic because he usually creates dramatic contrasts within his poems and because his tone changes regularly. When he wasn't in conflict with the world around him he was in conflict with himself. He was never satisfied with modern Ireland, even when he was younger. As he grew older, his dissatisfaction became even greater.
Arp, Thomas R., Greg Johnson, and Laurence Perrine. Perrine's Literature: Structure, Sound, and Sense. 11th ed. Australia: Wadsworth Cengage Learning, 2012. 807. Print.