Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought indeed. Through her didactic discourse and witty tale, the other travelers, as well as the reader, discover more about women than they have from any other person’s account. The women in Chaucer’s time were contradictory to that of the image of an ideal woman according to the Wife of Bath. In her prologue and tale, she presents the reader with a radical woman; one who takes pleasure and power in her marriage.
The Wife of Bath, also named Alison, begins her tale by establishing her credibility through outlining her five marriages. She says, “If there were no authority on earth / Except experience, mine, for what it’s worth, / And that’s enough for me, all goes to show / That marriage is a misery and a woe” (276). Already, she slanders the role of marriage in the interest of being a woman. Through her marriages, she finds the union to be a misery. She further goes on to establish the idea of a “knowing woman.” By painting the picture that there is this ideal and intelligent woman who gets her wa...
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...for her aid in his quest. She has power over him, proving women can play the dominate role in relationships. The moral of the story not only reveals the true desire of a woman, but the consequent happiness of both man and woman if the man submits to her desires.
Chaucer’s forward thinking may have set the tone for feminists of the future. The Wife of Bath exhibits a thought process that is ahead of her time. In the twenty first century, authors and readers alike are still struggling with presenting a woman as both her own entity as well as an important role in a relationship. Both the concepts and the way they are presented within the Wife of Bath’s Prologue and Tale offer a unique view of women—one of power and authority, of sexuality and confidence, of wit and womanhood.
Works Cited
Chaucer, Geoffrey. The Canterbury Tales. New York: Penguin Books, 1951. Print.
Leicester, Jr., H. Marshall. "Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
Regularly characterized as monsters, women were ridiculed for being sexually unappeasable, lustful, and shrewish, and they were regarded with condescension by the church authorities. Similarly, people in the medieval era regarded multiple marriages as highly questionable, and it is for this reason that the Wife of Bath carefully examines the words of God as revealed in scripture (revealing her to be more than a simple-minded woman: a knowledge of religious texts proves she is definitely educated and well-read). She confesses that nowhere can she find a stricture against her having more than one marriage, and her five husbands are therefore her choice and hers only. “He seith to be wedded is no synne:/ Bet is to be wedded than to brynne”, she remarks humorously, drawing on the fact that by God’s permission, finding a partner through marriage is a pastime with little consequences, for it is better than engaging in sin and burning for it (50-53. 301). This begins her analysis of the bible and the often “sinful” breakdown of a sexual relationship between man and woman, and introduces her repetitive idea of the
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
Chaucer used controversies to create character. He wanted his characters to teach the readers something new about life. The Wife of Bath and the Pardoner demonstrate Chaucer’s way of creating characters based on the sexuality of the medieval period.
Leicester, Jr., H. Marshall. "Of a fire in the dark: Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
The investigation into whether or not Geoffrey Chaucer was ahead of his time in terms of his views on feminism has been up for debate for hundreds of years. The Wife of Bath’s Prologue is just one solitary
“The Wife of Bath’s Tale” in The Canterbury Tales by Geoffrey Chaucer is a story about a widow who took a pilgrimage to the town of Canterbury with an array of dynamic characters whose diverse backgrounds allowed them to share their stories with one another to make the long journey more interesting. The widow named Alisoun in the “The Wife of Bath’s Tale” told the tale of her experiences with her five past husbands and a story about a knight and a witch. She truly believed that for a woman to have a happy life she would need to gain dominion over a man; however one could assume this was programmed into her by her influential mother and her own religious doctrines. Accordingly, Alisoun argued that the woman must control everything in order to have a happy marriage; however, her life experience and the story she shared should tell her otherwise.
... allows the present day reader to gain insight into commonly held beliefs regarding women during the 14th century. By allowing Alison to have a sense of humor and joke about aspects of her marriage, Chaucer was able to make numerous points regarding women that would not have been acknowledged had a female author created them. By making Alison a laughable character, Chaucer was able to make points about women such as the unfairness of double standards, the acknowledgement of female desire, and the reality of women marrying well to improve their economic situations. Chaucer also provides us with detailed examples of commonly held stereotypes regarding women that are still relevant approximately seven centuries later.
Chaucer, Geoffrey. “The Canterbury Tales: The Wife of Bath’s Prologue and Tale.” The Norton Anthology English Literature. Ed. M.H. Abrams and Stephen Greenblatt. 7th ed. New York: W.W. Norton & Company, 2001.
In The Wife of Bath Prologue, Dame Alison discusses how a successful relationship between a man and woman is one where the woman is in control. She uses her experiences to defend her views. A woman who has been married five times, Alison clearly endorses herself as being a woman of sexual desires, and in doing this she also makes a defense for women like herself. She disputes the notion that marriage is inferior to chastity by giving examples from the Bible. She cites King Solomon who had numerous wives and was not condemned for his behavior so why should she. She also quotes St. Paul’s statement that it is better to have passion while married, “It’s no sin to be married, he said, / For if you’re burning, better to be wed” (50-51). She does not throw out virginity, but rather argues, “A woman may be counseled to be pure, / But to counsel and commandment aren’...
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
Carter, Susan. "Coupling the Beastly Bride and the Hunter Hunted: What Lies Behind The Wife of Bath's Tale." Chaucer Review, Vol. 37 No. 4 (2003), 329-345.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.
The Wife of Bath represents the "liberal" extreme in regards to female stereotypes of the Middle Ages. Unlike most women being anonymous during the Middle Ages, she has a mind of her own and voices herself. Furthermore, she thinks extremely highly of herself and enjoys showing off her Sunday clothes whenever the opportunity arises. She intimidates men and women alike due to the power she possesses. Because of her obnoxious attitude Chaucer makes her toothless, fat and large. Doubtlessly, she is very ugly, almost to the point of "not-presentable. This to me shows how Chaucer depicts what men don't want. The Prioress, on the other hand, serves as a foil to the Wife of Bath. Chaucer describes her as "tender-hearted" who cannot bear the sight of pain or physical suffering. She will cry at the thought of a dog dying. It could represent that she has a frail soul with low tolerance for pain and suffering. The latter description carries over into the modern stereotypes about women as skittish and afraid members of society who need to be cared for.