In The Story of an Hour Kate Chopin gives a very inside look at her feelings about marriage, female independence, and the human will. The first description that Chopin gives of Louise (the main character of the story) is her heart trouble. The way that it is suggested, gives the reader reason to believe that the ailment may not only be physical but also mental. Louise's sister, Josephine and Richards treat Louise with great care as though she is fragile. They are afraid that breaking the news of her husband's death to her may be harmful to her condition. When Louise hears the news of her husband's death, Chopin tells us that she "wept with wild abandonment." This apparently was not the expected response. This is known, because Chopin tells the reader that many women would have received the message and been so paralyzed by it that they would not have been able to show emotion. Therefore, it is assumed that Louise is a rather passionate person.
However, even though Louise is thought to be passionate, it is also suggested that she is somewhat repressed. Chopin tells the reader that Louise's face "Bespeaks repression." The question is why? Louise seems to be a paradox of sorts; she is passionate, but repressed. This leads the reader to wonder if maybe Louise has been controlled or repressed by her husband. A little further in the story, this is confirmed even further by the Louise's later response to her husbands death. Louise begins to become joyful at the thought of being alone. When she begins to feel this joyful free feeling, the word "abandonment" is used suggesting that Louise has felt trapped in some way.
Louise admits that sometimes she had not loved her husband. She also says that her husband had never looked on her with anything but love. However, the reader gains perspective on how he loved her by her reactions to his death. He may have truly loved her, but most likely he was very protective and controlling.
Louise is excited about the prospect of not having "any sharp will bending hers." Chopin suggests to the reader that even if a person's will had kind intentions that it was cruel to impose that will on any human or creature.
Chopin also challenges the common ideals of love in the statement, "There would be no one to live for in the coming years.
Although I believe that Louise has a distorted image of love, I think that it is evident that society had pressured her into a constrained marriage. Louise exclaims “free, free, free!” after the news of her husband’s death (Chopin). This new overwhelming sense of freedom sends her into deep thought of a future to live for herself only. I do not believe that Louise was selfish because women of this time were forced into a selfless wife role. As a woman of the time she would be expected to live for a man, although this is not directly quoted in the story. Her husband’s death would break the bond on societal and marital constraints that had controlled her life for years. Because of this, she experienced a new sense of freedom like no other she had before. For once she had no pressure of a relationship or the expectations that come with it. I believe that she was not selfish for wanting a life of living only for herself. The thought of future excited her; death was not the consequence of her self
She whispers, “Free! Body and soul free!” (Chopin). Though her situation is sad, she does not have a remorseful response. She locks herself in her room and reflects upon her new reality. She instead comes to find a form of liberation for herself from her husband’s death. As she looks out the window, Chopin writes, “…she was drinking in a very elixir of life through that open window,” (Chopin). Chopin is stating Louie’s newly found greatness for her life. She is now able to live for herself and not behind her husband as society has told her. She can be different and gain more from her life now because she does not have to follow or live for a man, as many woman did in society. She feels exonerated from her bondage, which is marriage, and she now feels she can have a life for herself. In the end, her husband is actually found to be alive as he walks into the room. Chopin writes, “When the doctors came they said she had died of heart disease--of the joy that kills,” (Chopin). From seeing her husband, Louise dies. It was joy that had killed her. Readers can easily believe that she died because of the shock that her husband was still alive, but in reality she died from the loss of her new found greatness. The joy that killed her was her own
Louise is trapped in her marriage. The lines of her face "bespoke repression" (paragraph 8). When Louise acknowledges that her husband is dead, she knows that there will "be no powerful will bending her" (paragraph 14). There will be no husband who believes he has the "right to impose a private will upon a fellow creature" (paragraph 14). Louise knows that her husband loved her. Brently had only ever looked at Louise with love (paragraph 13). This tells the reader that Brently is not a horrible ma...
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
Chopin (1894) “fearfully, she waited for something to come to her.” As she waited, she felt it coming, but didn’t know what it was. She tried to get up, but wasn’t able. Then she realized that she was “free, free, free!” Mrs. Mallard was in fear, but then become joyous. “She knew that she would weep again when she saw the kind, tender hands folded in death,” (Chopin, 1894, para. 13). She knew that she would be able to live free, without anyone next her. This was something she had never experienced. Chopin (1894) writes, “She loved him, sometimes; but often she did not.”
As Mrs. Mallard lets her realization take root she begins to chant, “free, free, free” (Chopin, 75). This shows that she accepts her new fate and knows that she will be okay without her husband. Louise becomes aware that she has been dictated by social expectation and requirement, but now can live for herself once again with no one to answer to. Louise admits, “she would weep again when she saw the kind, tender hands folded in death” (Chopin, 75), but sees her future beyond that now. Social expectations no longer obligate her to be the woman she was. Louise is now able to do what she feels is most beneficial for her as an individual, and not what would be expected in her monogamous
Within "The Story of An Hour", Chopin talks about death and illustrates the significance of it. This story implies that death may actually be a blessing under certain circumstances. The narration begins with Louise gets informed that her husband had passed away in an accident. She's no ordinary women, but someone with heart disease. It leads the reader into thinking that she would be in great pain, suffering from the loss of her other half. Surprisingly, Louise's reaction was the exact opposite with her feeling a sense of comfort, but why? In exchange of her husband, she had gained freedom. The feeling of joy was being suppressed holding it down with her own will. Now that Louise is independent,...
Chopin reflects her rejection of the “postures of femininity” through her character’s descriptions. She describes her as “young, with a fair, calm face, whose lines bespoke repression.” Describing her as young and calm are what men looked for in a wife in the 19th century. They wanted a submissive woman to tend to their needs as Chopin’s description suggests. Furthermore, Chopin says of her character Mrs. Mallard, “she would live for herself.” Her character believes she will now be free of her marriage, and won’t be “repressed” as aforementioned any longer by her husband. Wives had a natural servitude towards their husbands as husbands worked and went about their lives. All in all, Chopin displays her character as having a joyous moment after the death of her husband because she is let go of being forced into her “femininity.”
Berkove also says the story is not at all about marriage, but about Louise. The story is missing evidence of where the husband is supposal living for his wife. All these examples support the fact thesis of Louise is self-absorbed.
...egaining her husband and all of the loss of freedom her marriage entails. The line establishes that Louise's heart condition is more of a metaphor for her emotional state than a medical reality.” (Koloski) It is ironic that she accepts the death of her husband and is joyous and free, and then he ends up being alive after she walks out of the room with a sense of power. The ending of The Story of an hour by Kate Chopin implies that maybe the only true resolution of conflict is in death.
The author uses symbolism as well in this story to support the theme. Firstly, the author uses a closed door as a symbol of separator. The closed door separated her from her sister and her friend. She is free from the surroundings. Although she "wept at once" (69) after her husband's unfortunate, things are changing now. "The open window, a comfortable, roomy armchair" (69) reveals that Louise's true feeling. In the following paragraph, Chopin uses "blue sky" (69) as a sign of hope; twittering "sparrows" (69) as a sign of happiness. The reader can confirm that her husband's death is only a temporary hurdle and she recovers quickly from the grief. Now she looks hopefully to the future, future of independent and well deserved freedom.
...d not want to live as a dutiful wife all her life. Now that her husband had passed away and she was alone. “She breathed a quick prayer that life might be long” (Chopin). She knew her life was going to get better, no more oppression no more exhaustion. No her days will be filled with “spring days, and summer days, and all sorts of days that would be her own” (Chopin).
From preschool into early elementary school, children have begun to develop their gross motor skills. They have developed a “mature pattern of walking” and are ready to test their physical abilities to the limits. Also fine motor skills have begun to develop, however more slowly. Along with motor skills children are developing their visual, tactile, and kinesthetic senses. A child’s sensory skills are helpful in learning language.
It takes at least 20 weeks for a child to fully develop inside the womb starting the day of conception. A full pregnancy lasts 42 weeks. During the first week
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