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infidelity research paper
infidelity essays introduction
infidelity essays introduction
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Infidelity in Othello
Two important scenes in Othello are the "Temptation scene" (3.3) and the "Willow scene" (4.3). Although the topic of discussion in both scenes is infidelity, the two scenes contrast more than they compare.
First, the setting is different in the two scenes. Most of the Temptation scene takes place outdoors, in a garden. The atmosphere is open but the conversation stifling. In this scene, Iago tricks Othello into believing Desdemona is cheating on him with Michael Cassio.
In the Temptation scene, Iago conjures up images of infidelity in the mind of Othello. Upon seeing Cassio leave the side of Desdemona, Iago looks on the scene with disdain. Unsuspecting Othello asks Iago what is wrong. Iago speaks of Cassio's leaving as "steal[ing] away so guilty-like, /Seeing you coming" (3.3.43-44). In this way, Iago plants his first seed of discord. Next, Desdemona beseeches
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She is totally pure and innocent. This virtue seems to be a "feminine" characteristic. On the other hand, Emilia portrays a "masculine" aggressive front. Adultery is much more prevalent in males. Moreover, Emilia portrays the double standard in Elizabethan society. She expresses she does not blame women that cheat on their husbands. She believes adultery is the husband's fault (3.4.100) because the husband is probably pouring "treasures into foreign laps" (3.4.102) and making sport of women (3.4.111-112).
So the Temptation scene and the Willow scene offer many more contrasts than comparisons. The main topic of discussion is the same in both scenes. Yet the characters approach the question in different ways. Furthermore, each scene has a "masculine" character and a "feminine" character. Finally, the differences in passivity and aggressiveness vary from character to character.
Works Cited and Consulted:
Bevington, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books,
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Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
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Iago's honest betrayal has left Othello pondering over Desdemona's faithfulness. Believing the words of his most honest ancient, Othello gullibly succumbs to his insinuations of his wife, Desdemona, as being unfaithful. Through Othello's soliloquy, he is not the self-confident General formerly portrayed as. Instead, his indecision over his wife's infidelity has caused him to explore his flaws as a human being, showing signs of appearance versus reality.
Snyder, Susan. “Othello: A Modern Perspective.” Shakespeare: Othello. Eds. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1993.
Neely, Carol. "Women and Men in Othello" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 68-90)
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In the essay “Wit and Witchcraft: an Approach to Othello” Robert B. Heilman discusses a scene which occurs late in the play and which is sexist:
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.