Edna Pontellier is a woman of great needs. Although she has a husband who cares for her and two children, she is very unhappy. She plays her roles as a mother and wife often, but still keeps doing things unmarried, barren women should do: enjoy the company of other men, ignore her children's cries, dress unladylike for the times. The story is set in the late 1800's, when women were to be in the kitchen preparing a meal for their family, giving birth to more children to help with daily chores, or sitting quietly at home, teaching the children while the husband was at work. Edna Pontellier was a woman not of her time. At only 28, she would have rather been out gallivanting with different men, traveling with them, and painting whenever she got the urge. She could never have traveled with Robert, however bad she wanted to, because she was married. Divorce was unheard of. No one would want to marry a woman who had been married and divorced because she was spoiled or ruined. Not only would the men have shunned a divorced woman, many of the other women would have thought that the divorced woman was not filling her God-given role of a mother or wife. When Madame Ratignolle hears of Edna living alone and leaving her husband, she tells her that she "seems to [her] like a child" (Chopin, 127).
Two ways she does escape while still with her husband are her painting and her friendship with Madame Adele Ratignolle. Her friendship is refreshing and Edna learns a great deal from Madame Ratignolle. The madame is very expressive in her thoughts. It is suggested that this is because she is Creole. For Edna, being around Madame Ratignolle and her brash ways helps her to find out her true feelings. The strong friendship gives E...
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...nto a complicated character. In the beginning she seems to be just a woman who is displeased by her husband and feels trapped by her children. Through her many friendships and affairs, she develops into an uncaring woman. When she learns how to swim, it is like a birth for her. Even though her suicide is in the ocean, her life actually ended with her awakening. She began to push people away who loved her and get close to people who did not make any difference. Edna Pontellier was not of the 1800's, but of a more current time; a time when affairs, divorces, and suicides are more common. She may have ended up killing herself whether or not she was married, had children, or committed adultery, but the men in her life contributed greatly.
Work Cited
Chopin, Kate. The Awakening. New York: Bantam, 1899.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Edna learning to swim while at Grand Isle is significant. At first, a certain ungovernable dread hung about her when she was in the water, unless there was a hand (presumably a man’s) near by that might reach out and reassure her.19 As she gains confidence, like a “little tottering, stumbling, clutching child, who of a sudden realizes its powers”20 she swims farther out than she has before, though her husband is watching from the beach to reassure her when she admits she thought she might not make it back to land. It isn’t until after she returns to New Orleans that she becomes fully aware of herself and the hopeless situation she is in. She attempts independence, moving out of the family home and into a smaller one in a slightly worse part of town. She tries to nurture her artistic inclinations and beings an affair with a local playboy, but continues to be dissatisfied with life. Adele Ratignolle’s domestic bliss depresses her, and shortly after his return Robert quickly abandons her, supposedly with the best of intentions. Driven back to Grand Isle where her awakening began, “like some new-born creature,”21 Edna swims out to sea with no intention of returning. She admits to herself that one affair would lead to another, and she would eventually forget Robert.
When Edna felt dissatisfied with the life she is given, she pursues other ways in which to live more fully. She attempts painting and enters into an affair with another man. As her desire for freedom grows, she moves out of her husband’s house and tries to live life as she sees fit. She lives a life reflecting her new philosophies towards life, philosophies that are in conflict with that of society. The oppression by man caused Edna to have a social awakening, illuminating the meaning of the novel.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
Reading through The Awakening for the first time, a passage in chapter X intrigued me: Edna’s first successful swim. I begin my close reading halfway through page 49, “But that night she was like the little tottering, stumbling, clutching child, who of a sudden realizes its powers, and walks for the first time alone, boldly and with over-confidence.” Her success is sudden and in spite of assistance from “the men and women; in some instances from the children” throughout the summer. Robert himself had devised a system of lessons. But her triumph does not result from any such assistance, but from her own abilities. By comparing the experience to a child’s first steps, it conjures imagery she herself must have experienced with her own children, which is emphasized by referring to “the” child rather than “a” child. Before her triumph, she totters, stumbles, and literally clutches at any “hand nearby that might reach out and reassure her,” always requiring the assistance or reassurance of others. But on this night, her powers, which by virtue of the strength of such a word choice suggests its relevance to far more than swimming, overtake her. It is significant she does it alone, and her over-confidence possibly foreshadows the conclusion.
...pport of Mr. Pontellier, her children, Madame Ratignolle, Robert, Madame Reisz, and her father. While Edna sees support for herself in these roles the way the other characters see them, she does not believe that she has their support for herself as an individual, apart from these roles, or as a person defining these roles for herself. As she takes her final walk down to the beach, the sea continues to call to her soul: “The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander in abysses of solitude” (654). The sea has helped Edna see into her innermost being and the transformational journey has helped her realize that she wants to fulfill her roles in life as an autonomous individual. But because Edna feels that she cannot achieve her goals, she succumbs to that which is closest to her innermost being, the sea.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.
We are introduced to Edna Pontellier, a young woman of twenty-nine years who is married to an older, aristocratic man in his forties. They have two young children, who are cared for by servants, and they live a cultured and pampered life in New Orleans in the late eighteen-hundreds. The family is spending the summer on Grand Isle with several other families. It appears that the husband, Leonce Pontellier, is very self-contained man, in his own world, reading the newspaper and seemingly annoyed at the bustle of life going on around him. Everything is his world, including his wife and children, are prim and proper possessions. His expectation of his wife are to be available to him at all times, serve his desire for intellectual conversation, and if for any reason she is not, he rebels by leaving the house and going to his club. He returns to the mainland during the week and Edna is left with the women, children and the eldest son of the island’s hostess, Robert. Edna and Robert appear to have resonated to each other. They enjoy the same things and have developed a happy and platonic friendship. It is obvious to us that Edna feels a great deal emptiness in her heart and soul. She has always felt her life should stand for something more, although she does not know just what that “more” is. Her re...
The most prevalent and obvious gender issue present in the novella was that Edna challenged cultural norms and broke societal expectations in an attempt to define herself. Editors agree, “Edna Pontellier flouts social convention on almost every page…Edna consistently disregards her ‘duties’ to her husband, her children, and her ‘station’ in life” (Culley 120). Due to this, she did not uphold what was expected of her because she was trying to be superior, and women were expected to be subordinate to men. During that time, the women were viewed as possessions that men controlled. It was the woman’s job to clean the house, cook the meals, and take care of the children, yet Edna did none of these things. Her lifestyle was much different. She refused to listen to her husband as time progressed and continually pushed the boundaries of her role. For example, during that time period “the wife was bound to live with her husban...
Edna Pontellier: she is the protagonist of the novel. With twenty eight years, she is housewife married with Léonce Pontellier and mother of two boys, Etienne and Raoul. At the beginning of the novel she is comfortable in her marriage, where she sees the end of passion and the beginning of a responsible life. Through a series of experiences, she evolves into an amazing independent woman, who lives apart from her husband and her children, the only ones of whom she was in charge and is just responsible for her own acts. In a way, the only responsibilities she has during this period are art and having fun with friends. As we have said, she is the main
Edna Pontellier is not a Creole, so her relationship with her husband is difficult. In her husband's eyes she has failed in her duties as a wife and as a mother to her own children. What Enda's husband expects from her is never what she does. Leonce comes home in the middle of the night and talks to Edna while she is sleeping. Then he tells her that Raoul one of their sons is sick and tells her to get up and check on him. Edna had never really had the desire to have children but she did anyway. She was not a "mother-woman" because she would rather be alone sometimes; she did not feel she had to be with her children twenty-four hours a day. If one Edna's boys "....took a tumble whilst at play, he would not apt rush crying to his mother's arms for comfort; he would more likely pick himself up"(16). Enda never felt that she fit in with Creole society because she "...most forcibly was their entire absence of prudery"(19). The Creoles' would talk about things such as childbirth and would flirt with others and not mean anything. Yet Edna would never dream of talking about her childbirth's with anyone or flirting unless she meant it. Creole women devoted their whole lives to their husbands where Enda was carefree and did as she pleased. She was carefree because she would go out onto the beach with only a sundress and a little hat on when she was suppose to be all covered up so she would not become sun burnt.
Her memory of running away from her Father and church when she was a young girl living in Kentucky shows how desperate she is to be free. However, Edna gives up her hopes of freedom for marriage in the hopes that all will fall into place afterwards. Edna’s expectation that marriage and children is proven false when she still is not happy with her life afterwards. She feels that life is worthless and that there should be more to what she is. Edna is not like the other creole mothers; she holds an affection for her children, but it comes and goes. Occasionally she will hold them fiercely to her chest and yet others she will forget them. Her husband disapproves of her lack of maternal instinct and rebukes her when he discovers one of their children, Raoul, sick in his bed. Edna is not alarmed by it, but his harsh words make her burst into tears on the front porch, after he has fallen asleep. Mr. Pontellier does not care about his wife much as a person, only as something he owns. He views everything this way, new lace curtains, glassware, furniture. He is disappointed in his wife because, in his view, she does not function well as a mother. Edna’s lack of
Edna Pontellier was a woman who was forced to comply with the rules of Creole society, but, in being reluctant to do so, found herself in a world where she felt trapped. She saw how women were supposed to behave but did not have that behavior instilled in herself. She felt confined by her husband's expectations, and did not want to live out the typical role of wife and mother.