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analysis of john steinbeck
morality and religion in the grapes of wrath
grapes of wrath social commentary
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The Power of Religion in John Steinbeck's The Grapes of Wrath John Steinbeck's epic novel, The Grapes of Wrath, chronicles the struggles of the Joads as they join the thousands of fellow "Okies" in a mass migration westward. The Joads reluctantly leave behind their Oklahoma farm in search of work and food in California. While Steinbeck writes profoundly and emotionally about the political problems of the Great Depression, his characters also show evidence of a deep concern with spirituality. When they feel hopeless and are uncertain about their immediate future, their concentration on religion dwindles. On the other hand, when they leave their home, the Joads regain spiritual faith; they have something to live for: California. Once they arrive and find only more difficulties, they lose their sense that better things are ahead of them and gravitate back towards thinking politically. However, they finally return to the source of their original faith--religion-- at their most desperate time. One of the first characters Steinbeck introduces (after Tom Joad) is the former preacher Jim Casy, who questions his own faith in his initial conversation with Tom: "Ain't got the call [to preach] no more. Got a lot of sinful idears-but they seem kinda sensibleThe sperit's strong in me, on'y it ain't the sameHere I got the sperit sometimes an' nothin' to preach about. I got the call to lead the people, an' no place to lead 'em" (Steinbeck 20-21). His skepticism precludes him from preaching. He still recognizes the importance of his religion, but he is no longer sure of its role in the times of hopelessness. Casy could not preach when neither he nor those to whom he preached had a purpose. When guided by a goal, though, he pro... ... middle of paper ... ...gles with their own faith in the midst of hunger, poverty, homelessness and loss of family are enlightening, and can inspire people who are not in that terrible situation to reconsider themselves. Work Cited Steinbeck, John. The Grapes of Wrath. New York: Penguin Books, 1998. Works Consulted Conder, John J. "Steinbeck and Nature's Self: The Grapes of Wrath." John Steinbeck, Modern Critical Views. New York: Chelsea House Publishers, 1987. 125-140. French, Warren. John Steinbeck. Boston: Twayne Publishers, 1975. Levant, Howard. "The Fully Matured Art: The Grapes of Wrath." John Steinbeck, Modern Critical Views. New York: Chelsea House Publishers, 1987. 35-62. Lojek, Helen. "Jim Casy: Politico of the New Jerusalem." Steinbeck Quarterly, Winter-Spring 1982. 30-37. The New American Bible, Gospel of John. 23:34. New York: The Catholic Press, 1976.
When closely evaluating the two texts: Plutarch's The Lives of the Ancient Grecians and Romans and Shakespeare's Julius Caesar, there are stark differences of the theme and characters. While Plutarch's text is mostly informative, as describing a series of historical events, Shakespeare incorporates a wide variety of dramatic conventions as well as changing many events to entertain an audience. It is important to note that Shakespeare's play was based on Plutarch's text, which is why many of the differences are because of Shakespeare's revision. Shakespeare changes the tone of many important characters such as Marcus Brutus and Mark Antony. He also adds details to make the storyline heroic and inspiring. Plutarch's text is a third-person view on the events, with little explanation of people's opinions and thoughts.
Steinbeck's relationship to the transcendentalists [Emerson, Thoreau, and Whitman] was pointed out soon after The Grapes of Wrath appeared by Frederick I. Carpenter, and as the thirties fade into history, Jim Casy with his idea of the holiness of all men and the unreality of sin seems less a product of his own narrowly doctrinaire age than a latter-day wanderer from the green village of Concord to the dry plains of the West.
Wyatt, David ed. New Essays on The Grapes of Wrath. Cambridge: Cambridge University Press, 1990.
In the novel The Handmaids Tale by Margaret Atwood the themes of Religion and inter-human relationships are the themes that are most evident in the text. This novel shows the possibility of the existence of an all-powerful governing system. This is portrayed through the lack of freedom for women in society, from being revoked of their right to own any money or property, to being stripped of their given names and acquiring names such as Offred and Ofglen, symbolizing women’s dependant existence, only being defined by the men which they belong to. This portrayal of women demonstrates the idea that individuals are unimportant, that the goals of the society as a whole are more pertinent. “For our purposes, your feet and your hands are not essential” (chapter 15) is a quote revealing that Gilead denies rights to individuals and to humankind. In The Handmaids Tale, handmaids are only considered of value for their ability to reproduce, otherwise they are disposable. Religion is an aspect very prominent in the society of Gilead. We see this in chapter 4, where Ofglen and Offred meet and th...
To begin with the so called Handmaids are girls who have only one purpose in life which is to reproduce. They are women who when have reached the age and maturity to reproduce have been taken to Gilead where they are tattooed with four digits and an eye (Gilead's tattoo which works as a passport in reverse) which immobilises them, in contrast to the winged male eye which is the state symbol. Then they are re-educated at the so called Red-centre, the name emphasises female sexuality and how they are taught there can be linked with brainwashing. They are told how lucky they should feel because they have been saved from the primitive and cruel outside world where women are being raped and maltreated. Other things they learn are numerous sayings and mottos of the Red-centre like "Pen is Envy" which is based on a Freudian psychoanalytic theory which presents "penis envy" as an essential element of femininity, and a mark of "woman's natural inferiority to men". So knowing this, are they actually better of in Gilead? There they are "valued only in terms of their biological usefulness as child bearers" due to that the birth rate in the society has fallen to a catastrophically low level because of deadly pollution and sexually transmitted diseases which cause sterility and infertility. They are known by their Commanders first names, Of -(name of commander), this to underline their function as sexual objects without individuality.
The handmaid's wore red, “The red gloves are lying on the bed. I pick them up, pull them onto my hands, finger by finger. Everything except the wings around my face is red: the colour of blood, which defines us.” (Atwood 8). The wives wore modest blue outfits and martha's wear a “dull green” (Atwood 10). While out on a walk one day Offred sees a group of Japanese tourists, and noticed the girls were wearing short skirts. She then thinks back to when she used to dress like that, “They seem underdressed. It has taken so little time to change our minds, about things like this. Then I think: I used to dress like that. That was freedom.” (Atwood 32). Offred came to the realization that clothing is how she used to express herself and men being able to choose what all women wear deprived them of expressing themselves in anyway. On page 62 Offred talks about how Moira used to dress, she would wear lace clothes, snap garters and bras that pushed up her boobs. From that one explanation it becomes clear what type of person Moira was. Clothing is a form of self expression, the men took away any form of being able to express
Within Gilead there is an authority that is much higher than is necessary or healthy for any nation. With such power comes corruption, which then spreads throughout the whole of society, slowly obliterating the nation’s people. This corruption of a powerful government can only be controlled by the force of the people which, in the Handmaid’s tale, is nearly non-existent, thus giving the militant Eyes – as well as the rest of the Gilead government – a stronger hold on the people by their indifference. The Eyes especially have an intimidating vigor which holds down the people by means of threat of punishment, in addition to the allusion of freedom to keep the people pacified. As stated in the novel, “A rat in a maze is free to go anywhere, as long as it stays inside the maze.” (Atwood 165). This shows how the government keeps ultimate control over the nation by way of intimidation, allusion, and roles in society. Status and class is vital in Gilead, showing the world who one is by their uniform, speaking louder than any voice. Of course, Gilead has given these roles in the society as another way to control the people, but due to their passivity, everyone decides to go along with it, never questioning the power of this supposed republic. This goes to illustrate just how corrupt a government can be if not frequently checked by its
Margaret Atwood’s dystopian republic, Gilead, from her novel The Handmaid’s Tale is plagued with corrupt leadership. The oppressor of the of the protagonist Offred is The Commander: a leader and founder of this totalitarian society.
Steinbeck, John. The Grapes of Wrath, The Moon is Down, Cannery Row, East of Eden, Of Mice and Men. New York: Heinemann/Octopus, 1979. pp.475 - 896.
Throughout The Handmaid’s Tale, the author Margaret Atwood gives the reader an understanding of what life would be like in a theocratic society that controls women’s lives. The narrator, Offred gives the reader her perspective on the many injustices she faces as a handmaid. Offred is a woman who lived before this society was established and when she undergoes the transition to her new status she has a hard time coping with the new laws she must follow. There are many laws in this government that degrade women and give men the authority of each household. All women are placed in each household for a reason and if they do not follow their duties they are sent away or killed. Atwood bases the irrational laws in the Gilead republic on the many
The Gilead Society has segregated women into different caste systems. There are six main categories in the caste system. The first are the Wives, who wear blue dresses and are at the top of the female hierarchy. Their main purpose is reproduce with their husbands, if they are unable then Handmaids are used. Then there are Daughters, either the natural or adopted children of the ruling class. They tend to wear white until marriage. The next are the Handmaids, fertile women whose sole purpose is to reproduce children for the wives. Handmaids wear a full red dress outfit with red gloves, red shoes, and...
The light and dark imagery that Shakespeare uses in this passage describes Juliet as a young and eager lover. Romeo associates Juliet with light meaning goodness. Then Romeo says that Juliet looks like the excellent night. The night that Romeo speaks of represents Rosaline. Romeo basically says through with light and dark imagery, that Juliet is as good as Rosaline to love. Romeo then compares Juliet to a "winged messenger of heaven" who filled with lightness and goodness. He says that all humans look upon this kindness as the messenger "bestrides the lazy puffing clouds" while doing his errands. Romeo explains using this imagery that everyone looks at Juliet because she gives off a stunning and intricate outlook.
Another way the women in The Handmaid’s Tale are unequal to men is in dress. In modern society it is normal to think of clothing as a way to express our personality and individuality. What you wear helps others know who you are. In the novel, the main character Offred grew up in a westernized world –freedoms like self expression and speech- but it was taken away from her when she became a handmaid.
In the play Julius Caesar, written and preformed by William Shakespeare, there are many characters, but two, Brutus and Cassius, stood out. The play begins in Rome where a celebration of Julius Caesar's victory over the former ruler of Rome, Pompeii. The victory leads to Caesar's betrayal by his jealous companions. Senators and other high status figures are jealous of Caesar's new and growing power, while others, like Brutus, fear the tyrannical rule Caesar could enforce. The conspirators, Brutus and Cassius being the most important, assassinate Julius Caesar and Marcus Antonius, better known as Antony, and Octavius Caesar, Caesar's heir to the thrown, revenge Caesar's death. Antony convinces the Roman populous to destroy the conspirators and eventually begins a war with Cassius and Brutus' armies. Both Cassius and Brutus commit suicide to save their honor and Antony and Octavius win the war. The characterizations of Brutus and Cassius show a distinct contrast in their character traits and motives for the assassination of Julius Caesar.
As The Handmaid’s Tale is considered an allegory of the social injustice women face against traditional expectations of their role in society, the symbolism of the Handmaids and other women as a whole for repressed feminine liberty and sexuality allows Atwood to connect her work to the theme between gender and expectations in her society. As Handmaids in the Republic of Gilead, females are stripped of their previous identity and are defined as a tool of reproduction for the men who is assigned them. At its core, these females are forced against their will to be mere tools, experiencing unwanted sex at least once a month, which Gilead names “The Ceremony”, hiding its true nature as a form of rape. Offred